| Sam Jones III | ... | Erik | |
| Nelly | ... | Prolifik / Clarence | |
| Zoe Saldana | ... | Cheryl | |
| Dean Winters | ... | Bobby Starr | |
| Rashaan Nall | ... | Floyd | |
| Schooly-D | ... | Tony (as Schoolly D.) | |
| Joel Garland | ... | Ceaser | |
| J.D. Williams | ... | J.D. | |
| Mpho Koaho | ... | Malik | |
| Victor Togunde | ... | Midas | |
| Carlo Alban | ... | Bugsy | |
| Rich Heidelberg | ... | Donnie | |
| Charli Baltimore | ... | Trix | |
| Frank Vincent | ... | Johnnie Marandino | |
| Johnnie Hobbs Jr. | ... | Mr. Triggs | |
| Ophelia M. Turner | ... | Grandmother | |
| Jessica Rodriguez | ... | Receptionist | |
| Heather Hunter | ... | Lucinda | |
| Larry Mendte | ... | TV Anchor | |
| Kevin Anthony | ... | Motel Clerk | |
| Andy Ranley | ... | Engineer | |
| rest of cast listed alphabetically: | |||
| Brandon E. Brooks | ... | Record Executive | |
| Fannie Chan | ... | Girlfriend | |
| Sal Darigo | ... | Jimmy Bones | |
| Jessica Leccia | ... | Receptionist | |
| Dante Suarez | ... | Damon | |
| Bolden Abrams Jr. | ... | Bar Patron (uncredited) | |
| Antonio Costa | ... | Bartender (uncredited) | |
| Tim Crum | ... | Navigator Driver (uncredited) | |
| Paul Manion | ... | Carjack Victim (uncredited) | |
Directed by | |||
| Rich Murray | |||
Writing credits | ||
| Rob Wiser | and | |
| Rich Murray | ||
Produced by | |||
| Rich Murray | .... | producer | |
| Chris Schwartz | .... | executive producer | |
| Chris Schwartz | .... | producer | |
| Robert O. Young | .... | associate producer | |
| Michael J. Zampino | .... | line producer | |
Cinematography by | |||
| Alexander Buono | |||
Film Editing by | |||
| Seth Anderson | |||
Casting by | |||
| Adrienne Stern | |||
Production Design by | |||
| Dave Barnes | (as David Barnes) | ||
Art Direction by | |||
| Thom Bumblauskas | |||
Costume Design by | |||
| Fontella Boone | |||
Makeup Department | |||
| Qodi Armstrong | .... | hair department head | |
| Winter Chatman | .... | key makeup artist | |
| Dana M. Harris | .... | makeup artist | |
Production Management | |||
| Christopher R. Mans | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Roger M. Bobb | .... | first assistant director | |
| Colleen Casey | .... | second second assistant director | |
| Paul Hogan | .... | second assistant director | |
Art Department | |||
| Jason Currie | .... | art department production assistant | |
| Alicia Jacobson | .... | painter | |
| Audrey Kerwood | .... | art pa | |
| Jonathan Nissenbaum | .... | props | |
| Lester Poser | .... | assistant property master | |
| Christine Sysko | .... | leadman | |
| Brook Yeaton | .... | property master | |
Sound Department | |||
| Craig Clark | .... | sound re-recording mixer | |
| Stephen Parise | .... | sound effects editor | |
| Mark Relyea | .... | supervising sound editor | |
| Colin Rogers | .... | adr foley mixer | |
| Aaron Saddler | .... | sound | |
Special Effects by | |||
| Jeffrey Cox | .... | special effects supervisor | |
| Greg Kochan | .... | special effects technician | |
Visual Effects by | |||
| Jennifer Basnyat | .... | title designer | |
| Jennifer Basnyat | .... | visual effects | |
Stunts | |||
| Paul Hogan | .... | stunt double: Fat Joe | |
Camera and Electrical Department | |||
| John Baer | .... | still photographer | |
| Bill Fiedler | .... | electrician | |
| Mark Fiedler | .... | electrician | |
| Christopher F. Graneto | .... | grip | |
| Nicholas Hoffman | .... | additional camera operator | |
| Michael Kleiman | .... | second assistant camera | |
| Joe Kurtz | .... | key grip | |
| Michael Leonard | .... | first assistant camera: "b" camera | |
| Deborah Lipman | .... | first assistant camera: "b" camera | |
| Alex Melbrach | .... | grip | |
| Joe Mellon | .... | dolly grip | |
| Stephen Moyer | .... | gaffer (as Steve Moyer) | |
Casting Department | |||
| Mike Lemon | .... | extras casting | |
Costume and Wardrobe Department | |||
| Marti Zabell | .... | costume intern | |
Music Department | |||
| Chris Schwartz | .... | music supervisor | |
Transportation Department | |||
| John Morrone III | .... | transportation coordinator | |
Other crew | |||
| Ernest 'Tron' Anderson | .... | creative consultant | |
| Billy Arrowood | .... | assistant location manager | |
| Doug Bowen | .... | set medic | |
| Brandon E. Brooks | .... | stand-in | |
| Ray Cervenak | .... | security captain | |
| Kate Chase | .... | location assistant | |
| Edwin DeJesus | .... | stand-in | |
| Tim Downs | .... | location manager | |
| Megan Fenerty | .... | production accountant | |
| Megan Fenerty | .... | production office coordinator | |
| Paul Manion | .... | production assistant | |
| Solange Marquis | .... | script supervisor | |
| Alexander Murphy Jr. | .... | legal services | |
| Jason Pinardo | .... | production assistant | |
| David Raynor | .... | production secretary | |
| Dan Rosenfelt | .... | production assistant | |
| Christopher Sneade | .... | production secretary | |
| Trisha Ward | .... | assistant production office coordinator | |
| Charles Washington Jr. | .... | key production assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| How did Paul Manion not win an Oscar??? | tom7704 |
| THIS MOVIE IS THE BOMB! | spark9827 |
| IN NEED OF UR ELP | DRUM_n_BASS |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Now this isn't one of the great thrillers of our time, but it is one of the best of the year. It's smart and fascinating, surprise-a-minute crime film that's held together with a great line of unknown talent. Even pop-rap superstar Nelly, (the main bill on the box art) did a wonderful job as a cocky and arrogant, yet undeniably talented rap artist.
In comparison with Black-urban action flicks, this is almost right up there with Hype Williams overlooked masterpiece, Belly. In fact, in comparison with most rap-movies (ex: anything by Master P, or Dame Dash) this is Oscar worthy (in comparison, of course).
From begining to end, this cause-and-effect thriller will hold you onto the edge of your seat and let go of you with a sharp blast to the frontal head.