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13 Moons is an ambitious, unusual film that works really well. It has beautiful imagery, great music and fantastic acting. And it manages to feel spontaneous and free in a way that big-budget studio films never quite do. In fact, it's exactly the kind of movie a big studio would never attempt. It features a huge, eclectic ensemble cast in a wild series of events that are, at first glance, pretty far-fetched. But the result is surprisingly smooth and genuine. First of all, the cast is fantastic. In addition to Steve Buscemi and Jennifer Beals, I recognized many of the actors from television and other (mostly independent) movies: David Proval from The Sopranos, Karyn Parsons from The Fresh Prince of Bel Air, Daryl Mitchell and Sam Rockwell from GalaxyQuest, and Peter Dinklage from Living in Oblivion. The plot doesn't exactly ramble, but there are definitely points where it's unclear where the story is moving. It's hard, with so many interesting characters, to maintain a perfect narrative balance. But the great thing about 13 Moons is that it is a little off-balance. It's basically a collection of strange little moments, but they all feel so sincere that it's easy to lose yourself in them. And in the end, everything and everyone comes together. In fact, it's one of the most satisfying movie endings I've seen in a long time. It's a shame 13 Moons wasn't released to the public the way it deserved to be. I hope more people can find a way to see this movie.
*** This review may contain spoilers ***
This indie was shown recently on cable. Alexandre Rockwell (any
relation to Sam?) directs this strange account of a night in L.A. While
the film is interesting there are a lot of things that make absolute no
sense in the way the director, working with Brandon Cole in the screen
play, presents the story and then proceeds to solve it in the next 90
minutes.
Mr. Rockwell has to be congratulated in employing these young talent.
Given the choice between a studio film and and independent one, I will
always choose the latter one. That said, there are a lot of unanswered
questions in the film.
We have no inkling at the beginning of the film that Timmy is a sick
boy, he is suddenly in the hospital where a donor has been matched and
will undergo a kidney transplant. The donor is Slovo, a man who was hit
by the boy's father, and it's an obnoxious man. The quest for the
search of this man, who disappeared from the hospital, is at the core
of the action. It gives the writers an excuse for bringing the assorted
characters into the picture.
Another thing that doesn't make sense is how can anyone be arrested for
attending a T&A club? Evidently it can only happen in the city of
Angels! There is the rapper with the gorgeous girlfriend who can't
carry a tune who come to help the boy and his father and in the process
take us into the streets of a seedy section of town and end up in the
rapper's mansion where everyone jumps in the pool.
There are a lot things that don't make sense, but we go along the ride
because the director, at times, shows signs of brilliant film making,
but ultimate, the movie leaves us questioning a lot of things as to why
they happen.
The cast is wonderful. Daryl Mitchell and Rose Collins are perfect as
the rapper and his girlfriend. Steve Buscemi and Peter Dinklage as the
clowns, don't get a lot to do. Pruitt Taylor Vince, an actor's actor
makes an incredible Owen, the man who will eventually save the boy.
David Proval and Elizabeth Bracco are the estranged parents of the sick
young boy, Timmy, who is portrayed with an uncanny maturity by Austin
Wolff. Jennifer Beals and Sam Rockwell have only limited time in front
of the camera.
While we wished "13 Moons" would have been better, it shows a great
team of writers as well as an excellent director.
I knew every character in this movie as a real person. I knew the
depressive clown and the hard-boiled midget and the drug addicted drag
queen and even the self-doubting priests. While "13 Moons" was not set
in New York City in the seventies, it might as well have been. Granted,
I've been out of that crazy, all-night life for a long time, but I'm
sure it hasn't gone away. People don't change, and the same kinds of
tormented souls have to be there, pursuing their crazy odysseys, all
night long. Perhaps you've missed them if you've been cocooned in the
enclaves of the middle class, but if you're brave enough to go out and
find them, you can.
I was totally engaged by "13 Moons." The ensemble acting was
first-rate, so the characterizations were virtually perfect. The plot
may be slightly less than believable, but if you tossed that particular
batch of odd characters together under the right circumstances,
something like it just MIGHT have happened.
Many reviewers refer to this film as "quirky." Well, LIFE is quirky,
children -- and if you don't think Bananas and Binky and Lenny and
Slovo and Mo and Lily and Suzi are real enough, you haven't been
drinking in the right bars.
See "13 Moons." Believe in it. It's a close approximation of a world
you may not have encountered, but which certainly is real.
Writers Alexandre Rockwell and Brandon Cole managed to do the
impossible: combine ten misfit characters into a storyline that gives
each individual characterization bona fide arc and dimension.
The combination of Steve Buscemi and Peter Dinklage as an out of work
clown and his loyal sidekick is priceless. Peter Stormare uses his
entire acting arsenal to bring his homeless drunk to life and Sam
Rockwell is terrific in his smaller part as an enterprising strip club
bartender. Daryl Mitchell and newcomer Rose Rollins nearly steal the
show as a P Diddy-esque record mogul and his tone deaf girlfriend,
respectively, and Karyn Parsons is a long way from Bel Air as the
stripper who is the object of Steve Buscemi's affection. Jennifer Beals
is effective and stunning as ever as Buscemi's wronged wife. Austin
Wolfe is touching and believable as the little boy who brings them all
together and David Proval does a great turn as the kid's absentee
father.
After a night of unparalleled shenanigans, in the end, the message is
simple as delivered by Elizabeth Bracco as the little boy's mother.
Having been told that this group of strangers has risked life and limb
to help her son, she asks innocently, "Why would they want to help
Timmy? They don't even know him." And therein lies the question that in
a more compassionate world none of us would be compelled to ask.
Thank the cinema gods that movies like this are still being made -
personal,
inimitable, expressive visions you'll never see in a studio boutique
division's wildest dreams!
Doing his best work since the very funny "In The Soup," Alexandre Rockwell
again works with a large ensemble cast of fine but often under-used actors
to tell the niftily interwoven stories of an unlikely set of characters all
of whose paths cross because of a marital spat and a life-weary
bailbondsman
getting saddled with his waifish son - who's in desperate need of a kidney
transplant. Problem is, it seems the only good match is sloshing about in
the innards of the bedrugged, drunken, wacked-out Peter Stormare (in a
Santa
suit, continuing Rockwell's ongoing leitmotiv in several films). The
movie,
beautifully shot on hi-def video by the estimable Phil Parmet, with an
insinuating score, all takes place in one night, an extended but befuddled
chase after the wayward, reluctant kidney donor.
Among an as entertaining group of actors as you're likely to find, Daryl
Mitchell, Rose Rollins, and Peter Dinklage are especially sharp and funny.
Keep an ear peeled for Rollins's perfectly pitched horribly bad rap
song!
Lots of incidental pleasures along the way, and, typical in the Rockwellian
oeuvre, an uplifting moment at the end - literally and figuratively. All
in
all, a shaggy-dog delight.
One of the BEST films I've seen in a long, long time! Interesting
characters & storyline! The film manages to follow it's multiple
sub-plots in a skillful & stylistic manner. Steve B. & Peter D. prove
to be a winning pair on camera. Overall this film was well cast.
I've seen allot of negative reviews for this film and I must say that I
am at a loss to understand why. Perhaps these reviewers were expecting
a more predictable film. The usual Hollywood tripe! This film conforms
to no such standard! In summary: I really enjoyed the quirky
characters, Clever dialogue, Touching storyline and the overall style
of this film. I Highly recommend it!! :)
*** This review may contain spoilers ***
At first glance the initial scenery was enough to make me change the
channel until I saw that Steve Buschemi was one of the leading
characters.
The dull grainy cinematography in combination with sad clowns
performing poorly before a local TV station child audience, was enough
to make me think, OK this is just weird.
But even during those first few scenes I saw a dark humor typical of
today's attitude towards the unfailing reality of life, so given that,
I decided to watch on. What I witnessed was a film about one of those
strange nights when the Moon is full, the mystical powers are strong in
the air and the lives of strangers will cross.
The relationships of these strangers center around the Bail bondsman
"Mo" (David Proval) but the events of the night surround his estranged
son "Timmy", whose mother comes to the father in a babysitting
emergency.
Unbeknownst to the father his son has only one kidney that is barely
functioning and he is waiting a beeper call from the hospital for a
donor. While this is happening most of the other characters also need
Mo for Bail at the very same time, sort of a convergence of need all at
one moment. After going to the Jailhouse to perform his duties, the
child wanders out in the parking lot and almost gets hit by a car. At
this very moment the story changes from a group of quirky adults trying
to solve their own problems to a group of adults realizing that all of
their selfish desires are nothing compared to the needs of this child.
From this point forward the scene changes are chaotic and bizarre in a
Pulp Fiction type fashion, but the message remains clear, even while
whining about their pathetic lives these adults keep their focus and do
all that they can do to help the boy and find his Kidney donor who has
wandered out of the hospital.
There are defining moments that will remain with the boy, the scene in
the hospital, the trip his father takes after hours to the zoo to see
the monkeys and when everyone jumps into the pool, giving the child a
sense of joy you feel he has had yet to feel in his pitiful little
life. There are several epiphanies amongst the cast of characters. One
of my favorites is when the night watchman from the Zoo tells Mo
"shooting me with that gun isn't going to make you a better father". In
the end the child is saved by the supreme sacrifice of the priest
"Owen", who had been suffering from doubts about his priesthood and
searching for the meaning of his life.
This Movie has genuine moments of dark humor and a very meaningful and
happy ending. If your looking for something a little different that
doesn't leave you feeling haunted, you will enjoy this movie.
13 Moons, surprisingly, is one of the most lucid and hopeful flicks to emerge from the muddled dreams and frequently vengeful psyches of Los Angeles in years. A quest film every bit as compelling and complex-- and considerably less tricked out-- than Lord of the Rings, it's Alexandre Rockwell's valedictory to a city which may have little use for the independent filmmaker, but which offered him a way back to his own larger, more magnanimous instincts as an artist. An ever greater number of characters, from a clown Steve Buscemi to a bail bondsman and dead beat dad (David Proval) to a remarkably bad and self aware rapper/singer/ho (the extraordinary Rose Rollins), find themselves inhabiting, momentarily, a similar platform, a little piece of Los Angeles in the dead of the night. Like most of us, their dreams only bubble rarely to the surface of their lives, jostling there with their disappointments until they're submerged again under the monotony of their day jobs. But unlike most of us, these 7 people, in spite of themselves, find purpose in their movement. They go from a downtown bar to a bail bureau, from a cop station to a memorable moment in the zoo; and in their sojourn, they intersect with real need an 8 year old, whose kidney is failing, whom dialysis only momentarily helps, who's thrown on the mercy of a city whose larger, social impulses seem deadened and yet. A strong ensemble cast, energetically directed and brilliantly shot by Phil Parmet, makes 13 Moons that rare independent LA flick: one whose ambitions are so much greater than an audition for a studio picture. 13 Moons wants to give us a different way of imagining ourselves and the city we inhabit but so little know.
First off, this movie has a great cast. Steve Buscemi, Peter Stormare, Peter Dinklage, Elizabeth Bracco. I've seen either several or a few films from each of them, and I enjoy watching them. So that's what made me most interested in this film. I am also a big fan of Alex Rockwells movie In the Soup. I liked it. Some part didn't seem to fit or it was just confusing, which is why I gave it a 6. Maybe if I watched it again I will feel differently about it. Was it unusual? Yes. Was it heartwarming. Yes. This probably isn't a movie I would go out and buy on my own. I would watch it again though. I'm glad I had the chance to see this. How cliché is the name Timmy though?
To me it's pretty obvious what this movie tries to attempt. It tries to
put together many different story lines, featuring different
characters, that all come together pretty fast into the movie. A
storytelling technique that later got much better used and done by for
instance director Alejandro González Iñárritu.
The movie is basically being presented as one big adventure movie, in
which a whole bunch of characters go on a quest to safe a little boy's
life. Only thing is, this 'adventure' is done as a drama. It has a s
serious story, which just doesn't connect to well with the movie its
quirky characters and all of the unlikely events happening in this
movie.
The way all of these characters get thrown together in this movie is
pretty weak. Basically they have absolutely nothing to do with each
other but still for some odd reason they all stay together throughout
the entire movie. At times the movie desperately tries to connect all
of their stories together and weave them in with each other but it's
all really thin. Everything that seems to happen in this movie seems as
a coincidence and the movie is really hanging together from its
coincidences.
And the characters aren't much good either really, despite the fact
that they are being played by some well known actors. So they basically
all have their issues but you just never get to care enough about any
of the characters to to care or to feel attached to any of them. Their
problems also aren't too 'deep' and the way everything gets resolved is
again also hanging together from its coincidences and comes across as
some lazy writing. It's almost as if its writing and its directing
don't connect at all with each other, as if the director had a totally
different movie in mind than the writer had, which is strange,
considering that both were the same person.
For most part I still liked watching this movie but toward the end
things really got worse, when the movie seemed to run out of ideas and
everything just became less and less interesting and more and more of a
pointless dragging movie that was heading towards an ending that wasn't
much satisfying either. Once you start thinking about this movie,
nothing gets really explained or resolved, so watching this movie is a
very unsatisfying experience.
Still the entire idea behind this movie must have been good, not in the
least because all of these great actors seemingly showed up for free to
appear in this movie. Because it just didn't seemed as if this movie
had an actual budget to work with. It's also a really cheap looking
movie, that has a sort of TV look, or as if it got done by a couple of
friends shooting a movie in their weekends.
You could say that the movie still have plenty of redeeming qualities,
that still keep the movie somewhat watchable, such as its acting for
instance but overall, in the end this is a very unrewarding movie, that
is literally hanging together from its coincidences and some highly
unlikely events, which all comes across as some weak and lazy writing.
5/10
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