In a place soon to be known as The Valley of Death, in a football field-sized clearing called landing zone X-Ray, Lt. Colonel Hal Moore and 400 young troopers from the newly formed 1/7th Cavalry Regiment of the US 1st "Air" Cavalry Division were surrounded by 2,000 North Vietnamese soldiers dug into the tunnel warren mountainside. The ensuing battle was one of the most savage in U.S. history and is portrayed here as the signal encounter between the American and North Vietnamese armies. We Were Soldiers Once... And Young is a tribute to the nobility of those men under fire, their common acts of uncommon valor, and their loyalty to and love for one another. Written by
PHD in CT USA
The ammunition pouches used by many of the characters in the movie were the "short" version designed to accommodate the 20 round M-16 magazines. These pouches, however, were not issued until 1968, 3 years after the film is set. Before this film was made, the short style pouches were common and readily available. But because the props department bought so many for filming, they are now very rare collectibles on the surplus market. See more »
In the second night of the battle there appears a full Moon, but in reality on 11/15/1965 the Moon was in the 3rd quarter. See more »
These are the true events of November, 1965, the Ia Drang Valley of Vietnam, a place our country does not remember, in a war it does not understand. This story's a testament to the young Americans who died in the valley of death, and a tribute to the young men of the People's Army of Vietnam who died by our hand in that place. To tell this story, I must start at the beginning. But where does it begin? Maybe in June of 1954 when French Group Mobile 100 moved ...
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A list of the names of the actual men who died during the battle as well as the city and state where they are from is featured before the ending credits. See more »
Powerful and moving, not a film for everyone however
I was privileged to see a preview of Mel Gibson's new film "We Were Soldiers" based upon the book written by his real life character, Lt. Col. Harold Moore, along with Joe Galloway. I attended a showing along with numerous other Viet Nam vets and it would seem that there were as many opinions about the movie as there were viewers. Like the war itself, each person in attendance probably had some personal experiences that the movie brought back from that deep, and sometimes distant, place we have put them.
The movie was almost overwhelmingly graphical, but afterwards I realized this was instrumental in the telling of the story. For the movie is truly about the leadership that Col. Moore brought to his men of the 1st of the 7th, and his determination that they would not suffer the fate of the French in Viet Nam, nor his own unit's most infamous battle, that of Custer's Stand at Little Big Horn.
It was his determination and commitment that his men be as highly trained, as strongly molded as a unit, and most importantly as well lead as possible that stands out. This determination is obviously rooted in his deeply abiding belief that military leaders shall never forget that when they lead men into war, many of those men will never come back alive, but that those who lead shall never abandon them, even in their shared darkest hours.
And while the movie highly succeeds in conveying the horror and tragedy that war is....has been...and always shall be, it was more difficult for me to realize that our War Department and Army could have been so callous as to have delegated the responsibility of notifying next-of-kin of the death of their loved ones to the local Yellow Cab company. Then I realized that in late 1965 it was all so new and no one knew that this war was going to grow and consume so many young American lives over the next nine years.
The two most significant scenes in the movie for me were firstly, the scene when the course of the battle teeters on the brink of either disaster or success and the most important communication that Col. Moore's superiors have to convey is that General Westmoreland would like for him to leave the battlefield and fly to Saigon so the general can have a briefing. This more than anything pointed out how tragically we were doomed to failure in Viet Nam due to the political will, not the military will, being in control. The second most significant scene was in the airport where one soldier is pushing his buddy through the concourse and the voice over says..."They did not fight for God.....country.....right. They fought for each other", a fact that every Viet Nam vet would attest to.
This a movie worth seeing. It is another testament, with a worthy cinematographic effort, to the futility and absurdity of war, and how that among madness can be greatness. It is a movie that will unlikely leave the viewer devoid of emotion. What those emotions may be are as likely to be as highly personal, as the strength of their feeling.
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