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Directed by | |||
| Jessie Nelson | |||
Writing credits(WGA) | ||
| Kristine Johnson | (written by) & | |
| Jessie Nelson | (written by) | |
Original Music by | |||
| John Powell | |||
Cinematography by | |||
| Elliot Davis | |||
Film Editing by | |||
| Richard Chew | |||
Casting by | |||
| Mary Gail Artz | |||
| Barbara Cohen | |||
Production Design by | |||
| Aaron Osborne | |||
Art Direction by | |||
| Erin Cochran | |||
Set Decoration by | |||
| Jennifer M. Gentile | |||
| Garrett Lewis | |||
Costume Design by | |||
| Susie DeSanto | |||
Makeup Department | |||
| Alan D'Angerio | .... | hair stylist: Ms. Pfeiffer (as Alan Dangerio) | |
| Denise Fischer | .... | key makeup artist | |
| Elisabeth Fry | .... | makeup department head | |
| Erin Braus Guth | .... | assistant makeup artist (as Erin M. Braus) | |
| Annette Lorant | .... | makeup artist | |
| Bunny Parker | .... | hair department head | |
| Ronnie Specter | .... | makeup artist: Ms. Pfeiffer (as Ronnie Spector) | |
| Lynda Kyle Walker | .... | hair assistant | |
Production Management | |||
| Barbara A. Hall | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Lisa Campbell | .... | first assistant director | |
| Frederic Roth | .... | second assistant director (as Fredric Roth) | |
| Andrew Ward | .... | second second assistant director | |
Art Department | |||
| George Amaroso | .... | swing | |
| Mychael Bates | .... | property master | |
| Robert Bernard | .... | graphic designer | |
| Harry Conrad Chitwood | .... | construction coordinator | |
| Lilly Frank | .... | on-set stand-by painter | |
| Stephanie J. Gordon | .... | set designer | |
| Peter N. Griffith | .... | props | |
| Robert Hale | .... | head paint foreman | |
| Hyunjin Jo | .... | art department assistant (as Hyunjin) | |
| Hyunjin Jo | .... | origami artist | |
| Sean Langdon | .... | set dressing gangboss | |
| Brynn McQuade | .... | art department coordinator | |
| Richard 'Rocky' Nichols | .... | assistant property master | |
| Michael O'Donnell | .... | crew head | |
| John 'Johnny O' Ornelas | .... | assistant property master | |
| Gregori Renta | .... | lead man | |
| Steve Rice | .... | greens foreman | |
| Glenn Rivers | .... | set designer | |
| Chad Vachter | .... | props | |
| Greg Wyszynski | .... | on-set dresser/swing | |
| Michael Caccamise | .... | art department assistant (uncredited) | |
| Chela Fiorini | .... | on-set dresser (uncredited) | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Douglas Axtell | .... | production sound mixer | |
| James Bailey | .... | foley artist | |
| Michael Camello | .... | sound assistant | |
| Paul Timothy Carden | .... | supervising sound editor | |
| Eric Flickinger | .... | sound recordist | |
| Kevin Globerman | .... | ProTools engineer | |
| Scott Jacobs | .... | boom operator | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Darren T. Knaus | .... | assistant sound editor | |
| Manny Leyva | .... | sound utility | |
| Cynthia Merrill | .... | foley artist | |
| Joe Milner | .... | supervising sound editor: effects | |
| Nick Neutra | .... | foley mixer | |
| Thomas O'Neil Younkman | .... | first assistant sound editor | |
| Sarah Payan | .... | sound editor | |
| Perry Robertson | .... | sound editor | |
| Gregg Silk | .... | second engineer | |
| David Stanke | .... | assistant sound editor | |
| Greg Steele | .... | adr mixer | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects supervisor | |
Visual Effects by | |||
| Marla Carter | .... | title compositor | |
| Robert Stromberg | .... | matte painting | |
| Patrick Zentis | .... | matte artist | |
Stunts | |||
| Mimi Gilbert | .... | stunt double: Lucy | |
| Troy Gilbert | .... | stunt coordinator | |
| Andy Gill | .... | stunt coordinator | |
| Jack Gill | .... | stunt coordinator | |
| Joel Kramer | .... | stunt coordinator | |
| Lane Leavitt | .... | stunts | |
| David Loitz | .... | precision driver | |
| Patricia M. Peters | .... | stunt double: Rita (as Tricia Peters) | |
| Jimmy Romano | .... | stunt coordinator | |
| Erik Stabenau | .... | stunt double: Sam | |
Camera and Electrical Department | |||
| Art Bartels | .... | key grip | |
| Ted Caloroso | .... | first assistant camera: "b" camera | |
| Bruce Chimerofsky | .... | best boy grip | |
| James F. Cornick | .... | rigging gaffer | |
| Andrae Crawford | .... | film loader | |
| Jim Duggan | .... | company grip (as James Duggan) | |
| Jenifer Galvez | .... | set lighting technician | |
| Lamarr Gray | .... | rigging best boy | |
| Ted Lewis | .... | company grip | |
| Chris Lombardi | .... | camera operator: "b" camera | |
| Dayton Nietert | .... | gaffer | |
| Jeremy Antonio Oliver | .... | electrician | |
| Brendon Phillips | .... | rigging electrician | |
| David D. Scott | .... | video assist operator | |
| Lorey Sebastian | .... | still photographer | |
| Sean Shinneman | .... | company grip | |
| Cricket Sloat | .... | assistant chief lighting technician | |
| Christopher A. Zwirner | .... | electrician | |
| Val Sklar | .... | loader (uncredited) | |
Casting Department | |||
| Sandra Kuker | .... | extras casting | |
| Leanna Sheldon | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lynda Foote | .... | costume supervisor | |
| Jennifer Morrison Holyfield | .... | costumer: Ms. Pfeiffer (as Jennifer Holyfield) | |
Editorial Department | |||
| Colby Enders | .... | apprentice editor | |
| Adrian Kays | .... | editor: end title montage | |
| Dan Muscarella | .... | color timer | |
| Mark Yoshikawa | .... | first assistant editor | |
Music Department | |||
| Jackson Browne | .... | musician: harmony vocal | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Terry Delsing | .... | music editor | |
| Bruce Fowler | .... | orchestrator | |
| Malcolm Luker | .... | scoring mixer | |
| Alan Meyerson | .... | music scoring mixer | |
| Heitor Pereira | .... | composer: additional music | |
| Heitor Pereira | .... | musician | |
| Joel J. Richard | .... | music assistant | |
| Erin Scully | .... | music executive | |
| Curt Sobel | .... | temp music editor: songs | |
| Terry Wilson | .... | music editor | |
| Hans Zimmer | .... | original music producer | |
Transportation Department | |||
| Julie E. Furnas | .... | transportation production assistant | |
| J. Armin Garza II | .... | driver: camera car | |
| Alan Kaminsky | .... | transportation co-captain | |
| A. Welch Lambeth | .... | transportation coordinator (as Welch Lambeth) | |
| Harold L. Woods | .... | driver | |
Thanks | |||
| Yoko Ono | .... | thanks | |
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| Across the Universe | Kramer vs. Kramer | Losing Isaiah | The Notebook | Infamous |
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This movie has flaws, but this movie touched me. Maybe its because I'm a father of a six year-old girl, but I was moved by the love between father and daughter, Sam and Lucy. Sean Penn plays Sam, a mentally challenged man that instantly becomes a single parent, when the mother immediately abandons them when they leave the hospital. He some how raises her with help from a neighbor, played by Diane Wiest. On her eighth birthday, child protective services take her away from Sam. It has become apparent that Lucy surpassed her father in intelligence, and she is struggling to cope with classmates and friends making fun of Sam. Can Sam adequately care for Lucy? The whole time I was watching, the answer was, no. This is where the movie fails. It did not convince me that this mentally challenged man that could not even eat at a Kip's Big Boy without freaking out because they did not have French pancakes, could raise this child by himself.
I am sure that Sean Penn's will get some accolades for his performance. However, I felt that I had seen it before, and I had seen it done better. He was adequate in the role, but Leonardo DiCaprio did it better in `What's Eating Gilbert Grape', and I even think that Mickey Rooney did it better in `Bill'. Penn's downfall could have been the character's lack of dept. Maybe if we had seen his childhood, his relationship with his mother, or the relationship with Lucy's mother, it would have created a more believable role. He does do well to show his love for Lucy. The chemistry between Lucy and Sam is touching. You had better take some tissue.
The newcomer, Dakota Fanning, as Lucy, was wonderful. Lucy is cute and loveable. She is the only thing right in Sam's life. She is hope. She is beautiful. She is everything to Sam. When she is taken away, your heart will break.
Michelle Pfeiffer, as Rita the lawyer, was a pleasant surprise. Rita is so vain that she takes Sam's case just to save face in front of her colleagues. She is too busy, even for her own family. All she cares about is winning. She is heartless. However, she blossoms during the movie. Sam opens her eyes. She is like the butterfly that Lucy does a report on in school. She is the true hero of the movie.
The music in the movie was great. If you are a fan of the Beatles, which most everyone is (even if you may not realize it), you will appreciate this movie. The Beatles' songs convey a feeling of safety and comfort. The songs are familiar and soothing. In Sam's chaotic world, the Beatles come through with a calming effect. One of my all time favorite songs, Across the Universe, is used as well.
Overall, I think this movie comes through with heartfelt messages. However, you will have to suspend belief and let yourself go with it. Laura Dern also pops up with an excellent performance. The final scenes were fresh and unexpected. Thank God this movie did not stay in the courtroom!
7/10