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Devastated by Stuart's death, his brother-in-law, lover and best friend decide to take their lives in hand. Dan is a faithful and loving father and husband, until the day he meets Corinne. This buxom and sublime Frenchwoman seduces Dan with her honesty and hedonism, so much so that he wonders if he hasn't missed out on life. Nick, a homosexual restaurant owner, begins a relationship with a high-spirited young woman right after losing his lover, Stuart. When their apparently innocent relationship takes a more intimate turn, Nick is troubled by his feelings for his female comrade. Tim, carefree and charismatic, comes home after eight years abroad. Still looking for that "elusive something" that has been missing in his life, Tim finds it in a woman who works in a fashion boutique. But confronted with his future for the first time, the only thing that stands in the way is this unknown woman's past. Written by
Sujit R. Varma
Special thanks to ... all at Casarotta ... the residents of Maldon, Essex and the Isle of Man. See more »
Soundtracks
"Waiting For a Break"
(1999)
Written by Phelim Byrne, Matthew Hardwidge
Published by Zomba Music Publishers Ltd
Performed by Day One
Licensed courtesy of Virgin Records Limited See more »
Sensitive, atmospheric piece, which feels very French (Rohmer an obvious influence) in its treatment of life, love and loss. Beautifully shot and acted. It's a quibble, but I wish that one of three stories could have been told from the point of view of one of the three principal women. I guess the male directors/writers might have felt unsure about it, or maybe it never even occured to them to try it. Whatever the reason, the result seems to me that the women are more enigmatic than the men, less developed, more like figures than characters. Having said that, it's an excellent work, well worth seeing.
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Sensitive, atmospheric piece, which feels very French (Rohmer an obvious influence) in its treatment of life, love and loss. Beautifully shot and acted. It's a quibble, but I wish that one of three stories could have been told from the point of view of one of the three principal women. I guess the male directors/writers might have felt unsure about it, or maybe it never even occured to them to try it. Whatever the reason, the result seems to me that the women are more enigmatic than the men, less developed, more like figures than characters. Having said that, it's an excellent work, well worth seeing.