A once-prosperous Senegalese village has been falling further into poverty year by year until the village's elders are reduced to selling town possessions to pay debts. Linguère, a former ... See full summary »
Djibril Diop Mambéty
Djibril Diop Mambéty,
Present-day Chad. Adam, fifty-five, a former swimming champion, is pool attendant at a smart N'Djamena hotel. When the hotel gets taken over by new Chinese owners, he is forced to give up ... See full summary »
Mory, a cowherd who rides a motorcycle mounted with a cow's skull, and Anta, a university student, have met in Dakar, Senegal's capital. Alienated and disaffected with Senegal and Africa, ... See full summary »
Finye tackles the generation gap in post-colonial West Africa. Its heroine is the pot smoking daughter of a provincial military governor who falls in love with a fellow university student, the descendent of one of Mali's chiefs.
In the last days of 1999, after a few shots of a French supermarket, abundant in food and color, we hear Dramane compose a letter home to his father in Mali whom he then visits in the ... See full summary »
Young Simone gets hit by a near fatal car crash, and as she questions her mortality, she also decides to have a baby. Her candidate for a father is her best friend Phillipe who happens to ... See full summary »
Kinawi, a physically challenged peddler who makes his living selling newspapers in the central Cairo train station, is obsessed by Hannouma, an attractive young woman who sells drinks. ... See full summary »
Faat Kiné is a fascinating mixture of drama, humor, and sociology. This is one of the first African films I have seen where all the characters are African--no colonial arrogance or benevolence intrudes into the story. (Granted, the fact that everyone in this African nation communicates in French automatically brings the colonial power into the story, but none of the characters is French.) Sembene is a master, and he manages to develop a masterpiece with what is obviously a low budget and a mostly amateur cast. There is a confrontational scene near the end of the film that is somewhat formulaic. Other than that, I have nothing but praise for this picture and its director.
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