A neurotic nebbish lives in 2 worlds: the fantasy of winning his dream-girl via a hit movie, and the meager existence he scrapes out from very odd jobs, such as thesping in an arty ... See full summary »
On the day of the Republican National Convention, radio show host Joe Pace joins the rallies, protests, delegates and citizens of NYC. Broadcasting his last show live, on-the-air, he goes on a one man march for free speech.
A couple of young kids living in Los Angeles (played by Rockwell's children Nico and Lana), decide that they want to see "the river." Setting out alone, their encounters along the way ... See full summary »
Two cool guys, with a love of Twinkie's, find themselves in a life and death game of who can eat the most cream-filled cakes. To survive, they are forced to wear cop glasses, and continually smoke cigarettes, to stay alive.
Quirky, consistently surprising, with a seemingly effortlessstructure!
Thank the cinema gods that movies like this are still being made - personal, inimitable, expressive visions you'll never see in a studio boutique division's wildest dreams!
Doing his best work since the very funny "In The Soup," Alexandre Rockwell again works with a large ensemble cast of fine but often under-used actors to tell the niftily interwoven stories of an unlikely set of characters all of whose paths cross because of a marital spat and a life-weary bailbondsman getting saddled with his waifish son - who's in desperate need of a kidney transplant. Problem is, it seems the only good match is sloshing about in the innards of the bedrugged, drunken, wacked-out Peter Stormare (in a Santa suit, continuing Rockwell's ongoing leitmotiv in several films). The movie, beautifully shot on hi-def video by the estimable Phil Parmet, with an insinuating score, all takes place in one night, an extended but befuddled chase after the wayward, reluctant kidney donor.
Among an as entertaining group of actors as you're likely to find, Daryl Mitchell, Rose Rollins, and Peter Dinklage are especially sharp and funny. Keep an ear peeled for Rollins's perfectly pitched horribly bad rap song!
Lots of incidental pleasures along the way, and, typical in the Rockwellian oeuvre, an uplifting moment at the end - literally and figuratively. All in all, a shaggy-dog delight.
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