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13 Moons (2002)
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Overview
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Your Rating:
Director:
Writers (WGA):
Plot:
Can you solve the mystery of the 13 moons? | Add synopsis »
Plot Keywords:
User Reviews:
Quirky, consistently surprising, with a seemingly effortlessstructure!
See more (17 total) »
Cast
(in credits order)
Directed by | |||
| Alexandre Rockwell | |||
Writing credits(WGA) | ||
| Brandon Cole | (written by) & | |
| Alexandre Rockwell | (written by) | |
Produced by | |||
| Paul Brooks | .... | executive producer | |
| Brandon Cole | .... | producer | |
| Mike Crawford | .... | line producer | |
| Michael Din | .... | producer | |
| Larry Katz | .... | executive producer | |
| David Kronemeyer | .... | producer | |
Original Music by | |||
| Brian Kelly | |||
| Kevin Salem | |||
Cinematography by | |||
| Phil Parmet | |||
Film Editing by | |||
| John David Allen | |||
Casting by | |||
| Sheila Jaffe | |||
Production Design by | |||
| Chuck Voelter | |||
Set Decoration by | |||
| Christine Irwin | |||
Costume Design by | |||
| Lisa Parmet | |||
Makeup Department | |||
| Kemi Cooks | .... | key hair stylist | |
| Tatiana Thorpe | .... | makeup department head | |
| Tracy Wilcox | .... | additional makeup artist | |
Production Management | |||
| Peter Judson | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jasmine Alhambra | .... | second second assistant director | |
| Van Hayden | .... | assistant director | |
| Nicholas Lee | .... | second assistant director | |
Art Department | |||
| Greg Byrne | .... | swing | |
| Martin McCoy | .... | lead man | |
Sound Department | |||
| Robby Bartholomew | .... | sound re-recording mixer | |
| Annie B. Cohen | .... | assistant sound editor | |
| Ryan Collison | .... | foley engineer | |
| Bob Fisher | .... | boom operator | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Richard King | .... | supervising sound editor | |
| Kevin Lee | .... | sound editor | |
| Donald Lyles | .... | sound recordist | |
| Coleman Metts | .... | production sound mixer | |
| Eytan Mirsky | .... | foley editor | |
| Todd Morrissey | .... | sound recordist | |
| Brian Vancho | .... | foley artist | |
Special Effects by | |||
| Wayne Beauchamp | .... | special effects coordinator | |
| Kevin Beauchamp | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Luke DiTommaso | .... | visual effects | |
| Jennifer Russomanno | .... | digital effects artist | |
| Keith Yurevitz | .... | visual effects | |
Stunts | |||
| Larry Holt | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| David R. Casey | .... | gaffer | |
| Hugh Casey | .... | first electrician | |
| Chosei Funahara | .... | still photographer | |
| Brad Heiner | .... | key grip | |
| Damon Liebowitz | .... | best boy electric | |
| Rory Muirhead | .... | assistant camera | |
| Martin Quaden | .... | second assistant camera | |
| Joe Torres | .... | grip | |
| William Rick Young | .... | best boy grip | |
Casting Department | |||
| Jenny Syrup | .... | extras casting | |
Editorial Department | |||
| Scott Niemeyer | .... | post-production executive | |
| Yon Van Kline | .... | first assistant editor: avid | |
Music Department | |||
| James Flatto | .... | music editor | |
Transportation Department | |||
| Collin Butrum | .... | picture car coordinator | |
| Collin Butrum | .... | transportation coordinator | |
| Jorge Velasquez | .... | transportation | |
| Greagrey Waldrop | .... | transportation captain (as Greag Waldrop) | |
Other crew | |||
| Michael Barnes | .... | financial legal services | |
| Aaron Barrocas | .... | production assistant | |
| Brian Berkenfeld | .... | unit publicist | |
| Chris Doss | .... | executive in charge of finance | |
| Aaron Max Epstein | .... | web site designer | |
| Andrew Fox | .... | assistant to executive producer | |
| Joanna L. Rees Jones | .... | distribution executive | |
| T. Scott Keiner | .... | production coordinator | |
| Ella Marcus | .... | craft service | |
| Karen P. Morris | .... | production accountant | |
| Irwin M. Rappaport | .... | production attorney | |
| Dan Riley | .... | legal assistant | |
| Chelsea Spear | .... | production assistant | |
| Linda Stanley | .... | studio teacher | |
| Chris Stinson | .... | production coordinator | |
| Matthew A. Thomas | .... | production assistant | |
| Tate Wittenberg | .... | production assistant | |
| Steven Zeller | .... | unit publicist | |
Production CompaniesDistributors
Additional Details
MPAA:
Rated R for strong language, sexuality/nudity and some disturbing images
Parents Guide:
Runtime:
93 min
Country:
Language:
Color:
Certification:
Filming Locations:
Company:
Did You Know?
Quotes:
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company.
Thank the cinema gods that movies like this are still being made - personal, inimitable, expressive visions you'll never see in a studio boutique division's wildest dreams!
Doing his best work since the very funny "In The Soup," Alexandre Rockwell again works with a large ensemble cast of fine but often under-used actors to tell the niftily interwoven stories of an unlikely set of characters all of whose paths cross because of a marital spat and a life-weary bailbondsman getting saddled with his waifish son - who's in desperate need of a kidney transplant. Problem is, it seems the only good match is sloshing about in the innards of the bedrugged, drunken, wacked-out Peter Stormare (in a Santa suit, continuing Rockwell's ongoing leitmotiv in several films). The movie, beautifully shot on hi-def video by the estimable Phil Parmet, with an insinuating score, all takes place in one night, an extended but befuddled chase after the wayward, reluctant kidney donor.
Among an as entertaining group of actors as you're likely to find, Daryl Mitchell, Rose Rollins, and Peter Dinklage are especially sharp and funny. Keep an ear peeled for Rollins's perfectly pitched horribly bad rap song!
Lots of incidental pleasures along the way, and, typical in the Rockwellian oeuvre, an uplifting moment at the end - literally and figuratively. All in all, a shaggy-dog delight.