Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and... See full summary »
In the early 60s, two boys - Ignacio and Enrique - discover love, movies and fear in a Christian school. Father Manolo, the school principal and Literature teacher, both witnesses and takes part in these discoveries. The three characters come against one another twice again, in the late 70s and in 1980. These meetings are set to change the life and death of some of them. Written by
Gael García Bernal fired off an angry riposte to New York Times reporter Lynn Hirschberg after she claimed that he had fallen out with Pedro Almodóvar over filming the explicit homosexual love scenes in the film. Bernal wanted it on record that he had had absolutely no reservations about taking the role. See more »
When young Ignacio is singing to Father Manolo as a birthday present his lips move a little before we hear the lyrics See more »
I think I've just lost my faith at this moment, so I no longer believe in God or hell. As I don't believe in hell, I'm not afraid. And without fear I'm capable of anything.
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La Mala Educación could easily be Almodóvar's best movie ever. Yes the movie is darker than usual, but the plot is masterfully rendered in a mind-boggling game of morbid role-reversals. The best metaphor I can find is a distorted mirror: the story is broken down in pieces, a movie into a movie, characters shifting unexpectedly in even darker areas, stealing each other's lines and turning the table over and over. Gael García Bernal is at his best, finally playing on ambiguity rather than relying on his good looks.
The soundtrack is odd, and funny, with a clever use of old songs that perfectly fit the plot ("Cuore Matto", a Spanish version of "Moon River") and an amusingly obscene version of "Torna a Sorrento", which I am afraid most will miss. Aside from the mind boggling twists of the campy "noir" plot, the real mystery is the NC-17 rating. Pretty amazing in a movie with virtually no nudity and it speaks volumes about what we are going to see-- and not see in the future.
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