A penniless, fast-thinking musician buys a lottery ticket which he glues to his back door, in hopes of eventually retrieving his instrument from his exasperating landlady. The ticket wins, ... See full summary »
A young French woman returns to the vast silence of West Africa to contemplate her childhood days in a colonial outpost in Cameroon. Her strongest memories are of the family's houseboy, ... See full summary »
Isaach De Bankolé,
Finye tackles the generation gap in post-colonial West Africa. Its heroine is the pot smoking daughter of a provincial military governor who falls in love with a fellow university student, the descendent of one of Mali's chiefs.
Set in a pre-colonial African past, Tilai is about an illicit love affair and its consequences. Saga returns to his village after an extended absence to discover that his father has taken ... See full summary »
Parallel storylines tell the current state of affairs for two ex-lovers: Nora's a single mother who comes to care for her terminally ill father; holed in up in mental ward, Ismael, a brilliant musician, plots his escape.
Faat Kiné is a fascinating mixture of drama, humor, and sociology. This is one of the first African films I have seen where all the characters are African--no colonial arrogance or benevolence intrudes into the story. (Granted, the fact that everyone in this African nation communicates in French automatically brings the colonial power into the story, but none of the characters is French.) Sembene is a master, and he manages to develop a masterpiece with what is obviously a low budget and a mostly amateur cast. There is a confrontational scene near the end of the film that is somewhat formulaic. Other than that, I have nothing but praise for this picture and its director.
6 of 6 people found this review helpful.
Was this review helpful to you?