| Shlomo Ashkinazy | ... | Himself - Psychotherapist | |
| Steve Greenberg | ... | Himself (as Rabbi Steve Greenberg) | |
| Nathan Lopes Cardozo | ... | Himself (as Rabbi Dr. Nathan Lopes Cardozo) | |
| Naomi Mark | ... | Herself - Psychotherapist | |
| Shlomo Riskin | ... | Himself (as Rabbi Shlomo Riskin) | |
| Yaakov Meir Weil | ... | Himself - Psychiatrist (as Dr. Yaakov Meir Weil) |
Directed by | |||
| Sandi Simcha Dubowski | |||
Produced by | |||
| Sandi Simcha Dubowski | .... | producer | |
| Philippa Kowarsky | .... | co-producer | |
| Marc Smolowitz | .... | producer | |
| James Velaise | .... | co-producer | |
Original Music by | |||
| John Zorn | |||
Cinematography by | |||
| David W. Leitner | |||
Film Editing by | |||
| Susan Korda | |||
Production Management | |||
| Lizzie Donahue | .... | post-production supervisor | |
Art Department | |||
| Shlomo Ashkinazy | .... | props | |
| Pascal Willi | .... | graphic designer (as Pascale Willi) | |
Sound Department | |||
| Thom 'Coach' Ehle | .... | stereo sound consultant: Dolby | |
| Lora Hirschberg | .... | sound re-recording mixer | |
| Judy Karp | .... | additional sound recordist | |
| Claudia Katayanagi | .... | additional sound recordist | |
| Glenn Kiser | .... | post-production sound | |
| John Mardesich | .... | post-production sound | |
| Alex Noyes | .... | assistant sound editor | |
| Stephen P. Robinson | .... | additional sound recordist (as Steve Robinson) | |
| David Roche | .... | additional sound recordist | |
| Bill Seery | .... | supervising sound editor | |
| Peter Toole | .... | additional sound recordist | |
Camera and Electrical Department | |||
| Nily Aslan | .... | additional cinematographer: Israel (as Nili Aslan) | |
| Adam Bailey | .... | additional camera | |
| Robert Bennett | .... | additional camera | |
| Yael Bitton | .... | camera assistant | |
| Sandra Chandler | .... | additional cinematographer: USA | |
| Mik Cribben | .... | additional cinematographer: USA | |
| Jim Denault | .... | additional director of photography: New York | |
| Liz Dory | .... | additional camera | |
| Ken Druckerman | .... | additional cinematographer: USA | |
| Sandi Simcha Dubowski | .... | additional cinematographer: USA, UK, Israel (as Sandi Dubowski) | |
| Issa Freij | .... | additional cinematographer: Israel | |
| Kirsten Johnson | .... | additional cinematographer: USA | |
| Gerald Jones | .... | additional camera | |
| Kevin Keating | .... | additional cinematographer: USA | |
| Karen Kramer | .... | additional cinematographer: USA | |
| Jennifer Lane | .... | additional cinematographer: USA | |
| David W. Leitner | .... | additional cinematographer: USA (as David Leitner) | |
| Jack Louth | .... | set photographer | |
| Marcia Machado | .... | additional camera | |
| Jackie Matithau | .... | additional cinematographer: Israel | |
| Yoram Millo | .... | additional cinematographer: Israel (as Yoram Milo) | |
| Michael Pearlman | .... | additional camera | |
| Marie Pedersen | .... | additional cinematographer: USA (as Marie Pederson) | |
| Itzik Portal | .... | additional cinematographer: Israel (as Yitzhak Portal) | |
| Abigile Sperber | .... | additional cinematographer: Israel (as Abigail Sperber) | |
| Benjamin P. Speth | .... | additional cinematographer: USA (as Ben Speth) | |
| Amy Steiner | .... | set photographer | |
| Chloe Steward | .... | additional camera (as Chloe Stewart) | |
| Shiri Vilk | .... | additional camera (as Shiri Wilk) | |
| Maggie Warwick | .... | additional camera | |
| Fawn Yacker | .... | additional cinematographer: USA | |
| Andrew Yarme | .... | additional cinematographer: USA | |
| Chris Carr | .... | camera operator: documentary segment (uncredited) | |
Costume and Wardrobe Department | |||
| Shlomo Ashkinazy | .... | wardrobe | |
Editorial Department | |||
| David Baum | .... | assistant editor | |
| David Beatrice | .... | post-production assistant | |
| Johathan Berman | .... | post-production assistant | |
| Yael Bitton | .... | assistant editor | |
| Ron Demartin | .... | post-production assistant | |
| Lizzie Donahue | .... | assistant editor | |
| David Ebmeier | .... | post-production assistant | |
| Akiko Iwakawa-Grieve | .... | assistant editor (as Akiko Iwakawa) | |
| John Johnson | .... | post-production assistant | |
| Egon Kirincic | .... | on-line editor | |
| Monte Matteotti | .... | post-production assistant | |
| Johanna Prenner | .... | commissioning editor | |
| Jill Silverman | .... | post-production assistant | |
| Julisa Sorvino-Castro | .... | post-production assistant | |
| Aljernon Tunsil | .... | assistant editor | |
Music Department | |||
| Carol Sue Baker | .... | music supervisor (as Carole Sue Baker) | |
| Jon L. Fine | .... | music supervisor | |
| Frank London | .... | music consultant | |
| Lorin Sklamberg | .... | music consultant | |
Thanks | |||
| Mindy Affrime | .... | special thanks | |
| Jonathan Berman | .... | thanks | |
| Lynda Hansen | .... | special thanks | |
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| Family Fundamentals | Religulous | Flawless | My Sex Life... or How I Got Into an Argument | Munich |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Israel section |
As a gay Catholic, who has embraced celibacy to conform to the teachings of the Church, I can wholeheartedly identify with the efforts of the Orthodox Jewish lesbians and gays in this film to reconcile their spirituality and sexuality, and to find acceptance in the eyes of God and their community. It is heartwrenching especially to see the havoc that this struggle has wreaked in the life of Israel Fishman. On the surface, he responds with bravado, rejecting the people and the faith that have rejected him. Yet, in one of the film's most powerful scenes, he vents his sorrow and bitterness, anger and rage, at what being gay has cost him, especially the love of his father.
The documentary is perhaps not slick and elegant in terms of production values. The constant subtitles, interpreting Hebrew and Yiddish terms for the Gentile viewer, are sometimes intrusive and annoying (especially if the viewer is at all conversant with the Jewish faith). It would have been useful, though, to explain that "Ha-Shem" means "the Name", i.e., God's name which may never be pronounced.
What it most interesting about this documentary, I think, is that it shows how the main problem may not so much be finding acceptance of onself as lesbian or gay, but rather finding acceptance of oneself as a spiritual person in a secular world.
Finally, although the film clearly documents the trials and difficulties of being a lesbian or gay Orthodox Jew, the joy of loving and being loved by G-d comes shining through. The lesbians and gays in this film suffer much at the hands of their families and rabbis, their synagogues and yeshivas -- but never, it seems, do they question that they are loved and accepted by G-d.