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Devastated by Stuart's death, his brother-in-law, lover and best friend decide to take their lives in hand. Dan is a faithful and loving father and husband, until the day he meets Corinne. This buxom and sublime Frenchwoman seduces Dan with her honesty and hedonism, so much so that he wonders if he hasn't missed out on life. Nick, a homosexual restaurant owner, begins a relationship with a high-spirited young woman right after losing his lover, Stuart. When their apparently innocent relationship takes a more intimate turn, Nick is troubled by his feelings for his female comrade. Tim, carefree and charismatic, comes home after eight years abroad. Still looking for that "elusive something" that has been missing in his life, Tim finds it in a woman who works in a fashion boutique. But confronted with his future for the first time, the only thing that stands in the way is this unknown woman's past. Written by
Sujit R. Varma
I Can't Help Myself
Written by Mark Hadfield, Adam Ryan-Carter
Published by Sony/ATV Music Publishing
Performed by Lucid
Licensed courtesy of Warner Strategic Marketing UK and 1999 Delicious Records Ltd See more »
I'd been waiting for ages to see this film, ever since I read about the making of it in January 2001. It's been a long wait since the London premier in November to it's recent general release. However it was well worth the wait. I liked the way that the film told the story from three different points of view. It was interesting how sometimes when you thought there were only two people in the scene first time,eventually you saw there were actually three or four. I was moved by Tom Hollander's performance as Nick trying to come to terms with his grief. I laughed and cried with Tim, A brilliant performance by Douglas Henshall. My only criticism of the film was Tim's parents. We only see them in a few scenes, but neither of them is like him. You would expect at least one of them to enjoy a 'right old knees up', or you would expect them to be kind salt of the earth types, instead they are portrayed as cold and indifferent. A lot of film critics have described Tom as the returning prodigal son, if he had been then his parents would have had the party for him, he wouldn't have had to organize his own. That aside I loved all of the other characters and the way they were portrayed. I don't think that anyone who has lost a friend or loved one could fail to be moved by the final scene. On the whole this is a wonderful British film.
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