A police captain needs to balance between protecting the last remaining witness in a trial, and his rapidly disintegrating love life.

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(book), (screenplay) | 1 more credit »
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1 win & 11 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Reuven Shechter
Yael Hadar ...
Aya Masterichi
Gal Zaid ...
Patrick Sarusi
Dalit Kahan ...
Shuli
Tomer Sharon ...
Iftah
...
David Shuashu
Ofira Rahamim ...
Cohen
Avi Seder ...
Kadosh
Poly Reshef ...
Zeharia
Samuel Calderon ...
Shimon Peres (as Shmulik Calderone)
Nahman Ashkenazi ...
Attorney Nissim
Dvir Benedek ...
Barguda
Hilla Sarjon ...
Hedva
Boaz Davidoff ...
Hava Albershtein Deliveryman
Gisele Silver ...
Shirley (as Osnat Hakim)
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Storyline

Despite being under house arrest, crime boss Patrick Sarusi manages to eliminate any witnesses that try to go against him time after time. As a last ditch effort, before the case is dropped, Captain Reuven, the officer in charge of the case, sends police woman Aya (who also happens to be his lover) to befriend Patrick's neighbors and try to get evidence against him. But Aya's unorthodox methods, coupled with her disillusionment from their relationship, might get Reuven more than he bargained for. Written by Oleg

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22 February 2001 (Israel)  »

Also Known As:

Clean Sweep  »

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User Reviews

 
Superb Tarantino imitation
19 August 2006 | by (Brisbane, Australia) – See all my reviews

Quentin Trashantino has spawned many imitators over the last few years, most of them more talented than he is. While his influence is most keenly felt in Japan with its long tradition of gangster films centred around the Yakuza, this very entertaining Israeli film easily matches those Japanese ones, and of course, easily tops Quentin. In fact it's easily the best of the few Israeli films that I have seen.

The film centres around a team of police trying to safeguard prosecution witnesses from a drug dealer who doesn't care for the wellbeing of witnesses, and has been steadily thinning their ranks. The police try to stay one step ahead of the drug dealer as they protect their last witness. Meanwhile Aya Mastrichi (Yael Hadar), a sexy female Dirty Harry and the most effective of the police officers, is having relationship problems with her insensitive pig of a policeman boyfriend, and the people she incidentally meets while working on the case encourage her to be more demanding of her right to an orgasm. All these different subplots are neatly and hilariously tied up in a very satisfactory manner by the end of this beautifully structured film, with our hero outsmarting everyone.

As expected from a Tarantino ripoff, the characters are all humorous, ultraviolent eccentrics, filmed with a particular emphasis on saturated colours to give it that slightly cartoonish feel. Yael Hadar in the lead female role looks very fetching, very much resembling a young Beatrice Dalle, although they have had to put the makeup on with a trowel as Hadar bears little actual resemblance.


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