7.2/10
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656 user 184 critic

Insomnia (2002)

Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.

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Cast

Cast overview, first billed only:
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Oliver 'Ole' Zemen ...
Pilot
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Chief Nyback
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Fred Duggar
Larry Holden ...
Farrell
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Francis
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Rich
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Officer #1
Andrew Campbell ...
Officer #2
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Coroner
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Mrs. Connell
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Storyline

Sent from the city to investigate the murder of a teenage girl in a small Alaska town, a police detective (Pacino) accidentally shoots his own partner while trying to apprehend a suspect. Instead of admitting his guilt, the detective is given an unexpected alibi, but this "solution" only multiplies the emotional complexity and guilt over his partner's death. He's also still got a murder to solve, in addition to the blackmail and framing of an innocent bystander being orchestrated by the man they were chasing. There's also a local detective (Swank) who is conducting her own personal investigation... of his partner's death. Will it all come crashing down on him? Written by greg Dean Scmitz

Plot Summary | Add Synopsis

Taglines:

A tough cop. A brilliant killer. An unspeakable crime. See more »


Motion Picture Rating (MPAA)

Rated R for language, some violence and brief nudity | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

24 May 2002 (USA)  »

Also Known As:

Insomnia - Schlaflos  »

Box Office

Budget:

$46,000,000 (estimated)

Opening Weekend:

$26,068,419 (USA) (24 May 2002)

Gross:

$67,263,182 (USA) (20 September 2002)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Insomnia (2002) and Following (1998) are the only movies directed by Christopher Nolan that are not listed in IMDb's Top 250 as of 2016. His other 7 movies are a part of the best 250 movies ever made as voted by IMDb users. See more »

Goofs

Dormer, a seasoned police detective who demonstrates in the story that he understands the properties of blood, including DNA and proteins, chooses to use hot water to clean the blood off his clothes (you can see the hot water tap is wide open and the cold tap is closed in the sink in his hotel room). Hot water binds blood to clothes and makes a permanent stain. Cold water removes blood. See more »

Quotes

[first lines]
Hap Eckhart: There's just nothing down there. Nothing. I haven't seen a building in, like, 20 minutes. Look at that.
Will Dormer: We're not on vacation, Hap. Remember?
See more »

Connections

Featured in Day for Night: The Making of 'Insomnia' (2002) See more »

Soundtracks

Sparks
Written by Guy Berryman, Jon Buckland, Will Champion, Chris Martin
Performed by Coldplay
Courtesy of EMI Records Ltd.
Under license from EMI-Capitol Music Special Markets
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User Reviews

(Obvious comment -->) This movie kept me wide awake
5 November 2002 | by (Dublin, Ireland) – See all my reviews

After `Memento', I - and a lot of others - eagerly awaited to see what Nolan would do next. Could he repeat the success? No. Could he still do a decent movie, a cut above the rest? Yes.

It's all about a killer. A top detective, Dormer (Al Pacino), along with his partner Eckhart (Martin Donavan), is called in to assist in a murder in remote Alaska. They're assisted by the local police officer Ellie Burr (Hilary Swank), who is a big fan of Dormer. Well and good. The two detectives have a secret shared between them, which allows for some creative, character building friction. You want a twist? Got it - there's a few. Firstly, there's the whole `insomnia' element - Alaska is in a 24-hour sun period, which Dormer cannot adjust to. Therefore he's constantly awake, and as the hunt continues, getting more and more tired - and more and more likely to mistake. Speaking of mistakes - he makes a big one (which I can't reveal) but which has dramatic consequences (not to mention character introspecting and building). This allows the movie to take a path, which is somewhat unexpected (for a bit), especially when we see how far Dormer is willing to go. It's all let down a bit by a final fifteen minutes which is, if nothing else, too dully Hollywood predictable. Oh well.

So the script's good but not excellent. Certainly not a patch on `Memento' as it has none of its mystery or suspense. It's essentially a cop/bad-guy story with the insomnia twist, and doesn't feature any spectacularly memorable moments. So why is it above average? The performances help for one. Al Pacino is the perfect person to play an insomniac - his drooping eyes are suited to Dormer. Yes he does his usual, appearing to sleep through his roles, but it suits the Dormer character and so he's well chosen. Swank is a bit disappointing - it's not a fault of her acting abilities, but more of a character that seems decidedly under-developed. All we know is that she's a fan of Dormer, but out to prove herself and make a mark. Not original. Robin Williams is of course the most talked about actor here, casting himself against type as a villain. He's remarkably restrained. I normally loathe his `comedy' roles, and kept expecting him to burst into goofy gestures and rambling nonsense, but he keeps himself in, gives himself a quiet dignity, undercut with a credible sense of menace. It'll make his role in `One Hour Photo' interesting to see. His character is also reasonably interesting, let down again by the weak finale.

So how does Nolan, master editor, work out here? He's good. There is a nice repeated image that, like elements of `Memento', only makes full sense later on. There're some great cuts and moments indicating Pacino's extreme fatigue

  • still camera work, sound being drowned out, and so forth. Certainly


Nolan knows how to do his visuals and work with the beautiful Alaskan (and British Columbian) landscape to create stark images (which are, of course, also metaphorical). His use of lighting - a necessity in this movie - is good, and a nice contrast with light being used where dark would normally be the enemy. It's his work, along with the actors, that lifts up the movie into the `well worth watching' category.

I was, in the end, a little bit disappointed with `Insomnia'. It's not half as clever as `Memento', presumably having to pander more towards typical Hollywood sensibilities (it appears that it deviates from the original to make it more audience friendly). The lack of a stronger script is offset by some fine acting and assured direction. I look forward to seeing what Nolan does next, just not with quite the same eagerness as I did before this. 8/10.


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