After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
Riding across Manhattan in a stretch limo in order to get a haircut, a 28-year-old billionaire asset manager's day devolves into an odyssey with a cast of characters that start to tear his world apart.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
Dennis Clegg is in his thirties and lives in a halfway house for the mentally ill in London. Dennis, nicknamed "Spider" by his mother has been institutionalized with acute schizophrenia for some 20 years. He has never truly recovered, however, and as the story progresses we vicariously experience his increasingly fragile grip on reality. Written by
Erwin van Moll <firstname.lastname@example.org>
I loved this film! The novel that is based on, must have a lot of Freud psyche theories, because the film just reflects it. And in such a perfect manner. Cronenberg has reached a point where he has got a mature talent.
It is a brilliant exploration of the Unconscious, of The Edipus Complex, and of Guilt. Cronenberg does for The Edipus Complex here, what Lynch did for The Nightmare in "Mullholland Dr." We really get into Gleg "Spider"'s mind. And it's very terrifying and disturbing inside. Not pretty at all.
The cast did an outstanding job. All my praises should go to Fiennes, and especially to Miranda Richardson who plays three different characters with a master talent. She's living prove that there's no justice at the Oscars.
If you study psychiatry or psychology go and see it! It's a must see. If you love cinema, go and see it also. One of the year's best.
29 of 45 people found this review helpful.
Was this review helpful to you?