Pepas's lover, Iván, leaves her and she tries to contact him to find out why he's left. In her search for Iván, she confronts his wife and son, who are as clueless as she is. Meanwhile; ... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and... See full summary »
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
In the early 60s, two boys - Ignacio and Enrique - discover love, movies and fear in a Christian school. Father Manolo, the school principal and Literature teacher, both witnesses and takes part in these discoveries. The three characters come against one another twice again, in the late 70s and in 1980. These meetings are set to change the life and death of some of them. Written by
Mexican born actor Gael García Bernal had to be able to do a convincing Spanish accent before Pedro Almodóvar would allow him to get his role(s) in the movie. Bernal also had to master Spanish body language. He took flamenco lessons to help him do that. He also studied the films of Barbara Stanwyck and Spanish camp icon Sara Montiel, as well as Almodovar's previous leading ladies, Carmen Maura and Victoria Abril. When asked, however, if there was a particular femme fatale he sought to emulate, Bernal's response was Alain Delon's sexually ambiguous Ripley in Purple Noon (1960). See more »
When young Ignacio is singing to Father Manolo as a birthday present his lips move a little before we hear the lyrics See more »
I think I've just lost my faith at this moment, so I no longer believe in God or hell. As I don't believe in hell, I'm not afraid. And without fear I'm capable of anything.
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The latest film by Almodovar after the awarded All about my mother and Talk to her has divided the public opinion. Part of the audience say its the continuity of the director's talent and the other part does not like the film at all. But this division has always happened with Almodovar films, you love it or you hate it.
Of course the subject of the church and the pederasty has provoked scandals, like the cancellation of the film in many French cinemas, but despite this fact the film has been the one chosen (and the first Spanish film) to open the Cannes festival.
In the film we can feel Almodovar touch everywhere: the tremendously deep characters, the unbelievable plot and the colourful scene as well as in the camera angles. All this things make Almodovar maintain a fidelity to his style. Another curiosity is the cameo that the director's brother, who appears in most of his films, does, in this case as a pool cleaner.
The Gael Garcia's acting, without Mexican accent, is wonderful and he shines as a travestite femme fatale, an icon to noir films, just as Almodovar likes to describe the film.. The atmosphere of the film carries us to the 80s thanks to its perfect job of decoration and wardrobe documentation .
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