We Were Soldiers (2002)

User Rating:

6.9/10   

Director:

Randall Wallace

Writers (WGA):

Harold G. Moore (book) and
Joseph L. Galloway (book) ...

Release Date:

1 March 2002 (USA)

Genre:

Action | History | War

Tagline:

Fathers, Brothers, Husbands & Sons.

Plot:

The story of the first major battle of the American phase of the Vietnam War and the soldiers on both sides that fought it.

Plot Keywords:

Soldier | Battle | Vietnamese | 2000s | Vietnam War

Awards:

1 win & 5 nominations

Cast

Mel Gibson	...	Lt. Col. Hal Moore
Madeleine Stowe	...	Julie Moore
Greg Kinnear	...	Maj. Bruce 'Snake' Crandall
Sam Elliott	...	Sgt. Maj. Basil Plumley
Chris Klein	...	2nd Lt. Jack Geoghegan
Keri Russell	...	Barbara Geoghegan
Barry Pepper	...	Joe Galloway
Duong Don	...	Lt. Col. Nguyen Huu An
Ryan Hurst	...	Sgt. Ernie Savage
Robert Bagnell	...	1st Lt. Charlie Hastings
Marc Blucas	...	2nd Lt. Henry Herrick
Josh Daugherty	...	Sp4 Robert Ouellette
Jsu Garcia	...	Capt. Tony Nadal
Jon Hamm	...	Capt. Matt Dillon
Clark Gregg	...	Capt. Tom Metsker

Also Known As:

The Lost Patrol (USA) (original script title)
We Were Soldiers Once... and Young (USA) (working title)
Wir waren Helden (Germany)

MPAA:

Rated R for sustained sequences of graphic war violence, and for language.

Runtime:

138 min | Argentina:140 min | Germany:126 min (cut) | Spain:143 min | Turkey:124 min (TV version)

Country:

USA | Germany

Language:

English | Vietnamese | French

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS-ES | Dolby Digital EX | SDDS

Certification:

Australia:M (TV rating) | Iceland:16 | Portugal:M/12 | Argentina:16 | Australia:MA | Canada:13+ (Quebec) | Canada:14A (Alberta) | Canada:14 (Nova Scotia) (appeal) | Canada:18A (British Columbia) | Canada:18 (Nova Scotia) (original rating) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Finland:K-15 | France:-12 | Germany:18 | Hong Kong:IIB | Netherlands:16 | New Zealand:R16 | Norway:15 | Peru:14 | Philippines:PG-13 | Singapore:PG | South Korea:15 | Spain:18 | Sweden:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Castle Green - 99 S. Raymond Ave., Pasadena, California, USA

Company:

Icon Entertainment International

Trivia:

The A-6 Intruder footage was originally shot for Flight of the Intruder (1991). This was necessary because the A-6 had been retired several years before this film was made, and so none were available to use in the movie.

Goofs:

Revealing mistakes: While Galloway is telling the tale of his two great-grandfathers, one of the body bags in the foreground is quite visibly breathing.

Quotes:

[first lines]
French Captain: Anything?
French Lieutenant: No, Captain.
French Captain: Fucking heat. Fucking grass. Fucking country.
[Vietnamese bullet hits him in the head]

Movie Connections:

Spoofed in "Saturday Night Live: Jon Stewart/India.Arie (#27.14)" (2002)

Soundtrack:

Sgt. MacKenzie

Among the best war films in recent memory

`Saving Private Ryan' redefined the war genre and opened the floodgates to a new generation of war movies. It pushed the boundaries of acceptability by frankly showing war in all its grisly glory. As such it gave us a better understanding of how terrible and frightening war is. `Black Hawk Down' took the graphic violence to a new level, with an intensity that matched the beach landing of SPR, but of a duration that was almost unbearable.

`We Were Soldiers' is the latest big budget war offering from Hollywood. In many ways, I consider this to be the most complete of the three. Writer/Director Randall Wallace (who wrote "Braveheart", "Pearl Harbor" and the screenplay for this film), takes the understanding of war to the next level, by offering more than one perspective to the events. Of the three films, this film has the best workup, the best character development, and the most nuanced look at the battle. He brings all the sustained intensity of BHD in the action sequences, but introduces the NVA perspective, the wives' perspective and a far more charismatic and heroic central figure in Lt. Col. Hal Moore.

Based on real events, this film shows war as being horrendous and heartless to both sides. It expands outside the combat zone to visit the ramifications on the families as well. The scenes with the wives getting the telegrams are poignant reminders of how war reaches beyond the battlefield. Wallace's treatment grabs us on an emotional level and shocks the senses. Unlike BHD, which presented the characters in a very anonymous way, we come to know these characters and their families and identify with them.

Of course, the film lacks the hard edge that would make it starkly believable. It is after all a Hollywood production and not a documentary. However, Wallace pours enough realism into the depictions to assure that this doesn't turn into another sappy melodrama like `Pearl Harbor', which was really nothing more than a romance with a long battle scene in the middle. Wallace finds the optimal balance between engaging storytelling and the brutality of combat.

The acting is excellent. Mel Gibson offers the right combination of hard nosed officer and father figure (both to his children and his men). Gibson is steadfast and courageous without being harsh. His portrayal of Moore is so well played, so charismatic and heroic, that it is impossible to believe that such a person could actually exist.

Sam Elliot follows an outstanding performance in `The Contender' with this gem as Sergeant Major Plumley, the tough as nails warhorse who serves as Moore's non commissioned adjutant. Elliot plays the intransigent career soldier to the hilt, where nothing including life itself is more important than honor and discipline. Barry Pepper also turns in a fine performance as Joe Galloway, the photo journalist who hops on a helicopter to take pictures in the center of the battle and finds himself with a rifle in his hands fighting for his life.

This is among the best war films in recent memory and probably the best film on the Vietnam War film since `Full Metal Jacket'. I rated it a 10/10. This film is not for everyone. It contains graphic violence and disturbingly realistic battle scenes. It is a gripping and distressing film that should be required viewing for statesmen and generals alike.