Bugs Bunny, the famous, Oscar-winning cartoon rabbit, hosts his first weekly television series, along with all his fellow Warner Brothers cartoon stars, including Daffy Duck, Porky Pig, ... See full summary »
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In ancient Japan, a samurai warrior embarks on a mission to defeat the evil wizard Aku. Before completing his task, he is jettisoned thousands of years into the future. Suddenly, he ... See full summary »
In the distant past, a Japanese samurai embarks on a mission to defeat the evil shape-shifting wizard Aku. Before he can complete his task, though, he is catapulted thousands of years into the future. He finds himself in a world where Aku now enjoys complete power over every living thing. Dubbing himself "Jack," he sets out on a new quest--to right the wrongs that have been done by his enemy and to find a way back to his own time so he can destroy the evil for good. Written by
Alan Back <email@example.com>
Tartakovsky has acknowledged taking some of his inspiration from the Frank Miller graphic novel Ronin, including the premise of a master-less samurai warrior thrown into a dystopic future ahead of our present. See more »
Long ago in a distant land, I, Aku, the shape shifting master of darkness, unleashed an unspeakable evil. But a foolish samurai warrior wielding a magic sword stepped forth to oppose me. Before the final blow was struck, I tore open a portal in time, and flung him into the future where my evil is law. Now the fool seeks to return to the past and undo the future that is Aku.
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At the end of the credits,the cartoon network logo gets sliced by jack. See more »
It seems that Genndy Tartakovsky was only getting warmed up with "Dexter's Laboratory" and "Powerpuff Girls". With those shows he proved he was a comic genius; with "Samurai Jack" he demonstrates that he is a genius, period. Every single aspect of the movie premiere is top-notch. Phil LaMarr is wonderful as Jack. James Venable's score beautifully captures the tone and has just the right mix of traditional Oriental and electronic sounds. I liked the fact that there did not seem to be any unnecessary dialogue (in fact several scenes--most notably the beginning--have almost no dialogue at all). The animation and backgrounds are very stylish and striking, and the filmmakers even allow the art to escape the confines of the square 1.33:1 TV ratio with some split-screen and widescreen shots used to great effect. It is my hope that the series continues to be as good as the premiere is. This will be on you "must-watch" list.
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