7.3/10
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47 user 58 critic

Shiqi sui de dan che (2001)

PG-13 | | Drama | 25 April 2001 (France)
A seventeen-year-old country boy working in Beijing as a courier has his bicycle stolen, and finds it with a schoolboy his age.

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2 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Lin Cui ...
Guo Liangui (as Cui Lin)
Bin Li ...
...
Qin
...
Shuang Li ...
Yiwei Zhao ...
Yan Pang ...
Fangfei Zhou ...
Jian Xie ...
Yuhong Ma ...
Lei Liu ...
Mengnan Li ...
Jian Li ...
Yang Zhang ...
Yuzhong Wang ...
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Storyline

Beijing: young men in packs, machismo, class divisions, violence, and indifference. Guei arrives from the country: toothbrushes, hotel foyers, and Qin, a rich neighbor in high heels, dazzle him. He gets a job as a messenger. The company issues him a bike, which he must pay for out of his wages. When it is stolen, Guei hunts for it. A student, Jian, has it; for him, it's the key to teen society - with his pals and with Xiao, a girl he fancies. Guei finds the bike and stubbornly tries to reclaim it in the face of great odds. But for Jian to lose the bike would mean humiliation. The two young men - and the people around them - are swept up in the youths' desperation. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

hotel | courier | student | boy | messenger | See All (93) »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some violence and brief nudity | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

25 April 2001 (France)  »

Also Known As:

Beijing Bicycle  »

Filming Locations:


Box Office

Opening Weekend:

$20,883 (USA) (25 January 2002)

Gross:

$157,279 (USA) (3 May 2002)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Fujicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The arcade game that Jian and his friends play is "Dance Dance Revolution". See more »

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User Reviews

 
Beautiful, but empty
16 December 2003 | by (St. Paul, MN) – See all my reviews

Quasi-remake of De Sica's `Ladri di biciclette,' set in the sprawling metropolis of contemporary Beijing. Director Wang Xiaoshuai borrows not just the seedling idea but much of the approach of the Italian Neo-Realist classic. A stolen bicycle leads two boys from one sad situation to another, and Wang lets those situations determine the film's form, rather than using deliberate techniques to give it shape. This result is going to inspire different responses--like `Ladri di biciclette' itself, it's going to seem refreshingly artless to some, frustratingly aimless to others. Likewise, the film's tremendous stillness is going to draw some viewers in while alienating others. There are passing comments on image, perception, and class divisions, but the style (Chinese-Italian Neo-Neo-Realism?) really prevents the director from exploring any of these ideas too thoroughly. Personally, while I appreciate the respectful approach to the film's inspiration, I wish Wang would have really cut loose with some radical new take on `Ladri,' as Tim Burton did with his masterpiece, `Pee-Wee's Big Adventure.' As it is, `Shiqi sui de dan che' left me a little bit cold; it was all done is good taste, but the result was curiously lifeless. For all his deference to De Sica, Wang can't really recreate the Italian director's emotional depth, no matter how precisely he recreates his style. Without that depth, this film is as beautiful as a series of still photographs, but no more alive. 6 out of 10.


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