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Electric Dragon 80.000 V (2001)

A violent, guitar-playing, electrically charged boxer faces off against an electronic wizard half-merged with a metallic Buddha.

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(as Sogo Ishii)

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(as Sogo Ishii)
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Cast

Credited cast:
Yoshiki Arizono ...
Villain A
...
Dragon Eye Morrison
Masakatsu Funaki ...
Narrator (voice)
...
Thunderbolt Buddha
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Storyline

A young boy gets jolted with electricity as he's climbing a tall cable pylon. As he gets older, he experiences intense fits of violence in which bolts of electricity burt from his fists. Elsewhere in Tokyo, there is an electronics wizard who also happens to be a vigilante with a taste for electric weapons. When the pair catch each other's attention, the result is a battle that will light up the city. Written by Jean-Marc Rocher <rocher@fiberbit.net>

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Release Date:

7 March 2002 (Germany)  »

Also Known As:

80.000 voltos elektromos sárkány  »

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Did You Know?

Quotes

Narrator: The dragon. A mythological creature? No. It exists -- inside us.
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Connections

References Eraserhead (1977) See more »

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User Reviews

One of the best comic-book movies ever made
14 October 2011 | by (Greece) – See all my reviews

The entire point of comic books was that their art was ragged, untrimmed, spontaneous; artists were usually paid by the page, worked for daily strips, or monthly publications, Superman and Batman were launched in this way. As with the very means, a comic was about a gripping story quicky sketched. So the Hollywood craze with superheroes, bulky, sprawling films shooting for months while a small army of SFX experts are tinkering away at the designs, has directly negated what was so vital about these things in the first place. The apogee of this is the latest Batman films, no longer a product of pulp fiction, but of the most serious aesthetic and drama.

This beats with that primitive heart of comic-books; the DIY ethos, here especially channeled through a scrapyard punk rock aesthetic, and so like punk, the fast, hard-edged rhythms, the stripped-down instrumentation. The teenage energy.

If all this recalls Shunya Tsukamoto, it's because Sogo Ishii was the inspiration. He fathered the No Wave we find in Tetsuo.

Story-wise it's about these two man-technology hybrids, Dragon Eye Morrison and Thunderbolt Buddha, battling for control of the neon skies of Tokyo, for the privilege of harnessing the energies into seeing.

Dragon Eye is unbridled animal desire, pure violent instinct awakened by childhood abuse. Every night he sits down on his bed for shock treatment. He channels the energies back into the world with his electric guitar. The other guy is more intriguing, with the all-encompassing eye of the Buddha that permeates the veils of existence recast as a contemporary, technological eye that eavesdrops everywhere. Wired with industrial gadgetry, he monitors everything from his rooftop. His face is an amazing two-face design; half human, half a metal mask of the Buddha.

When they clash the movie erupts in white-hot blistering chaos, convulsing from the sheer power of the energies unleashed. Anime, punk rock, New Wave cinema, cold cityscapes, the anarchic edge of youth; at 55 minutes it's barely a full movie, but it's a melting pot of awesome.


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