While a British film crew are shooting a version of The Duchess Of Malfi in Venice, they in turn are being filmed by a sleasy documentary primadonna while the strange staff share meals ... See full summary »
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
An uptight, middle-aged, repressed woman turns into a sex addict after getting hit on the head, and she then falls into an underground subculture of sex addicts in suburban Baltimore.
Director:
John Waters
Stars:
Tracey Ullman,
Johnny Knoxville,
Selma Blair
The comic 'Bluntman and Chronic' is based on real-life stoners Jay and Silent Bob, so when they get no profit from a big-screen adaptation they set out to wreck the movie.
In the third installment of the Scary Movie franchise, Cindy has to investigate mysterious crop circles and video tapes, and help the President in preventing an alien invasion.
When a lonely guy meets a woman on the Internet who happens to be in prison, she breaks out to be with him, and proceeds to wreak havoc on his middle-class life.
Kazakh TV talking head Borat is dispatched to the United States to report on the greatest country in the world. With a documentary crew in tow, Borat becomes more interested in locating and marrying Pamela Anderson.
While a British film crew are shooting a version of The Duchess Of Malfi in Venice, they in turn are being filmed by a sleasy documentary primadonna while the strange staff share meals which consist of human meat. Then there is the hit man, the call girl and the Hollywood producer all managing to become part of the madness... Written by
Andrew Main
John Webster's play "The Duchess of Malfi" was first performed in 1614 at the Globe Theatre in London, and first published in 1623. The onscreen credits simply list the title followed by the author's name, and omit the word "play". See more »
"Waltz #15 in A flat major ('Lullaby'), Op.39"
(1865) (uncredited)
Written by Johannes Brahms
Often in the score, mostly during Trent's coma scenes See more »
This movie is severely lacking in the artistry that it claims to be all about. I feel it is as artistic as a the so-called art created by people who fling paint randomly onto a canvas or getting on a stage and doing various things to hurt themselves or shock the audience. I can't believe that the people involved with this are the people involved with this. I was deluded just as other people who wrote comments about this movie by the cover of the DVD (don't judge a DVD by its cover I know, but still, what else do you have to go on usually? Besides, its intentionally deceptive in my opinion)which makes it sound like a sleek little independent mystery/horror or something like that. I liked many of the cinematic decisions made in regards to photography and lighting, but these can only help so much. The rest of the movie serves only the purpose of trying (key word: trying) to prove that these actors are truly "artists" and are so adept and creative that they can improvise an entire movie. Not the case here. This is equivalent, in my opinion, to a group of expert, yet overindulgent scientists trying to get their faces on The Journal of Science and instead blowing up the lab. Hopefully this movie will serve an unintentionally good purpose of proving there is a reason great artists like Van Gogh or Monet painted artistic "impressions" of life and the world with some measure of design and structure, a blueprint if you will, and there is a reason why movies need (i'd underline need if I could
19 of 22 people found this review helpful.
Was this review helpful to you?
This movie is severely lacking in the artistry that it claims to be all about. I feel it is as artistic as a the so-called art created by people who fling paint randomly onto a canvas or getting on a stage and doing various things to hurt themselves or shock the audience. I can't believe that the people involved with this are the people involved with this. I was deluded just as other people who wrote comments about this movie by the cover of the DVD (don't judge a DVD by its cover I know, but still, what else do you have to go on usually? Besides, its intentionally deceptive in my opinion)which makes it sound like a sleek little independent mystery/horror or something like that. I liked many of the cinematic decisions made in regards to photography and lighting, but these can only help so much. The rest of the movie serves only the purpose of trying (key word: trying) to prove that these actors are truly "artists" and are so adept and creative that they can improvise an entire movie. Not the case here. This is equivalent, in my opinion, to a group of expert, yet overindulgent scientists trying to get their faces on The Journal of Science and instead blowing up the lab. Hopefully this movie will serve an unintentionally good purpose of proving there is a reason great artists like Van Gogh or Monet painted artistic "impressions" of life and the world with some measure of design and structure, a blueprint if you will, and there is a reason why movies need (i'd underline need if I could