The Dealers tells the story of Rami and Avishay, 27 years old friends that share an apartment in a small Jerusalem neighborhood. They spend their days smoking and playing in a soccer team ... See full summary »
A married, Orthodox, Jerusalem butcher and Jewish father of four falls in love with his handsome, 22-year-old male apprentice, triggering the suspicions of his wife and the disapproval of his Orthodox community.
Through the streets of Jerusalem two teenagers' stories will unite to tell the summer adventure of their lives. Tamar is an amazingly talented but very quiet and insecure girl, who leaves ... See full summary »
Despite being under house arrest, crime boss Patrick Sarusi manages to eliminate any witnesses that try to go against him time after time. As a last ditch effort, before the case is dropped, Captain Reuven, the officer in charge of the case, sends police woman Aya (who also happens to be his lover) to befriend Patrick's neighbors and try to get evidence against him. But Aya's unorthodox methods, coupled with her disillusionment from their relationship, might get Reuven more than he bargained for. Written by
Quentin Trashantino has spawned many imitators over the last few years, most of them more talented than he is. While his influence is most keenly felt in Japan with its long tradition of gangster films centred around the Yakuza, this very entertaining Israeli film easily matches those Japanese ones, and of course, easily tops Quentin. In fact it's easily the best of the few Israeli films that I have seen.
The film centres around a team of police trying to safeguard prosecution witnesses from a drug dealer who doesn't care for the wellbeing of witnesses, and has been steadily thinning their ranks. The police try to stay one step ahead of the drug dealer as they protect their last witness. Meanwhile Aya Mastrichi (Yael Hadar), a sexy female Dirty Harry and the most effective of the police officers, is having relationship problems with her insensitive pig of a policeman boyfriend, and the people she incidentally meets while working on the case encourage her to be more demanding of her right to an orgasm. All these different subplots are neatly and hilariously tied up in a very satisfactory manner by the end of this beautifully structured film, with our hero outsmarting everyone.
As expected from a Tarantino ripoff, the characters are all humorous, ultraviolent eccentrics, filmed with a particular emphasis on saturated colours to give it that slightly cartoonish feel. Yael Hadar in the lead female role looks very fetching, very much resembling a young Beatrice Dalle, although they have had to put the makeup on with a trowel as Hadar bears little actual resemblance.
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