Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.
A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
Director:
Pedro Almodóvar
Stars:
Carmen Maura,
Antonio Banderas,
Julieta Serrano
After leaving jail, Víctor is still in love with Elena, but she's married to the former cop -now basketball player- who became paralysed by a shot from Víctor's gun...
Director:
Pedro Almodóvar
Stars:
Liberto Rabal,
Francesca Neri,
Javier Bardem
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Director:
Pedro Almodóvar
Stars:
Victoria Abril,
Marisa Paredes,
Miguel Bosé
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and... See full summary »
Director:
Pedro Almodóvar
Stars:
Peter Coyote,
Verónica Forqué,
Victoria Abril
An ex-bullfighter who gets turned on by killing, a lady lawyer with the same fetish and a young man driven insane by his religious upbringing - these are the main characters in this stylish... See full summary »
Director:
Pedro Almodóvar
Stars:
Assumpta Serna,
Antonio Banderas,
Nacho Martínez
In the early 60s, two boys - Ignacio and Enrique - discover love, movies and fear in a Christian school. Father Manolo, the school principal and Literature teacher, both witnesses and takes part in these discoveries. The three characters come against one another twice again, in the late 70s and in 1980. These meetings are set to change the life and death of some of them. Written by
Anonymous
The ending of the film was only resolved in the editing suite. An alternate ending (which only resolves the film-within-the-film) is available as a "deleted scene" on the DVD. See more »
Goofs
When Burenguer declines Ignacio's story over the phone, he says that he wouldn't be accepting it for "Short Stories of the 80's". According to his story, it would have had to been at least 1977, three years before the '80s let alone before a compilation of stories from the '80s would be released. See more »
Quotes
Ignacio:
I think I've just lost my faith at this moment, so I no longer believe in God or hell. As I don't believe in hell, I'm not afraid. And without fear I'm capable of anything.
See more »
Maniquí Parisien
(Arcadio Rosés Berdiel / Manuel Aniesa (as Manuel Aniesa Pelayo))
(c) 1960 by Arcadio Roses Berdiel/Manuel Aniesa Pelayo, Madrid
Authorized by the exclusive worldwide rights holder, Ediciones Musicales Hispavox, S.A.
Performed by Sara Montiel
By the license from Dpto. de Productos Especiales de (p) EMI Odeon, S.A., Madrid, España, 2003 See more »
The latest film by Almodovar after the awarded All about my mother and Talk to her has divided the public opinion. Part of the audience say its the continuity of the director's talent and the other part does not like the film at all. But this division has always happened with Almodovar films, you love it or you hate it.
Of course the subject of the church and the pederasty has provoked scandals, like the cancellation of the film in many French cinemas, but despite this fact the film has been the one chosen (and the first Spanish film) to open the Cannes festival.
In the film we can feel Almodovar touch everywhere: the tremendously deep characters, the unbelievable plot and the colourful scene as well as in the camera angles. All this things make Almodovar maintain a fidelity to his style. Another curiosity is the cameo that the director's brother, who appears in most of his films, does, in this case as a pool cleaner.
The Gael Garcia's acting, without Mexican accent, is wonderful and he shines as a travestite femme fatale, an icon to noir films, just as Almodovar likes to describe the film.. The atmosphere of the film carries us to the 80s thanks to its perfect job of decoration and wardrobe documentation .
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The latest film by Almodovar after the awarded All about my mother and Talk to her has divided the public opinion. Part of the audience say its the continuity of the director's talent and the other part does not like the film at all. But this division has always happened with Almodovar films, you love it or you hate it.
Of course the subject of the church and the pederasty has provoked scandals, like the cancellation of the film in many French cinemas, but despite this fact the film has been the one chosen (and the first Spanish film) to open the Cannes festival.
In the film we can feel Almodovar touch everywhere: the tremendously deep characters, the unbelievable plot and the colourful scene as well as in the camera angles. All this things make Almodovar maintain a fidelity to his style. Another curiosity is the cameo that the director's brother, who appears in most of his films, does, in this case as a pool cleaner.
The Gael Garcia's acting, without Mexican accent, is wonderful and he shines as a travestite femme fatale, an icon to noir films, just as Almodovar likes to describe the film.. The atmosphere of the film carries us to the 80s thanks to its perfect job of decoration and wardrobe documentation .