Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
When a serial killer turns his attention on the lead detective he is asked to check into a clinic treating law enforcement officials who cant face their jobs. As the patients begin being murdered they restart doing what they do best.
Charles S. Dutton,
Shade is set in the world of poker hustlers working the clubs and martini bars of Los Angeles. The tale unfolds as a group of hustlers encounter "The Dean" and pull off a successful sting ... See full summary »
Carl Mazzocone Sr.,
Three Italian-American brothers, living in the slums of 1940's New York City, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
A woman who has recently discovered that she is the daughter of Angelo, a major mafia boss, decides to wreak vengeance when he is killed by a hitman. She's aided by his faithful bodyguard, with whom she soon falls in love. Written by
This was Tony Quinn's last film. He was dying of cancer of the throat when the film was being made and it shows in his weakness in the film. Appropriately, he gets offed and indeed, he was dying and died before the film was released. A grand old man who gave us lots of moments in hundreds of films from bad guys to good guys, always in the character realm. This film with Maddy Stowe and Sly Stallone is a fun film that wanders between being a kind of Prizzi's Honor in the chick-flick mode to a rather slap-stick comedy. However, what the reviewers herein who are panning Stallone with their "he's over the hill" comments seem to miss is that old Sly can do more than Arnie Swartzenegger clenched teeth grimacing action films with usually lousy story lines. True, this film at times can't seem to make up its mind whether to be a black comedy or pratt-fall filled lampoon of the traditional gangster/mafioso genre. No matter. It's fun because Stowe and Stallone are a delight to watch. Although, it does make one sad to know this was old Tony's last film, we should appreciate he worked right up to the last gasp, as it were. Ciao, Tony and thanks for all the good times. You'll be missed.
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