Will Freeman lives a charmed existence. After writing a hit song, he was granted a life of free time, free love and freedom from financial woes. He's single, unemployed and loving it. So ... See full summary »
A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Twelve year old Marcus Brewer lives with his chronically depressed single mother, Fiona Brewer. Both Fiona and Marcus beat to their own respective drummers. Marcus will do whatever he can to make his depressed mother happy, even if it causes himself grief. As such, he realizes that he is perceived as different than most kids, as even the self-professed weird kids don't want to hang out with him as he is the target of bullying. Part of the taunts against him are the fact that he sings and speaks to himself without even realizing that he is doing it. Meanwhile, thirty-eight year old Will Freeman is a slacker who has lived comfortably off the royalties of a song written by his deceased father, and as such has never had to work a day in his life. He is a solitary man who places himself as the first and only priority in life. He comes across the idea that dating single moms meets his selfish carnal needs. It is in this capacity that Will meets Marcus, as one of Will's single mother ... Written by
The quote "No man is an island" which Will jokingly attributes to Jon Bon Jovi, was actually written by John Donne in 1624, in his work "Meditation XVII". See more »
The vase of flowers that Marcus places on the table (just when his finds his mother's suicide note) moves repeatedly between shots. See more »
Hang on, come back.
He's off his head!
He said he'd cut me up into little pieces and hide me under the floorboards.
No, but I'm sure he's capable of it.
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Hugh Grant gets a decent script where he can do what he does best and doesn't have to stutter
Described by some as a man's version of Bridget Jones Diary the remarkable thing is that it lives up to the description. Hugh Grant, with an excellent script that could have been written especially for him, plays a young confirmed single yuppie socialite, dividing his day into units in which to pack his meaningless but carefree, philandering lifestyle and disposable income. After initially discovering unmarried mothers as a new supply of grateful sexual objects, he becomes drawn into a meaningful life after making friends with a young boy. Avoiding a cheesy ending is one of the film's many triumphs.
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