Anita has been working at a cinema box office for almost three decades, but the building is demolished to give way to a cinema complex, and she is forced into early retirement because she does not fit into the new company's image.
Beth is a young, ambitious New Yorker who is completely unlucky in love. However, on a whirlwind trip to Rome, she impulsively steals some coins from a reputed fountain of love, and is then aggressively pursued by a band of suitors.
Mark Steven Johnson
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
Anita sees how the over three decades that she has been working at a cinema box office are literally devastated: the building is demolished to give way to a cinema complex, and she is forced into early retirement because she does not fit into the new company's image. Incapable of getting over the shock, and by inertia, she continues going back to the empty lot every day, where the cinema used to be and where a construction company is building the new complex. By mere chance, she ends up in love and involved with a man who drives a bulldozer at the construction site. A tender and bittersweet affair comes about, which is carried out in the dark, inside a trailer where the company has its offices. He is married and does not hide it. But, despite that, and thanks to their secret meetings, they are both able to open a door to hopes for the future. This is a relationship without perspectives, but in Anita's case, at her early fifties, it helps her to mark a before and after in her life. Written by
"Anita..." deals with the issues of an aging 50-something woman in a Latin European city. It is the latest film by Ventura Pons, the Spanish director well-known for Catalan language dramas. Like his other films "Amic Amat" & "Caricies", this one is also set in Barcelona. And also like another couple of Catalan films, the movie stars Rosa Maria Sarda, one of Spain's best and most veteran actresses, whether in Spanish or in Catalan.
Other than the language issue, the film is not all that unique. But, the film excels through subtle details by Ventura Pons, through Rosa Maria Sarda's poignant (perhaps quite personal) performance, and with the comic-relief provided by the reliable Maria Barranco. I highly recommend it if you enjoy this genre of films, or are curious to see a Catalan film.
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