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About a Boy (2002)

 -  Comedy | Drama | Romance  -  17 May 2002 (USA)
7.1
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Ratings: 7.1/10 from 119,958 users   Metascore: 75/100
Reviews: 384 user | 161 critic | 38 from Metacritic.com

Based on Nick Hornby's best-selling novel, About A Boy is the story of a cynical, immature young man who is taught how to act like a grown-up by a little boy

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Nominated for 1 Oscar. Another 11 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Madison Cook ...
Jordan Cook ...
Nicholas Hutchison ...
Ryan Speechley ...
Joseph Speechley ...
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Ellie (as Nat Gastiain Tena)
Laura Kennington ...
Tanika Swaby ...
Peter McNicholl ...
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Ben Ridgeway ...
Lee
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Storyline

Twelve year old Marcus Brewer lives with his chronically depressed single mother, Fiona Brewer. Both Fiona and Marcus beat to their own respective drummers. Marcus will do whatever he can to make his depressed mother happy, even if it causes himself grief. As such, he realizes that he is perceived as different than most kids, as even the self-professed weird kids don't want to hang out with him as he is the target of bullying. Part of the taunts against him are the fact that he sings and speaks to himself without even realizing that he is doing it. Meanwhile, thirty-eight year old Will Freeman is a slacker who has lived comfortably off the royalties of a song written by his deceased father, and as such has never had to work a day in his life. He is a solitary man who places himself as the first and only priority in life. He comes across the idea that dating single moms meets his selfish carnal needs. It is in this capacity that Will meets Marcus, as one of Will's single mother ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Growing up has nothing to do with age.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for brief strong language and some thematic elements | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

Release Date:

17 May 2002 (USA)  »

Also Known As:

About a Boy  »

Box Office

Budget:

$27,000,000 (estimated)

Opening Weekend:

$1,527,768 (France) (15 November 2002)

Gross:

$2,834,577 (France) (29 November 2002)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jon Bon Jovi, who both Marcus and Will attribute the phrase "no man is an island" used the quote in the opening lyrics for the song "Santa Fe" from his soundtrack for the movie Young Guns II (1990). See more »

Goofs

After the Christmas dinner scene we see a clip of Marcus in school followed by the New Year's Eve scene with Will and Rachel. There is no school between Christmas and New Year's in the UK. See more »

Quotes

Christine: Oh, no... it's just I thought you had hidden depths.
Will: No, no, you've always had that wrong about me. I really am this shallow.
See more »

Connections

Referenced in 20 to 1: Hollywood's Hot List (2009) See more »

Soundtracks

Bitches And Friends
By Ron Rinaldi (as Rinaldi) and maestro Garofalo (as Garofalo)
Performed by DJ Rodriguez
Courtesy of IRMA Records
See more »

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User Reviews

 
Effective, Satisfying Film
6 June 2002 | by (Salem, Oregon) – See all my reviews

Being afforded a life of independent means can be a blessing in some regards, perhaps, but it can also be the definitive test of one's character. If one chooses to use such a situation toward altruistic ends, or at the very least a venture that can provide some personal fulfillment, it says something about who that person is. On the other hand, if one squanders the opportunity on a totally self-absorbed, shallow existence, it says even more. And while taking the latter path may provide some interesting moments, it's a cosmetically created, external bubble that serves no other purpose than covering up an empty life, and sooner or later-- to anyone with even a modicum of intelligence-- that bubble is bound to burst; and when it finally happens, when the wake-up call comes, how one responds to it is the ultimate test of character, which is what happens to a such a man in `About A Boy,' directed by Chris Weitz and Paul Weitz, and starring Hugh Grant.

As far as Will Freeman (Grant) is concerned, he has the perfect life; he lives comfortably, if not extravagantly, on the income provided by a certain kind of inheritance. On the surface, at least, he's happy. Admittedly, however, he's the very epitome of `shallow,' who makes a conscious and concerted effort at avoiding any commitment in relationships, or even attempting to accomplish or achieve anything at all. He merely takes from life, gives absolutely nothing back and has always been content with it. But of late, his relationships have become a bit `sticky.' Women are becoming too demanding, the break-ups too messy. He needs a new conquest, a relationship in which he can flex his shallowness anew, with a woman who will give him everything and demand nothing in return.

Fortuitous circumstances provide him with just what he's looking for; fortuitous, however, in a way he doesn't realize, as it leads to a relationship through which he encounters a young boy, Marcus (Nicholas Hoult). And it's a meeting that is destined to have an enormous impact on his life, as Marcus becomes the catalyst that changes Will's entire perspective. For the first time, Will begins to question who he is, and what he's doing-- or not doing-- with his life.

Telling this story (adapted for the screen by Peter Hedges and the Weitz brothers, from the novel by Nick Hornby) presented a challenge to the filmmakers, in that it's nothing really new; the history of the cinema is filled with stories of individual epiphanies, many along the same lines as this one (recently, `The Kid,' with Bruce Willis, for example). So a fresh approach and presentation, including the kind of performances they could extract from their actors, was essential for this film to attain any distinction whatsoever. Which it does, and splendidly. And, moreover, they succeed on all fronts. The screenplay is intelligent, and the characters-- especially Will and Marcus' mom, Fiona (Toni Collette)-- are convincingly well developed. With Will, there is no sudden leap into who he becomes by the end of the film; it comes though a gradual recognition and realization of who he is, after first establishing a starting point from which the character can grow. The same is true of Fiona. There's detours and set-backs which-- as in real life-- prevent a direct journey from point A to point B, and create the proverbial sticky wicket along the way. Weitz and Weitz set a good pace, and most importantly, manage to give their film some real heart without lapsing into any melodramatic, maudlin sentimentality. Rather, the sentiments and situations they express are real and believable, and presented in such a way as to afford the audience any number of elements to which they can genuinely relate.

As Will, Hugh Grant gives arguably his best performance ever. In some respects, Will is similar to other characters Grant has created (most notably Daniel in `Bridget Jones's Diary'), but there's a depth to Will he's never previously managed to achieve, and without question this is his most three-dimensional, fully developed character yet. Grant has a natural charm and a charismatic screen presence, but his presentation is often tinged with a bit of pretentiousness that is entirely absent here. He does an especially nice job of effecting Will's transition in very real and credible terms, and by the end, it's obvious that this is a side of Grant we have not seen before; with this role, he has effectively expanded his range as an actor. In the final analysis, it's a performance with real substance, and it makes Will a truly memorable character.

The young Hoult brings Marcus convincingly to life, as well, with an extremely natural performance, in which he commendably manages to avoid the trappings of stereotype into which this character could easily have fallen. Some credit must go to his directors, of course, but it's Hoult who makes it especially believable in the way he responds, for instance, to certain given situations that typically seem to evoke a particular reaction when being depicted on screen (his rather introspective response to the taunts of his school mates, for example; quite different than what is usually portrayed in film). And in their scenes together, Grant and Hoult strike a chord of reality that finally assures the overall success of this film.

The supporting cast includes Rachel Weisz (Rachel), Isabel Brook (Angie), Sharon Small (Christine), Victoria Smurfit (Suzie) and Nat Gastiain Tena (Ellie). Entertaining, as well as insightful, `About A Boy' gives a truly fresh perspective to an element of the human condition that has been explored before, but rarely as effectively. The Weitz Brothers make the subject of their film accessible to a wide audience, and in a way that is engaging and satisfying. This film is going to be a pleasant surprise to many who see it, in that it delivers a whole lot more than most would expect. And that's the magic of the movies. 9/10.






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