Bill wakes up from a coma in a hospital ward, raving about tissue regeneration experiments, final injections, organ transplants and having been cryogenically frozen. Battling flashbacks of ... See full summary »
The classic Shakespeare tragedy is revisioned in America at the turn of the 20th Century. Campbell Scott (Singles, The Spanish Prisoner) adapted, co-directed and stars in the title role ... See full summary »
Roscoe Lee Browne
A family descends into a vortex of denial and paranoia after the death of the oldest son. Though labeled a suicide, the bizarre circumstances lead the mother, Helen, to believe there are ... See full summary »
John Michael Elfers
Around 1940, New Yorker staff writer Joe Mitchell meets Joe Gould, a Greenwich Village character who cadges meals, drinks, and contributions to the Joe Gould Fund and who is writing a ... See full summary »
Bill wakes up from a coma in a hospital ward, raving about tissue regeneration experiments, final injections, organ transplants and having been cryogenically frozen. Battling flashbacks of his father's death and a car crash, occasional hallucinations and fits of rage he tries to piece together his own history with the help of Ann, a lonely medical psychologist sent in to evaluate whether he should be released. In their confrontational, sexually-charged sessions, Bill flip-flops between pitch-perfect self-diagnoses and his paranoid bio-tech fantasies, but slowly begins to heal. But things are not what they seem. Written by
The film was part of IFC's InDiGent project (Independent Digital Entertainment) which sponsored films budgeted under $150,000 with a 50% revenue share for cast and crew. Other films from the project include "Chelsea Walls", "Women in Film", "Tape" and "10 Tiny Love Stories". See more »
There is a typo on the consent form: "physical harm" reads "physical farm". See more »
What year am I supposed to think it is? For my progress.
No, I mean, do you want to go on a date? Cause I know this darling place down by river...
See more »
... but better - thanks to great character acting from Davis and Leary. However, the movie is just too long for what it delivers: a 2 hour, 2 person talk-fest in which nothing really happens.
This story involves a man who wakes up in a psychiatric ward / hospital and thinks it's the future and that he's going to be given a (final) lethal injection. The entire movie is basically about his interaction with his doctor in the patient room and hospital yard.
The only saving grace of this movie is the strong acting performances by both Leary and Davis. Leary is very dynamic and energetic (it's actually very impressive) and Davis does outstanding counterplay as his restrained, even-toned psychiatrist.
This makes them interesting to watch - to listen to. The memory flashbacks also help break up the dialog.
However, almost NOTHING happens in this movie - it's huge talk-fest and the story could have been shrunk to 30 or 40 minutes max. If it weren't for the quality of acting (which induced me to think the movie may get better), I would have quit watching early on. In the final analysis, I also realized that I didn't even get anything out of the great performances beyond recognizing the skill of actors.
If you're a Denis Leary or Hope Davis fan, you'll probably enjoy watching them act. For the average movie-goer, see something else.
11 of 13 people found this review helpful.
Was this review helpful to you?