Bill wakes up from a coma in a hospital ward, raving about tissue regeneration experiments, final injections, organ transplants and having been cryogenically frozen. Battling flashbacks of ...
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The classic Shakespeare tragedy is revisioned in America at the turn of the 20th Century. Campbell Scott (Singles, The Spanish Prisoner) adapted, co-directed and stars in the title role ... See full summary »
Roscoe Lee Browne
A mockumentary of pitching and filming television game show "Company Retreat," which places white collar workers on teams opposite their company's blue collar workers. The zany characters ... See full summary »
Bill wakes up from a coma in a hospital ward, raving about tissue regeneration experiments, final injections, organ transplants and having been cryogenically frozen. Battling flashbacks of his father's death and a car crash, occasional hallucinations and fits of rage he tries to piece together his own history with the help of Ann, a lonely medical psychologist sent in to evaluate whether he should be released. In their confrontational, sexually-charged sessions, Bill flip-flops between pitch-perfect self-diagnoses and his paranoid bio-tech fantasies, but slowly begins to heal. But things are not what they seem. Written by
The film was part of IFC's InDiGent project (Independent Digital Entertainment) which sponsored films budgeted under $150,000 with a 50% revenue share for cast and crew. Other films from the project include "Chelsea Walls", "Women in Film", "Tape" and "10 Tiny Love Stories". See more »
There is a typo on the consent form: "physical harm" reads "physical farm". See more »
Can I get an order of booty and a side order of Xanax, preferably a blonde, for a condemned man?
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Intolerable first hour, but then everything changes
The first hour of this was a really minimal mental hospital movie. Instead of the usual cast of intermingling crazies, you just have one guy. But, like in every mental hospital movie, you are supposed to wonder who is really sane, and who is insane.
It took at least an hour, maybe more, for this film to grab me. I'm sure I would have walked out and seen something else at the multiplex except I was being blocked from my exit by several large women voraciously eating ribs to my left, and a couple of snorers to my right. So I sat.
The first hour is mostly a dialog between the mental patient (Denis Leary) and his young female doctor. Leary is babbling about many things, but within his babblings there is more truth than he knows, or than the audience knows. Like "The Others" and "The Sixth Sense" and "Fight Club", a basic premise changes in the middle of the picture, and all that you thought was true changes.
The movie has a great performance, almost a solo performance, by Denis Leary. He place a variation on the Denis Leary fast-talking wiseguy character, but his perceptions and body language carry the movie. Everyone else is so underplayed, they are not worth mentioning.
This is mostly a one-set movie. It would work as well or better on stage. It's a brave choice for Campbell Scott for his first solo-directed movie. I recently saw Lumet's 12 Angry Men, and Scott is not nearly as adept at portraying claustrophobia as Lumet. But ultimately, the movie is frightening, it's poignant, and it works. But it's also a downer. See it on Christmas Day.
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