In ancient Japan, a samurai warrior embarks on a mission to defeat the evil wizard Aku. Before completing his task, he is jettisoned thousands of years into the future. Suddenly, he ... See full summary »
Bugs Bunny, the famous, Oscar-winning cartoon rabbit, hosts his first weekly television series, along with all his fellow Warner Brothers cartoon stars, including Daffy Duck, Porky Pig, ... See full summary »
In the distant past, a Japanese samurai embarks on a mission to defeat the evil shape-shifting wizard Aku. Before he can complete his task, though, he is catapulted thousands of years into the future. He finds himself in a world where Aku now enjoys complete power over every living thing. Dubbing himself "Jack," he sets out on a new quest--to right the wrongs that have been done by his enemy and to find a way back to his own time so he can destroy the evil for good. Written by
Alan Back <email@example.com>
In Seasons 1-4, Aku was voiced by Mako, who passed away in 2006. For Season 5, he was replaced by Greg Baldwin. Greg Baldwin also replaced Mako as the voice of Uncle Iroh in Avatar: The Last Airbender, as Mako passed away during Season 2 of that show. See more »
Long ago in a distant land, I, Aku, the shape shifting master of darkness, unleashed an unspeakable evil. But a foolish samurai warrior wielding a magic sword stepped forth to oppose me. Before the final blow was struck, I tore open a portal in time, and flung him into the future where my evil is law. Now the fool seeks to return to the past and undo the future that is Aku.
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Season 4 ended with Episode 52, and season 5 starts with Episode 92, leaving a gap of 40 episodes to emphasize how much time has passed. See more »
It seems that Genndy Tartakovsky was only getting warmed up with "Dexter's Laboratory" and "Powerpuff Girls". With those shows he proved he was a comic genius; with "Samurai Jack" he demonstrates that he is a genius, period. Every single aspect of the movie premiere is top-notch. Phil LaMarr is wonderful as Jack. James Venable's score beautifully captures the tone and has just the right mix of traditional Oriental and electronic sounds. I liked the fact that there did not seem to be any unnecessary dialogue (in fact several scenes--most notably the beginning--have almost no dialogue at all). The animation and backgrounds are very stylish and striking, and the filmmakers even allow the art to escape the confines of the square 1.33:1 TV ratio with some split-screen and widescreen shots used to great effect. It is my hope that the series continues to be as good as the premiere is. This will be on you "must-watch" list.
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