A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Based on a three-character, one-act play, Tape is set entirely in Room 19 of a seedy motel in Lansing, Michigan rented by Vince, an ill-tempered, outgoing party animal/drug dealer who's visited by his old high school friend Jon, a documentary filmmaker, where they pass the time reminiscing about the good old times which take a turn when Vince records their conversation with Jon admitting to a possible date-rape of Vince's old girlfriend Amy, who later shows up and opens up a new wave of talk and arguments about whose story is fact or fabricated. Written by
The first three minutes of the movie have no dialogue. See more »
Vince closes and hides the blue box containing all his cocaine paraphernalia when Amy knocks on the door. However when she then calls the police, in his mad rush to exit, he once again closes and puts the blue box in his bag. See more »
She's probably scared.
Oh god, of *what*? I never threatened her!
...You sometimes present a threatening appearance.
Dude... we have been going together for three years.
So... I mean, you'd think she would be used to it by now.
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The end credits move across the screen in the motions of tape inside a playing cassette. See more »
Despite the fact that this film looks like it has been shot with a 500 dollar budget it is very worth while. Of course Uma Thurman and Ethan Hawke are somewhat famous actors, but they are not necessarily famous for their great acting skills. Yet in this cheap production, that has no tricks whatsoever to distract you from bad performances both are able to stand tall, as is Rovert Sean Leonard. Sure the film takes a bit getting used to, especially in the beginning when the actors have almost nothing to work with, but in the end the actors are what carries the film and they do so in a grandiose fashion. Some part of the credit has to go to the great dialog as well though, since the words that are spoken are able to grab you by the throat and keep you interested in figuring out what truth lies behind the talk. Nothing Linklater did was too spectacular, so I am sure any director could have pulled this one, but since Linklater was the one I must give him credit (and the rest of the cast and crew) for making such a good film.
8 out of 10
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