Motel Cactus consists of four episodes, all of which take place in Room 407 of Motel Cactus, a love hotel in Seoul: (1.) A girl celebrates her birthday with her boyfriend, because it is the... See full summary »
Amid national chaos and fear for his life, tyrannical King Gwanghae orders his trusted councilor Heo Kyun to find a royal body double. He hires Ha-seon, a peasant mimic who bears a perfect ... See full summary »
(Korean with English subtitles) Life is tough for Chol-Min - his mother died during labor, forcing him to grow up alonge with his stoic police officer father. However, Chol-Min lives a ... See full summary »
After losing both her parents, Failan (Cecilia Cheung) emmigrates to Korea to seek her only remaining relatives. Once she reaches Korea, she finds out that her relatives have moved to ... See full summary »
Young-nam was a promising graduate of the police academy before she was transferred to the small seaside village, which was caused by her misconduct. On her first day to the village, she ... See full summary »
Kil is a professional hitman, who leads a very lonely life composed of a pack of Marlboro, instant noodle, cash in the freezer, a knife, a motorcycle and Chichi, a pet monkey. But when he ... See full summary »
It is AD 924, at the end of the United Shilla Dynasty. Continuous riots sweep the land ruled by a corrupted government. Evil forces are rampant and malicious demons roam the land. YI Kwak, ... See full summary »
Cha Dae-woong (Lee Seung Gi) accidentally releases a troublesome gumiho, a legendary fox with nine tails, sealed inside a painting by Grandma Samshin . Fleeing the scene, Dae-woong suffers ... See full summary »
For his directorial debut, scriptwriter Hun-Su Park modernized a popular folklore tale about a fox woman who desperately wishes to become fully human. The result, GUMIHO (literally, fox girl), is an intriguing blend of romance, eroticism and fantasy, exquisitely photographed.
The tortured love of the beautiful Harah for handsome Hyuk is portrayed with unusual sensitivity for a fantasy film. Ironically, to become human, Harah must drain Hyuk of his life force. The conflict between this necessity and Harah's feelings for Hyuk create a strained relationship, except when they're making love. Western viewers are likely to recognize elements of Jacques Tourneur's CAT PEOPLE. Complicating things are the efforts of 69, a prisoner from hell who's been assigned to enslave Harah. The machinations of 69 and his human disciple to destroy the relationship provide enough comic relief to prevent the film becoming too somber.
Both young leads, in their first feature film starring roles, are attractive and have a subtle chemistry. Their scenes together are generally excellent.
Fantasy elements are quite accomplished. They include a depiction of hell as resembling a subway station with both humorous and horrific features, including buck-passing guards and an ornate tongue guillotine. Harah's transformations and fox-woman make-up are not specially remarkable, but her flying scenes are impressive. Her attacks on humans are restrained, but still gory.
The film's main fault is its length. The middle section, which contains several pointless scenes, would have benefited from more disciplined editing. Still, GUMIHO is a very promising debut for its director and stars.
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