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The Adventures of Young Indiana Jones: Oganga, the Giver and Taker of Life (1999) (V)
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Overview
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Plot:
Africa, December 1916. Despite disobeying orders, Indy is promoted to Captain after capturing a German machine gun...
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Wheres the spirit?
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Cast
(in credits order) | Sean Patrick Flanery | ... | Indiana Jones (archive footage) |
 | Ronny Coutteure | ... | Remy Baudouin (archive footage) |
| Bryan Pringle | ... | Zachariah Sloat (archive footage) |
| Michel Duchaussoy | ... | Major Boucher (archive footage) |
 | Isaach De Bankolé | ... | Sgt. Barthelmy (archive footage) |
| Emile Abossolo M'bo | ... | Joseph (archive footage) |
 | Isolde Barth | ... | Helene Schweitzer (archive footage) |
| Yann Collette | ... | Colonel Pernod (archive footage) |
 | Friedrich von Thun | ... | Albert Schweitzer (archive footage) |
| Jacques Sereys | ... | Colonel Mathieu (archive footage) |
| Jacques Vincey | ... | Captain Lafleur (archive footage) |
| Hubert Saint-Macary | ... | Lt. Arnaud (archive footage) (as Hubert St. Macary) |
| Asiba Asiba | ... | Zimu (archive footage) |
| John Chavanga | ... | Private Juba (archive footage) |
| Jürgen Müller | ... | German Major (archive footage) (as Jorgen Mueller) |
| Christian Cloarec | ... | Captain Rostand (archive footage) |
| Abdullah Sohado | ... | Pahouin Chief (archive footage) |
| David Odero | ... | Chief's Son (archive footage) |
| Jean-François Chavrier | ... | Military Gendarme (archive footage) (as J.F. Chavrier) |
| Antoine Valenti | ... | French Sergeant (archive footage) |
| Philippe Bernard | ... | French Corporal (archive footage) |
| Leon Pridgen | ... | Jeffers (archive footage) (as J. Leon Pridgen II) |
| Holden Hansen | ... | Paramedic # 2 (archive footage) |
| Ben Pont | ... | Dutchman (archive footage) |
| Laurent Ragor | ... | Army Doctor (archive footage) |
| Gerard Arichi | ... | 2nd Army Doctor (archive footage) |
| Maryon Fletcher | ... | White Nun (archive footage) |
| Louise Abukutsa | ... | Black Nun (archive footage) |
| Mark Kaigwa | ... | Ubangi Boy (archive footage) |
| Sean McCabe | ... | Machine Gunner (archive footage) |
Directed by | |||
| Simon Wincer | |||
Writing credits | ||
| Frank Darabont | & | |
| George Lucas | story | |
Produced by | |||
| George Lucas | .... | executive producer | |
| Rick McCallum | .... | producer | |
| Doris Kirch | .... | co-producer (uncredited) | |
Original Music by | |||
| Joel McNeely | |||
Cinematography by | |||
| David Tattersall | |||
Film Editing by | |||
| Ben Burtt | (opening segment) | ||
| Louise Rubacky | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
| Roger Mussenden | |||
| Cornelia von Braun | (uncredited) | ||
Production Design by | |||
| Gavin Bocquet | |||
Art Direction by | |||
| Ricky Eyres | |||
Set Decoration by | |||
| Maggie Gray | |||
Costume Design by | |||
| Charlotte Holdich | |||
Makeup Department | |||
| Pat Hay | .... | makeup artist | |
| Meinir Jones-Lewis | .... | hair stylist | |
Production Management | |||
| David Barron | .... | executive in charge of production | |
| Pat Harrison | .... | production supervisor | |
| Gilly Kelsey | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ben Burtt | .... | second unit director | |
| Tony Hopkins | .... | first assistant director | |
| Nick Laws | .... | second assistant director | |
Art Department | |||
| David Bubb | .... | construction coordinator | |
| Jean-François Chavrier | .... | property master (as J.F. Chavrier) | |
Sound Department | |||
| Tom Bellfort | .... | supervising sound editor | |
| Christian Boatsman | .... | assistant sound editor | |
| Bob Edwards | .... | re-recording sound mixer | |
| Laird M. Malamed | .... | assistant sound editor (as Laird Malamed) | |
| Larry Oatfield | .... | sound effects editor | |
| Susan Sanford | .... | assistant sound editor | |
| Christopher Scarabosio | .... | sound effects editor (as Chris Scarabosio) | |
| Michael Silvers | .... | sound effects editor | |
| David Stephenson | .... | sound mixer | |
| Gary Summers | .... | sound re-recording mixer | |
| Colin Wood | .... | boom operator | |
| Matthew Wood | .... | assistant sound editor | |
Special Effects by | |||
| David Beavis | .... | special effects (as Dave Beavis) | |
| Gary Cohen | .... | special effects | |
| Ken Lailey | .... | special effects | |
Visual Effects by | |||
| Joseph Brattesani | .... | digital artist | |
| Ronn Brown | .... | matte painter | |
| Eric Chauvin | .... | matte painter | |
| Danielle Ciccarelli | .... | digital artist | |
| Greg Gilmore | .... | main title design (as Gregory Gilmore) | |
| Ed Granlund | .... | post production supervisor | |
| Orin Green | .... | digital artist | |
| Kristine Hanna | .... | post production coordinator | |
| Neil Harris | .... | telecine | |
| Mark Holmes | .... | digital artist | |
| Paul Huston | .... | matte painter | |
| Ali Laventhol | .... | digital artist | |
| Bill Mather | .... | matte painter (as Bill Mathers) | |
| Michael Mintz | .... | telecine | |
| Jimi Simmons | .... | digital artist | |
| Allison Smith-Murphy | .... | visual effects supervisor | |
| Yusei Uesugi | .... | matte painter | |
Stunts | |||
| Sean McCabe | .... | stunt double | |
| Tom Struthers | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bob Bridges | .... | clapper loader | |
| Trevor Coop | .... | camera operator | |
| Mike Evans | .... | focus puller | |
| Keith Hamshere | .... | still photographer | |
| Allan Hughes | .... | camera grip | |
| Dean Morrish | .... | clapper loader | |
| Peter Myslowski | .... | key grip | |
| Keegan O'Neill | .... | clapper loader | |
| Mario Rodriguez | .... | camera operator: second unit | |
| Miguel Icaza Solana | .... | camera operator: second unit | |
Casting Department | |||
| Cornelia von Braun | .... | casting: Germany (uncredited) | |
Costume and Wardrobe Department | |||
| Del Colley | .... | costume supervisor | |
| Richard Pointing | .... | costume supervisor | |
Editorial Department | |||
| Jim Barrett | .... | colorist | |
| Alan Chimenti | .... | on-line editor | |
| Gary Coates | .... | colorist | |
| Dan Feinstein | .... | on-line editor | |
| Greg Gilmore | .... | on-line editor (as Gregory Gilmore) | |
| Cheryl Nardi | .... | assistant editor | |
| John Sinclair | .... | assistant editor | |
Music Department | |||
| Chris Dibble | .... | music recording engineer | |
| Jamie Forester | .... | music editor | |
| David Slusser | .... | music editor | |
Other crew | |||
| Jane Bay | .... | executive assistant: George Lucas | |
| Michael Blanchard | .... | technical coordinator | |
| Jo Burn | .... | contact: London | |
| Jerry Castro | .... | technical coordinator | |
| Marie Louise Detrie | .... | assistant coordinator | |
| Peter Duignan | .... | advisor (as Dr. Peter Duignan) | |
| Kathryn Farrar | .... | financial controller | |
| Deborah Fine | .... | researcher | |
| Lynne Hale | .... | publicist | |
| Robin Hollister | .... | location manager | |
| Anne Merrifield | .... | secretary to executive producer | |
| Sophie Milton | .... | assistant: Rich McCallum | |
| Julia Overton | .... | contact: London | |
| John Sinclair | .... | technical coordinator | |
| Clare St. John | .... | production coordinator | |
| Dylan Way | .... | technical coordinator | |
| Des Carey | .... | film archivist: Lucasfilm (uncredited) | |
Production CompaniesOther Companies
- Bavaria Musik-Studios music recorded and mixed at
- Boulting Casting Associates casting
- Casting Company, The casting
- De Lane Lea Sound Centre post-production facilities
- Editdroid editing systems
- Industrial Light & Magic (ILM) post-production facilities
- Kodak Eastman color film
- Lansdowne Studios music recorded and mixed at
- Lee Lighting electrical equipment
- Media Film Services Arriflex camera and lenses by
- Midnight Transfer post-production facilities
- Munich Symphony Orchestra music performed by
- Skywalker Sound post-production facilities
- Western Images post-production facilities
Additional Details
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Runtime:
USA:88 min
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Actually, it isnt bad. Its just not Indiana Jones. For some reason when I saw the video, it lacked the touch of the movies. But it is okay if you really want to see an Indy movie, but know the old ones by heart. Just remember: it is a boiled down affair.