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Tape (2001)

R  |   |  Drama  |  12 July 2002 (Denmark)
7.3
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Ratings: 7.3/10 from 14,538 users   Metascore: 71/100
Reviews: 104 user | 73 critic | 26 from Metacritic.com

Three old high school friends pass the time in a Michigan motel room dissecting the painful memories of their high school years.

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Title: Tape (2001)

Tape (2001) on IMDb 7.3/10

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Cast

Complete credited cast:
...
...
Jon
...
Amy
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Storyline

Based on a three-character, one-act play, Tape is set entirely in Room 19 of a seedy motel in Lansing, Michigan rented by Vince, an ill-tempered, outgoing party animal/drug dealer who's visited by his old high school friend Jon, a documentary filmmaker, where they pass the time reminiscing about the good old times which take a turn when Vince records their conversation with Jon admitting to a possible date-rape of Vince's old girlfriend Amy, who later shows up and opens up a new wave of talk and arguments about whose story is fact or fabricated. Written by Matthew Patay

Plot Summary | Add Synopsis

Taglines:

Some things can't be erased

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language and drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 July 2002 (Denmark)  »

Also Known As:

Amargo Reencontro  »

Filming Locations:


Box Office

Budget:

$100,000 (estimated)

Opening Weekend:

$28,424 (USA) (2 November 2001)

Gross:

$490,475 (USA) (14 December 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The set is not an actual motel room, as many viewers assumed, but carefully constructed (and designed by Stephen Beatrice) on a sound stage and including many remarkable details, such as the curtain being cut around the air conditioner, and stains on the wall that betray missing pictures. See more »

Goofs

Vince closes and hides the blue box containing all his cocaine paraphernalia when Amy knocks on the door. However when she then calls the police, in his mad rush to exit, he once again closes and puts the blue box in his bag. See more »

Quotes

Vin: Do you have any idea how much those drugs cost?
Amy: There'll be other drugs, Vincent.
Vin: I know... but, I really liked those ones.
See more »

Crazy Credits

The end credits move across the screen in the motions of tape inside a playing cassette. See more »

Soundtracks

I'm Sorry
Performed by Brenda Lee
Written by Ronnie Self and Dub Allbritten
Published by Universal Champion Music
Courtesy of MCA Records
Under license from Universal Music Enterprises
See more »

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User Reviews

 
this movie left me cold

This movie comes from a seasoned director who, in the same year, nonetheless, shot another movie which i would consider the best film of 2001. This one, also shot on digital cameras takes place in a dingy hotel room and contains a cast of, count 'em, 1,2, THREE people, who are never seen outside of the context of the dingy motel room. So, don't expect for the scene to change. This film, based on a play, strives on realism, hence no orchestral score, no unnecessary settings or extra characters, just three fantastic actors dealing with issues. One (Hawke) is a volunteer firefighter/ drug dealer who likes to, ahem, get excessively high off his own supply. Another is his high school buddy,a budding young director whose film is being screen in the Lansing, Michigan Film festival, whose apparent maturity and superiority over his drug-binging pal and confidente is deceptive. The final character, who arrives 2/3 of the way through the movie is a former high school crush/ associate district attorney with significantly surrogate emotional ties to both of the men.

The riveting conversations that evolve from somewhat sneeringly nostalgic to downright inhospitable fluidly move the film more actively than any number of action-packed popcorn flicks out there. In fact, you'll have no trouble getting over the fact that you're just watching 3 people talking in a room for 2 hours (I'll admit that that was a little intimidating at first). The film successfully lures us in with that inherent voyeurism that brought those first moviegoers into the transformed vaudeville theaters. As a passive observer, we become immersed in exactly that which should be none of our business, just like Hawke's character pulls himself into a situation that is none of his business. By the end, no clear resolution is reached and as compelling and intriguing as it all was, we feel guilty for looking through the peephole.


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