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Directed by | |||
| Jessie Nelson | |||
Writing credits(WGA) | ||
| Kristine Johnson | (written by) & | |
| Jessie Nelson | (written by) | |
Original Music by | |||
| John Powell | |||
Cinematography by | |||
| Elliot Davis | |||
Film Editing by | |||
| Richard Chew | |||
Casting by | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
Production Design by | |||
| Aaron Osborne | |||
Art Direction by | |||
| Erin Cochran | |||
Set Decoration by | |||
| Jennifer M. Gentile | |||
| Garrett Lewis | |||
Costume Design by | |||
| Susie DeSanto | |||
Makeup Department | |||
| Erin Braus-Guth | .... | assistant makeup artist (as Erin M. Braus) | |
| Alan D'Angerio | .... | hair stylist: Ms. Pfeiffer (as Alan Dangerio) | |
| Denise Fischer | .... | key makeup artist | |
| Elisabeth Fry | .... | makeup department head | |
| Annette Lorant | .... | makeup artist | |
| Bunny Parker | .... | hair department head | |
| Ronnie Specter | .... | makeup artist: Ms. Pfeiffer (as Ronnie Spector) | |
| Lynda Kyle Walker | .... | hair assistant | |
Production Management | |||
| Barbara A. Hall | .... | unit production manager | |
| Frank Salvino | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Lisa Campbell | .... | first assistant director | |
| Frederic Roth | .... | second assistant director (as Fredric Roth) | |
| Andrew Ward | .... | second second assistant director | |
Art Department | |||
| Ruben Abarca | .... | drapery foreman | |
| George Amaroso | .... | swing | |
| Mychael Bates | .... | property master | |
| Robert Bernard | .... | graphic designer | |
| Harry Conrad Chitwood | .... | construction coordinator | |
| Lilly Frank | .... | on-set stand-by painter | |
| Stephanie J. Gordon | .... | set designer | |
| Peter N. Griffith | .... | props | |
| Robert Hale | .... | head paint foreman | |
| Hyunjin Jo | .... | art department assistant (as Hyunjin) | |
| Hyunjin Jo | .... | origami artist | |
| Sean Langdon | .... | set dressing gangboss | |
| Brynn McQuade | .... | art department coordinator | |
| Richard 'Rocky' Nichols | .... | assistant property master | |
| Michael O'Donnell | .... | crew head | |
| John 'Johnny O' Ornelas | .... | assistant property master | |
| Gregori Renta | .... | lead man | |
| Steve Rice | .... | greens foreman | |
| Glenn Rivers | .... | set designer | |
| Chad Vachter | .... | props | |
| Greg Wyszynski | .... | on-set dresser/swing | |
| Michael Caccamise | .... | art department assistant (uncredited) | |
| George Davis | .... | art department coordinator (uncredited) | |
| Chela Fiorini | .... | on-set dresser (uncredited) | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Douglas Axtell | .... | production sound mixer | |
| James Bailey | .... | foley artist | |
| Michael Camello | .... | sound assistant | |
| Paul Timothy Carden | .... | supervising sound editor | |
| Eric Flickinger | .... | sound recordist | |
| Kevin Globerman | .... | ProTools engineer | |
| Scott Jacobs | .... | boom operator | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Darren T. Knaus | .... | assistant sound editor | |
| Manny Leyva | .... | sound utility | |
| Cynthia Merrill | .... | foley artist | |
| Joe Milner | .... | supervising sound editor: effects | |
| Nick Neutra | .... | foley mixer | |
| Thomas O'Neil Younkman | .... | first assistant sound editor | |
| Sarah Payan | .... | sound editor | |
| Perry Robertson | .... | sound editor | |
| Gregg Silk | .... | second engineer | |
| David Stanke | .... | assistant sound editor | |
| Greg Steele | .... | adr mixer | |
| Nancy MacLeod | .... | foley editor (uncredited) | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects supervisor | |
Visual Effects by | |||
| Marla Carter Barrett | .... | title compositor (as Marla Carter) | |
| Robert Stromberg | .... | matte painting | |
| Patrick Zentis | .... | matte artist | |
Stunts | |||
| Mimi Gilbert | .... | stunt double: Lucy | |
| Troy Gilbert | .... | stunt coordinator | |
| Andy Gill | .... | stunt coordinator | |
| Jack Gill | .... | stunt coordinator | |
| Joel Kramer | .... | stunt coordinator | |
| Lane Leavitt | .... | stunts | |
| David Loitz | .... | precision driver | |
| Patricia M. Peters | .... | stunt double: Rita (as Tricia Peters) | |
| Jimmy Romano | .... | stunt coordinator | |
| Erik Stabenau | .... | stunt double: Sam | |
Camera and Electrical Department | |||
| Art Bartels | .... | key grip | |
| Ted Caloroso | .... | first assistant camera: "b" camera | |
| Bruce Chimerofsky | .... | best boy grip | |
| James F. Cornick | .... | rigging gaffer | |
| Andrae Crawford | .... | film loader | |
| Jim Duggan | .... | company grip (as James Duggan) | |
| Jenifer Galvez | .... | set lighting technician | |
| Lamarr Gray | .... | rigging best boy | |
| Bill Greenberg | .... | electrician | |
| Michael Gulbin | .... | grip | |
| Ted Lewis | .... | company grip | |
| Chris Lombardi | .... | camera operator: "b" camera | |
| Dayton Nietert | .... | gaffer | |
| Jeremy Antonio Oliver | .... | electrician | |
| Brendon Phillips | .... | rigging electrician | |
| David D. Scott | .... | video assist operator | |
| Lorey Sebastian | .... | still photographer | |
| Sean Shinneman | .... | company grip | |
| Cricket Sloat | .... | assistant chief lighting technician | |
| Christopher A. Zwirner | .... | electrician | |
| Val Sklar | .... | loader (uncredited) | |
Casting Department | |||
| Sandra Kuker | .... | extras casting | |
| Leanna Sheldon | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lynda Foote | .... | costume supervisor | |
| Jennifer Morrison Holyfield | .... | costumer: Ms. Pfeiffer (as Jennifer Holyfield) | |
| Jo Kissack | .... | set costumer | |
Editorial Department | |||
| Colby Enders | .... | apprentice editor | |
| Adrian Kays | .... | editor: end title montage | |
| Dan Muscarella | .... | color timer | |
| Mark Yoshikawa | .... | first assistant editor | |
Music Department | |||
| Julian Bratolyubov | .... | music preparation | |
| Paul Broucek | .... | music executive | |
| David Carpenter | .... | featured musician: bass (as Dave Carpenter) | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Terry Delsing | .... | music editor | |
| George Doering | .... | musician | |
| Steve Erdody | .... | featured musician: Solo cello | |
| Michael Fisher | .... | featured musician: percussion | |
| Bruce Fowler | .... | orchestrator | |
| Gavin Greenaway | .... | conductor | |
| Tod Holcomb | .... | additional music editor | |
| Mark Kaufman | .... | music clearance executive | |
| Malcolm Luker | .... | score recordist | |
| Malcolm Luker | .... | scoring mixer | |
| James McKee Smith | .... | assistant to composer | |
| Alan Meyerson | .... | music scoring mixer | |
| Yvonne S. Moriarty | .... | orchestrator (as Suzette Moriarty) | |
| Heitor Pereira | .... | featured musician: Ukes & guitars | |
| Joel J. Richard | .... | music assistant | |
| Erin Scully | .... | music executive | |
| Lori Silfen | .... | music business affairs | |
| Curt Sobel | .... | temp music editor | |
| Terry Wilson | .... | music editor | |
| Hans Zimmer | .... | original music producer | |
Transportation Department | |||
| Jeff Couch | .... | transportation captain | |
| Julie E. Furnas | .... | transportation production assistant | |
| J. Armin Garza II | .... | driver: camera car | |
| Alan Kaminsky | .... | transportation co-captain | |
| Brian Kay | .... | production van driver | |
| 'Wild Bill' Laczko | .... | transportation | |
| A. Welch Lambeth | .... | transportation coordinator (as Welch Lambeth) | |
| Harold L. Woods | .... | driver | |
Thanks | |||
| Lynne Finkelor | .... | thanks | |
| Debbie Nelson | .... | thanks | |
| Yoko Ono | .... | thanks | |
| Michael Rhode | .... | thanks | |
| Cameron Taylor-Brown | .... | thanks | |
| Susan Wilder | .... | thanks | |
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| I've Loved You So Long | Persepolis | Freeway | The Best of Youth | Boys on the Side |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I have to confess off the top that I am not and never have been a particular fan of Sean Penn. I have no specific criticism to make of him; as an actor he simply doesn't appeal to me. Because of that bias I approached this movie with low expectations. The story of a mentally handicapped man fighting for custody of his seven year old daughter sounded intriguing, but it starred Penn. But what a pleasant surprise this movie turned out to be!
Penn is actually very good in this role. He brings a realism to the character of Sam Dawson, and portrays him sensitively and with real emotion. In fact, I thought the only performance that was better than Penn's came not from Michelle Pfeiffer (who disappointed me a bit, actually) but rather from little Dakota Fanning as Sam's daughter Lucy. She seemed so natural in this role, and I would hope that we see more of her in the years to come. Pfeiffer, on the other hand, (as Sam's lawyer Rita Harrison) just didn't carry the role off that well, and even the courtroom scenes to me lacked the tension one would have expected from such an emotionally-laden issue.
The movie weakens in the last little bit, going for the sappy (and highly unrealistic) ending - unrealistic particularly in the way Lucy's foster mother (Laura Dern) ends up handling the situation.
Having said that, I still enjoyed this movie very much. It's raised my assessment of Sean Penn's acting abilities and I would recommend it to others and would watch it again.
7/10