| Sam Trammell | ... | Derrick Hall / Zane Waye | |
| Erik Jensen | ... | Ian Waye | |
| Susan May Pratt | ... | Olivia / Lucy | |
| Ellen Pompeo | ... | Flynn | |
| Celia Weston | ... | Lillian Hall / Mrs. Winter | |
| Michael Ryan Segal | ... | Dylan | |
| Aasif Mandvi | ... | Shark / Roger | |
| P.J. Morrison | ... | Policeman #1 | |
| Brad Calcaterra | ... | Policeman #2 | |
| Joseph Mosso | ... | Security Guard | |
| Tara McNamee | ... | Wendy Sampson | |
| rest of cast listed alphabetically: | |||
| Jessica Blank | ... | Saleslady / Carrie | |
| Phil Campanella | ... | Policeman #3 | |
| Aliya Campbell | ... | Mary | |
| Kevin Colbert | ... | Doorman | |
| Jon DeVries | ... | Benjamin Cox / Captain Ferguson | |
| Guillermo Díaz | ... | Ray | |
| Jeffrey Emerson | ... | Sam | |
| Lorraine Farris | ... | Blonde Girl | |
| Priscilla Garita | ... | Secretary | |
| Stephen Gevedon | ... | Jimmy Dimes | |
| Peter Giles | ... | Gordon | |
| Mike Hodge | ... | Jules | |
| Michael E. Knight | ... | Brian Sampson | |
| Tuck Milligan | ... | Derrick's Father | |
| Dorian Missick | ... | Train Rapper | |
| Michael P. Moran | ... | Grady | |
| Scott Robertson | ... | Dan | |
| Rocco Sisto | ... | Dr. Peters / Gunman | |
| Marco St. John | ... | Mr. Laurie | |
| Tara Subkoff | ... | Anya | |
| Stan Tracy | ... | Lawyer | |
| Ruperto Vanderpool | ... | Super | |
| Lainie Ventura | ... | Crying Woman | |
| Guy Whitlock | ... | Detective Taylor | |
| Dan Ziskie | ... | Sean Waye | |
Directed by | |||
| Nevil Dwek | |||
Writing credits(in alphabetical order) | ||
| Nevil Dwek | writer | |
Produced by | |||
| Brian Bell | .... | line producer | |
| Fred Bernstein | .... | producer | |
| Jim Danelon | .... | line producer | |
| Andrew Fierberg | .... | co-producer | |
| Amy Hobby | .... | co-producer | |
| Jevon Roush | .... | associate producer | |
| Roger Smith | .... | executive producer | |
| Mark Tarlov | .... | producer | |
Original Music by | |||
| Joel Goodman | |||
Cinematography by | |||
| Wolfgang Held | |||
Film Editing by | |||
| Andrew Weisblum | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Deana Sidney | |||
Art Direction by | |||
| Stephen Beatrice | |||
| Ben Conable | |||
Set Decoration by | |||
| Elizabeth Meyerson | |||
Costume Design by | |||
| Marie Abma | |||
Makeup Department | |||
| Lorrie Ann Dobbins | .... | key hair stylist (as Loriann Dobbins) | |
| Dana Elder | .... | key makeup artist | |
| Lucio Galano | .... | additional hair stylist | |
| Lucio Galano | .... | additional makeup artist | |
| Hildie Ginsberg | .... | key makeup artist | |
| Nevio Ragazzini | .... | makeup artist: second unit | |
| Marie Rossi | .... | key hair stylist | |
Art Department | |||
| Jill Alexander | .... | assistant property master | |
| Ellen Burke | .... | set dresser | |
| David Cooney | .... | storyboard artist | |
| Kenan Erdogan | .... | property master | |
| Jeff Everett | .... | set dresser | |
| Gary Kroytor | .... | additional set dresser | |
| Jocelyn Mason | .... | additional set dresser | |
| Addy McClelland | .... | art coordinator | |
| Andy Pan | .... | set dresser | |
| Kim Piper | .... | additional set dresser | |
| Melissa Stampley | .... | additional set dresser | |
| Cecile Thalmann | .... | set dresser | |
| Pierre Vial | .... | on-set dresser: second unit | |
Sound Department | |||
| John Bracco | .... | foley engineer | |
| Ray Cook | .... | optical soundtrack | |
| Marvyn Dennis | .... | dialogue editor | |
| John Dykstra | .... | foley engineer | |
| John Gare | .... | sound re-recording mixer | |
| Seth Granger | .... | boom operator: second unit | |
| Doug Hubert | .... | sound effects editor | |
| Sid Lieberman | .... | foley artist | |
| Danielle McBride | .... | adr editor | |
| Sterling Moore | .... | boom operator | |
| Theresa Radka | .... | sound mixer: second unit | |
| Steven Toepell | .... | sound effects editor | |
| Thomas Varga | .... | sound mixer | |
| Paul Williamson | .... | sound re-recording mixer | |
Special Effects by | |||
| Drew Jiritano | .... | special effects supervisor | |
| Greg Jiritano | .... | special effects coordinator | |
| Neil Ruddy | .... | special effects | |
Visual Effects by | |||
| Pietro Gallo | .... | visual effects assistant | |
| Rob Gyorgy | .... | digital effects artist | |
| Bruce Jones | .... | visual effects manager | |
| Chad Malbon | .... | visual effects producer | |
| Brian Reid | .... | visual effects artist | |
| Andy Sykes | .... | visual effects producer | |
Stunts | |||
| Jörgtom Buttelmann | .... | stunt performer | |
| Douglas Crosby | .... | stunt coordinator | |
| Roy Farfel | .... | stunt coordinator | |
| Patrick M. Walsh | .... | stunt driver | |
Casting Department | |||
| Bill Dance | .... | extras casting: second unit | |
| Mario Giacalone | .... | extras casting | |
Costume and Wardrobe Department | |||
| Rebecca Gregg | .... | assistant costume designer (as Rebecca Cummings) | |
| Rachel L. Medina | .... | assistant costume designer | |
| Sherri Kohl Owles | .... | wardrobe supervisor | |
Editorial Department | |||
| Meredith Apel | .... | assistant editor | |
| Walt Biljan | .... | colorist | |
| Alfredo Frasson | .... | color timer | |
| Katie Mcquerrey | .... | assistant editor (as Katherine McQuerrey) | |
| Justin Panzanaro | .... | assistant editor | |
| Catherine Rankin | .... | negative cutter | |
Music Department | |||
| Jim Black | .... | music supervisor | |
| Lawrence Manchester | .... | score mixer | |
| Lawrence Manchester | .... | score recordist | |
| Beth Rosenblatt | .... | music supervisor | |
| Sally Swisher | .... | music editor | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I saw this at the Stony Brook Film Festival on Long Island New York and was generally pleased with it. It split first place in the Jury Awards there and made a close run for Audience Choice as well.
It takes two characters and basically switches them, giving each a glimpse into the possibilities of parallel existances. Derrick,a spoiled upper crust New Yorker, and Zane, a street thug, are quite opposite but somehow make the mind switch and wind up making do in each other's lives. My main problem with the film was that there was no mechanism for the switch.
It was nicely filmed and nicely acted with each of the personalities being likeable and despicable in appropriate doses. The filming of the duality of parallel worlds was quite creative.