IMDb > All About the Benjamins (2002)
All About the Benjamins
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All About the Benjamins (2002) More at IMDbPro »

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All About the Benjamins -- US Home Video Trailer from New Line


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Down 13% in popularity this week. See why on IMDbPro.
Writers (WGA):
Ronald Lang (written by) and
Ice Cube (written by)
View company contact information for All About the Benjamins on IMDbPro.
Release Date:
8 March 2002 (USA) See more »
Money can make people do funny things. See more »
A bounty hunter is on the trail of a conman who skipped bail. The two wind up in a deserted warehouse where they witness a diamond scam in action... See more » | Add synopsis »
User Reviews:
Didn't expect much and didn't get much See more (31 total) »


  (in credits order) (complete, awaiting verification)

Directed by
Kevin Bray 
Writing credits
Ronald Lang (written by) and
Ice Cube (written by)

Produced by
Matt Alvarez .... producer
Lamont Cain .... executive producer
Ice Cube .... producer
Douglas Curtis .... co-producer
Toby Emmerich .... executive producer
Mike Epps .... co-executive producer
Ronald Lang .... executive producer
Matt Moore .... executive producer
Ronald G. Muhammad .... associate producer (as Ron Muhammad)
Claire Rudnick Polstein .... executive producer
Original Music by
John Murphy 
Cinematography by
Glen MacPherson (director of photography)
Film Editing by
Suzanne Hines 
Casting by
Felicia Fasano 
Anne McCarthy 
Mary Vernieu 
Production Design by
J. Mark Harrington 
Set Decoration by
Barbara Peterson-Malesci  (as Barbara Peterson)
Costume Design by
Sophie De Rakoff  (as Sophie de Rakoff Carbonell)
Makeup Department
L. Sher Williams .... key makeup artist
Production Management
Jay Vinitsky .... post-production supervisor
David Witz .... unit production manager
Second Unit Director or Assistant Director
Wendi Lampassi .... second assistant director
Artie Malesci .... second unit director
John Nelson .... first assistant director
Karen Radzikowski .... second second assistant director
Art Department
Rod England .... key set dresser
Stephen I. Erdberg .... assistant property master
Hector M. Gonzalez .... buyer (as Héctor M. González)
Charles Guanci Jr. .... prop master
Richard E. Kruder .... set dresser
Alexa Marino .... art department coordinator
Natalie Rhooms .... art department pa
Ben Wolcott .... on-set dresser
Bill Wright .... storyboard artist
Sound Department
Ron Bedrosian .... adr mixer
Peter Bergren .... stage sound effects editor
Susan Cahill .... assistant sound editor
Kevin Cerchiai .... boom operator
Jed M. Dodge .... dialogue editor
Alan Freedman .... adr mixer
Tom Hohmann .... cable person
Frederick Howard .... sound designer
Robert Jackson .... supervising sound editor
Michael Kamper .... sound effects editor
Michael Mullane .... sound editor
Nick Neutra .... foley mixer
Quinton Nixon .... assistant adr engineer
Melissa Sherwood Hofmann .... sound re-recording mixer
Greg Steele .... adr mixer
Jerry Trent .... foley artist
Mark Weber .... sound mixer
James Bailey .... foley artist (uncredited)
Special Effects by
Ken Gorrell .... special effects technician
James L. Roberts .... special effects coordinator
Visual Effects by
Lloyd Lee Barnett .... digital compositor
Gregory Creaser .... digital timing supervisor
Shaina Holmes .... digital compositor
Peter Koczera .... senior digital artist
Derek Ledbetter .... visual effects
L. Elizabeth Powers .... digital compositor (as Laurie Powers)
Brennan Prevatt .... main title designer
Janet Quen .... digital effects artist: main title
Christopher Grandel .... trailer digital effects, Howard Anderson Company (uncredited)
Edward Helmers .... digital artist (uncredited)
Alexis Bahr .... stunts
Tom Bahr .... stunts
Chick Bernhardt .... stunts (as Chick Dale Bernhardt)
Bradley Bowman .... stunts
Nick Brandon .... stunts
Butch Brickell .... stunts (as Butch Bricell)
Ricou Browning Jr. .... stunts (as Ricou Browning)
James M. Churchman .... stunts (as Jim Churchman)
Stacy Courtney .... stunts
Danelle Folta .... stunts (as Danelle Folta Kenealy)
Denise Gallo .... stunts
Henry Gilbert .... stunt performer
Henry Gilbert .... stunts
Mike Kirton .... stunts
David S. Lomax .... stunts (as David Lomax)
Artie Malesci .... stunt coordinator
Sam Maloof .... stunts
Keifus Mathews .... stunts
Richard Mihalek .... stunts
Janine Mitchell .... stunt performer
Jeff Moldovan .... stunts
Tony Perez .... stunts
Kiana Politis .... stunts
J.C. Robaina .... stunts
Felipe Savahge .... stunts
Luis J. Silva .... stunts (as Luis Silva)
Erik Solky .... stunts (as Eric M. Solky)
Tommy Mack Turvey .... stunts (as Tom Turvey)
Tom Waite .... stunt double: Anthony Michael Hall
Camera and Electrical Department
Kurt Beckler .... grip
Tracy Bennett .... still photographer
Benjamin Centoducati .... photographer
Julian Chojnacki .... camera operator
Marvin Lee .... second assistant camera: additional camera
Artie Malesci .... director of photography: second unit
Joe Mast .... dolly grip
Bill McConnell Jr. .... second assistant: second unit
Mike McGowan .... camera operator: Hypercam
T. Michael McLean .... first assistant camera: second unit
Sean Meyer .... grip
Marty Mullin .... director of photography: second unit
Gary Ryan .... gaffer
Alberto Saad .... video assist operator
Fred Valentine .... best boy
Fred Valentine .... rigging gaffer
Anthony Zibelli .... assistant camera
Andrew Fisher .... assistant camera (uncredited)
Casting Department
Reno Logan .... extras casting
Lori Wyman .... casting: Florida
Beanie Barnes .... casting intern (uncredited)
Costume and Wardrobe Department
Jody Felz .... costumer
Editorial Department
Matt Evans .... assistant editor
Yoshie Ishiguro .... assistant editor
Harry Muller .... color timer
Kevin Soares .... post-production assistant
Michael A. Webber .... assistant editor
David Waco .... post-production coordinator (uncredited)
Music Department
Spring Aspers .... music supervisor
Bob Bowen .... music executive
Todd Bozung .... preview music editor
Simon Denny .... score recordist
Daniel L. Griffiths .... score mix engineer
Tom Harriman .... composer: additional music
Terry Wilson .... music editor
Transportation Department
Ben Coney .... driver: Ice Cube
Other crew
Josue Aguilar .... set production assistant
David Alban .... construction coordinator
Mike Alberts .... key set production assistant
Danielle J. Baker .... location production assistant (as Danielle Baker)
Cassandra Barbour .... rights and clearances
Nadia Barker .... assistant: Kevin Bray
Paul Barth .... helicopter pilot
Christian Beyer .... assistant location manager: second unit
Laurie Cocheio .... 3rd make up artist
Steve Dale .... set production assistant: second unit (as Steve 'Steve O' Dale)
Rita Duffey .... assistant location manager (as Rita Duffey-Hallebo)
Stan Eutsey .... set production assistant
Patrick Fox .... set production assistant: second unit
Debby Freeman .... assistant production coordinator
Marcienne Friesland .... assistant: Kevin Bray
Christian Froude .... second assistant accountant
Denise Gallo .... assistant: Mr. Malesci
Emily Glatter .... supervising production coordinator
Carol Green .... unit publicist
John Hayes Jr. .... assistant: Matt Alvarez
Rodger Jacobs .... dept head make up
Scott Kanyuck .... production attorney
John Brian King .... title designer: main title sequence (as Brian King)
Jana Lundy .... production secretary
Lisa L. Martin .... production office assistant (as Lisa Martin)
Andrew Matthews .... financial advisor
Mack McKelvey .... craft service assistant
Ilene Pickus .... script supervisor: second unit
Marlis Pujol .... production coordinator
Terri Rainha .... assistant to line producer (as Terri Carlson)
Steven John Reynolds .... post-production accountant (as Steve Reynolds)
Misha Rudolph .... assistant: Kevin Bray
Laura Sevier .... rights and clearances
Bob Shapiro .... production accountant
Frederick Shear .... production office assistant
Leah Sokolowsky .... location manager
Tim Turner .... first assistant accountant
Gwynneth Varner .... accounting assistant
Corey B. Yugler .... script supervisor (as Corey Yugler)
Ronald C. Briggs Jr. .... inventory services (uncredited)

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
"Good Boys" - Japan (English title)
See more »
Rated R for strong violence, pervasive language and brief sexuality
95 min
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Filming Locations:

Did You Know?

Continuity: When Buccum chases Reggie into the building where the Diamon Heist takes place, he stops his car directly in front of the gates and runs in, then moments later the robbers drive through the gate and his car is mysteriously no longer there.See more »
Mr. Sheldon:$7.50.
Reggie:[mocking] Seven fitty. Yo, it's fifty, not "seven fitty."
See more »
Movie Connections:
Featured in All About the Stunts (2002) (V)See more »
Hi-LoSee more »


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12 out of 23 people found the following review useful.
Didn't expect much and didn't get much, 13 March 2003
Author: mattymatt4ever from Jersey City, NJ

Half the time when I don't expect much from a movie, I become oddly surprised as it turns out to be much better than I assumed. But the other half of the time, I'm exactly right and the movie turns out to be just as bad as I assumed. This is a case of the latter. I was looking to be oddly surprised, but unfortunately this clunker is just as lame as it appears in the trailers.

Prior to watching the film, I wasn't aware that Ice Cube co-wrote the script. After I saw his writing credit, I knew this definitely wasn't going to be topnotch material. Sure, I liked the first two "Friday" movies, but they're simply guilty pleasures. Cube may write some good rap songs, but he could probably never write a quality script. Also, this is an action movie. An action/comedy, yes, but comedy is what Cube specializes in. I'm not going to say it's his forte, because that would put him on parallel with Mel Brooks. Rappers can barely write comedies; they sure as hell can't write action movies!

I hope and pray to God that Mike Epps doesn't become the next overnight comedy sensation. After the film came out, I heard people raving about him left and right. One thing's for sure: he's no, and I repeat NO, Eddie Murphy. I tolerated him in "Next Friday" and "Bait," and even got a few laughs from him, but now he's really getting at my nerves! He's filled with comic energy, but he doesn't know where the hell to focus it. You watch Eddie Murphy's invasion of the redneck bar in "48 Hours" and you compare it to any of the low-brow antics Epps pulls off in this movie, and THEN look into my eyes and tell me he's the next Eddie Murphy! I'll go as far as saying he's the black equivalent of Pauly Shore! I wonder if he's related to Omar. If he is, the talent gene sure as hell didn't get passed on to him. Every one of his lame one-liners mirrors any lines you hear from every other black comic that appears on "Comicview" or "Def Comedy Jam." Nothing but stale white stereotypes and cheap sex jokes. I don't detect a lick of intelligence in his humor. And I'm not saying this because he has such a foul mouth. Murphy's mouth is ten times filthier than his, but his humor is often at least somewhat intelligent (if you watch the films of his hayday like "Coming to America" and "48 Hours," and not some of his lame recent work like "I Spy" and "Showtime").

I can't blame Ice Cube much in the acting department. He's not a bad actor, though certainly not a great one. However, I do have the right to blame him for the material since he co-wrote the script. There's even a gag in which two old ladies swear and try to speak ebonics. That gag is about as moldy as a loaf of bread 3 years past its expiration date. Old white people acting black: not funny anymore! Get with the freaking program! And since there's not much of a casting call for senior citizens, these old-timers will probably accept any role that flies their way. If that's not taking advantage of the elderly, then I don't know what is.

One of the film's minor saving graces are the appearances by beautiful Hispanic actress Eva Mendez. I remember her back from "Children of the Corn Part 5" which, needless to say, went direct to video. She seems to be appearing in more mainstream work (i.e.: "Training Day" and "Exit Wounds"). Hopefully, she'll receive much better scripts than these in the near-future.

I don't mean to stereotype, but if there's truth to it, then what the heck am I supposed to do? Shy away from it for the sake of political correctness? This movie recycles the same material from almost every predominantly African-American comedy in recent years. And I'm not insulting Afro-Americans; movies like these are insulting them! These movies are making us think that only low-brow comedies like this can make black people laugh. That they can only laugh at jokes involving sex, toilet humor, misogyny or crude racial/ethnic stereotypes. I'm pretty sure there are blacks out there with a more refined sense of humor, but not too many black movies cater to their kind.

My score: 3 (out of 10)

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