Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed.... See full summary »
When Algernon discovers that his friend, Ernest, has created a fictional brother for whenever he needs a reason to escape dull country life, Algernon poses as the brother, resulting in ever increasing confusion.
Colin's a sad-eyed British artist holed up in a rundown hotel in small-town Vermont after being dumped by his fiancée. The hotel owner plays matchmaker and introduces him to a local girl. ... See full summary »
Memoir of the lives of a family growing up on a post World War I British estate headed up by a strong disciplinarian, her daughter, her inventor husband, their ten year old son, and his ... See full summary »
Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hope of a career and position by marrying ... See full summary »
Two young gentlemen living in 1890's England use the same pseudonym ("Ernest") on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities... Written by
The business with "Ernest's" bill at the Savoy and the money collectors coming to Jack's country home is taken from a scene cut from the play prior to its publication. See more »
Jack's plaid tie was trademarked by Burberry in 1924. See more »
Well, I must say, Algy, that I think it is high time that Mr. Bunbury made up his mind whether he was going to live or die. This shilly-shallying with the question is absurd!
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After the funeral for Bunbury, Colin Firth's Earnest is seen getting a tattoo of "Gwendolyn" on his posterior See more »
There do seem to be some scathing reviews here, but I have to say that I loved it!
I first started by reading the play, then watching the 1952 version, and then this latest reworking. The cast were absolutely stellar, though I'd go along with the criticism that they were just a little too deadpan in places. The sheer quantity of wit and wordplay in this script make it difficult to keep up, and it's often only in a reading that you realise that just about every other line is a hilarious gag.
I really can't understand an earlier criticism that a viewer couldn't make out any of the dialogue. I though it was wonderfully recorded with crystal clear diction throughout, but maybe that's an international difference. I'm lucky to make out about one third of anything the children say in 'To Kill a Mockingbird'.
Anyway - it was well filmed, great locations, and wonderful wit delivered by beautiful people. I loved it.
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