In the middle of World War I, nine British soldiers caught behind enemy lines seek refuge in a complex network of German trenches. What they soon discover is that they aren't alone - and it isn't a German soldier that's hunting them down.
Seven German soldiers are enclosed in one bunker during the Second World War. They soon feel surrounded by enemies. When they hear about the tunnel-system beneath the bunker and some mystic... See full summary »
Underwater deep-sea miners encounter a Soviet wreck and bring back a dangerous cargo to their base on the ocean floor with horrifying results. The crew of the mining base must fight to ... See full summary »
A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who have taken over the ship first.
In the dark silence of the sea during World War II, the submarine U.S.S. Tiger Shark prowls on what should be a routine rescue mission. But for the shell-shocked crew, trapped together in the sub's narrow corridors and constricted spaces, this is about to become a journey into the sensory delusions, mental deceptions and runaway fear that lurk just below the surface of the ocean and deep inside the human psyche. Written by
Originally Frank Sinatra singing "I'll Be Seeing You" was supposed to be mysteriously playing on the record player. When the studio had difficulties obtaining the rights, the song was replaced by 'Benny Goodman''s "Sing Sing Sing (With a Swing)". See more »
The use of grappling hooks was not an anti-submarine tactic used by the German Kriegsmarine during World War II. That tactic was used by German and British naval forces during World War I, but only in shallow water. There are also reports of the Japanese Imperial Navy using hooks in the Pacific during World War II. See more »
[hands coordinates to Loomis]
This is almost a day behind us, sir.
Well who are they? Americans, Brits, Italians? It doesn't even say.
Well I think we can assume they're friendly, Mr. Loomis. Besides, it doesn't appear to be a suggestion, does it.
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The only thing in the opening credits is the movie's title. Everything else is only shown after the movie is over. See more »
Periodically I go through fits where I'm convinced that the American public is losing the capacity for thought in entertainment; that 99% of the movie-going public has reached the point where every smallest nuance must be telegraphed as loudly and as blatantly as possible, and any intelligent content must be simplified so it's comprehensible to the lowest common denominator.
Below is not like that.
This is a movie that simultaneously gives one hope (that something this stylish and subtle could be made in 2002), and despair (that the studio has shown so little faith in it that they've cast it adrift without any advertising or backing). Why this hasn't received even one quarter of the attention of Ghost Ship I can't fathom--if you have a choice, go see Below instead.
If you like beautifully photographed, well-thought-out eerie psychological horror films that don't tie everything up in a nice pretty package of explanations in the final shots, and are willing to give the relatively unknown but excellent cast a shot, then by all means hunt this one down.
9 out of 10
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