Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
In a ratty flat, a man is on his hands and knees, holding a shoe by its toe, trying to kill a bug of some sort that so far has managed to evade him. He keeps up the chase and whacks at it a... See full summary »
Sent from the city to investigate the murder of a teenage girl in a small Alaska town, a police detective (Pacino) accidentally shoots his own partner while trying to apprehend a suspect. Instead of admitting his guilt, the detective is given an unexpected alibi, but this "solution" only multiplies the emotional complexity and guilt over his partner's death. He's also still got a murder to solve, in addition to the blackmail and framing of an innocent bystander being orchestrated by the man they were chasing. There's also a local detective (Swank) who is conducting her own personal investigation... of his partner's death. Will it all come crashing down on him? Written by
greg Dean Scmitz
The script adaption written by Hilary Seitz had Al Pacino's character, Will Dormer, arriving in Alaska, the film's setting, as a detective from Oregon. Pacino's executive assistant at the time, Tim Judge, suggested to Pacino that Oregon be changed to LA and further suggested it be added that Pacino's character had planted evidence to get a conviction which put an innocent man in prison back in LA. LAIA (Los Angeles Internal Affairs) was suspicious and was pursuing Dormer to bring him back to LA for questioning. Also, Judge suggested that the real criminal in the LA case was Walter Finch, portrayed by Robin Williams. In fact, it was the similarities in the crimes occurring in Alaska that brought Dormer there in the first place, not so much just to help his friend, the police chief Nyback played by Paul Dooley. Christopher Nolan liked the changes and added them to his director's pass on the script. See more »
When the police officers are waiting for the murderer to return to the cabin for the girl's backpack (Scene 8 on the DVD), they are talking about firearms. One of the Alaska cops says "Yeah that's nice, mine's all plastic save the barrel and firing pin - never rusts. What do you carry down in LA?" In the real world, the only part on his Glock that is plastic is the frame. The barrel, firing pin, trigger components, and SLIDE are all metal. Seeing how the Glock's frame (that's the big part on top) is 100% blued metal, it rusts just as easily as anything else. See more »
There's just nothing down there. Nothing. I haven't seen a building in, like, 20 minutes. Look at that.
We're not on vacation, Hap. Remember?
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(Obvious comment -->) This movie kept me wide awake
After `Memento', I - and a lot of others - eagerly awaited to see what Nolan would do next. Could he repeat the success? No. Could he still do a decent movie, a cut above the rest? Yes.
It's all about a killer. A top detective, Dormer (Al Pacino), along with his partner Eckhart (Martin Donavan), is called in to assist in a murder in remote Alaska. They're assisted by the local police officer Ellie Burr (Hilary Swank), who is a big fan of Dormer. Well and good. The two detectives have a secret shared between them, which allows for some creative, character building friction. You want a twist? Got it - there's a few. Firstly, there's the whole `insomnia' element - Alaska is in a 24-hour sun period, which Dormer cannot adjust to. Therefore he's constantly awake, and as the hunt continues, getting more and more tired - and more and more likely to mistake. Speaking of mistakes - he makes a big one (which I can't reveal) but which has dramatic consequences (not to mention character introspecting and building). This allows the movie to take a path, which is somewhat unexpected (for a bit), especially when we see how far Dormer is willing to go. It's all let down a bit by a final fifteen minutes which is, if nothing else, too dully Hollywood predictable. Oh well.
So the script's good but not excellent. Certainly not a patch on `Memento' as it has none of its mystery or suspense. It's essentially a cop/bad-guy story with the insomnia twist, and doesn't feature any spectacularly memorable moments. So why is it above average? The performances help for one. Al Pacino is the perfect person to play an insomniac - his drooping eyes are suited to Dormer. Yes he does his usual, appearing to sleep through his roles, but it suits the Dormer character and so he's well chosen. Swank is a bit disappointing - it's not a fault of her acting abilities, but more of a character that seems decidedly under-developed. All we know is that she's a fan of Dormer, but out to prove herself and make a mark. Not original. Robin Williams is of course the most talked about actor here, casting himself against type as a villain. He's remarkably restrained. I normally loathe his `comedy' roles, and kept expecting him to burst into goofy gestures and rambling nonsense, but he keeps himself in, gives himself a quiet dignity, undercut with a credible sense of menace. It'll make his role in `One Hour Photo' interesting to see. His character is also reasonably interesting, let down again by the weak finale.
So how does Nolan, master editor, work out here? He's good. There is a nice repeated image that, like elements of `Memento', only makes full sense later on. There're some great cuts and moments indicating Pacino's extreme fatigue
still camera work, sound being drowned out, and so forth. Certainly
Nolan knows how to do his visuals and work with the beautiful Alaskan (and British Columbian) landscape to create stark images (which are, of course, also metaphorical). His use of lighting - a necessity in this movie - is good, and a nice contrast with light being used where dark would normally be the enemy. It's his work, along with the actors, that lifts up the movie into the `well worth watching' category.
I was, in the end, a little bit disappointed with `Insomnia'. It's not half as clever as `Memento', presumably having to pander more towards typical Hollywood sensibilities (it appears that it deviates from the original to make it more audience friendly). The lack of a stronger script is offset by some fine acting and assured direction. I look forward to seeing what Nolan does next, just not with quite the same eagerness as I did before this. 8/10.
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