Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and... See full summary »
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
In the early 60s, two boys - Ignacio and Enrique - discover love, movies and fear in a Christian school. Father Manolo, the school principal and Literature teacher, both witnesses and takes part in these discoveries. The three characters come against one another twice again, in the late 70s and in 1980. These meetings are set to change the life and death of some of them. Written by
At the beginning of the movie, there's a poster of a fictitious film called "La abuela fantasma" on the wall in Enrique's studio (it's clearly visible when Ángel leaves after giving his screenplay to Enrique). "La abuela fantasma" was the original title of another Pedro Almodóvar film, Volver (2006). See more »
When Burenguer declines Ignacio's story over the phone, he says that he wouldn't be accepting it for "Short Stories of the 80's". According to his story, it would have had to been at least 1977, three years before the '80s let alone before a compilation of stories from the '80s would be released. See more »
I think I've just lost my faith at this moment, so I no longer believe in God or hell. As I don't believe in hell, I'm not afraid. And without fear I'm capable of anything.
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The title "Bad Education" only hints at what Almodovar's magnificent new film is all about. While certainly the sexual abuse the boy Ignacio suffers at the hands of Father Monolo is largely the contributing factor in the way his life turns out, (the film's most telling line occurs when the boy, on realising the priest's betrayal, says that at that moment he lost his faith and his belief in God and hell, that he was no longer afraid and without fear was capable of anything), it is not, essentially, what the film is about.
Indeed, a much better, if perhaps a more blase title might have been "All About My Father", for like Almodovar's earlier masterpiece "All About My Mother" it is a film about artifice, role-play and deception. The opening credits, (a pastiche of Saul Bass with a Herrmanesque score) deliberately evokes late Hitchcock and the film recalls "Vertigo", stylistically as well as thematically, another film about someone loving someone who is not whom they appear to be, each revelation building inexorably to a denouement as layers are quite literally stripped away. In a film which. in a sense, is 'about' acting, the performances are uniformly excellent, though to be fair, Gael Garcia Bernal, (certainly the best actor of his generation), stands head and shoulders above the rest playing a variation of roles, or rather a variation of the same role. All in all this is exquisite, pertinent all-encompassing film-making that only confirms Almodovar's position in the front rank of world class directors.
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