A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
In a place soon to be known as The Valley of Death, in a football field-sized clearing called landing zone X-Ray, Lt. Colonel Hal Moore and 400 young troopers from the newly formed 1/7th Cavalry Regiment of the US 1st "Air" Cavalry Division were surrounded by 2,000 North Vietnamese soldiers dug into the tunnel warren mountainside. The ensuing battle was one of the most savage in U.S. history and is portrayed here as the signal encounter between the American and North Vietnamese armies. We Were Soldiers Once... And Young is a tribute to the nobility of those men under fire, their common acts of uncommon valor, and their loyalty to and love for one another. Written by
PHD in CT USA
In the shot of the hospital nursery early in the movie one of the babies is named Papac, hand printed on a card attached to the bassinet. Michael Papac is the armorer for this film and given the massive scale of the arms and ammunition needed for filming, he played a central role in creating this movie. In fact, in the credits he is listed as Master Armorer and three assistants are credited as "weapons armorers." It is doubtful that any other movie has ever needed, and credited, four armorers. Naming the baby Papac so prominently was a well deserved tribute to his contributions. See more »
In reality, both of the UH1D helicopters Major Bruce Crandall flew into LZ X-ray were unarmed. In the field, they are depicted as being equipped with door guns and mini guns. See more »
These are the true events of November, 1965, the Ia Drang Valley of Vietnam, a place our country does not remember, in a war it does not understand. This story's a testament to the young Americans who died in the valley of death, and a tribute to the young men of the People's Army of Vietnam who died by our hand in that place. To tell this story, I must start at the beginning. But where does it begin? Maybe in June of 1954 when French Group Mobile 100 moved ...
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A list of the names of the actual men who died during the battle as well as the city and state where they are from is featured before the ending credits. See more »
It's quite sad to read some of the reviews of this film. "full of clichés" "typical weak war film" etc. I would like for the writers of such comments to look at the film they "coughed up their reddies" for, and ask what they were really after? Do they know what the film was about? The director's aim was to create an honest depiction of a real life event. To tell the story of a battle and war in a way that would make people who weren't there understand what it may have been like. To bring home the stark realisation of how scary the battlefield would be, and explore the wider picture of how families, and even the enemy were affected by events too. Many of the words used by the dying men are documented as being the actual words. In the editors commentary, he explains "these were the true dying words 'tell my wife I love her'. In that situation, it is the reality of what is on people's minds. I'm sorry they couldn't have come up with something more melo-dramatic for the theatre audience." The line that really bought it home for me though was that soldiers who had fought in that battle thanked the director. They said he had managed to show the realities of an event in their lives that they had, to that point, never managed to fully explain to their families. If the people who were there say this is a realistic account of events and emotions, then that's the best accolade a film can have. I was scared and moved by it and would recommend it highly. PS. to the plot critics out there... would you rather they sexed up a true story? Surely that would be a grave tragedy.
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