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Bad Education (2004)
"La mala educación" (original title)

 -  Drama | Mystery  -  19 March 2004 (Spain)
7.5
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Ratings: 7.5/10 from 37,989 users   Metascore: 81/100
Reviews: 158 user | 177 critic | 34 from Metacritic.com

An examination on the effect of Franco-era religious schooling and sexual abuse on the lives of two longtime friends.

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Nominated for 1 BAFTA Film Award. Another 14 wins & 34 nominations. See more awards »

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Cast

Complete credited cast:
...
Ángel / Juan / Zahara
...
...
Padre Manolo
...
Francisco Maestre ...
Padre José
...
Ignacio
Juan Fernández ...
Martín
Nacho Pérez ...
Ignacio (as Ignacio Pérez)
Raúl García Forneiro ...
Enrique (as Raúl Gª Forneiro)
...
Paca / Paquito
Alberto Ferreiro ...
Petra Martínez ...
Madre
Sandra
Roberto Hoyas ...
Camarero
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Storyline

In the early 60s, two boys - Ignacio and Enrique - discover love, movies and fear in a Christian school. Father Manolo, the school principal and Literature teacher, both witnesses and takes part in these discoveries. The three characters come against one another twice again, in the late 70s and in 1980. These meetings are set to change the life and death of some of them. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama | Mystery

Motion Picture Rating (MPAA)

Rated NC-17 for a scene of explicit sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

19 March 2004 (Spain)  »

Also Known As:

Bad Education  »

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$147,370 (USA) (19 November 2004)

Gross:

$5,211,842 (USA) (22 April 2005)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

At the beginning of the movie, there's a poster of a fictitious film called "La abuela fantasma" on the wall in Enrique's studio (it's clearly visible when Ángel leaves after giving his screenplay to Enrique). "La abuela fantasma" was the original title of another Pedro Almodóvar film, Volver (2006). See more »

Goofs

When Burenguer declines Ignacio's story over the phone, he says that he wouldn't be accepting it for "Short Stories of the 80's". According to his story, it would have had to been at least 1977, three years before the '80s let alone before a compilation of stories from the '80s would be released. See more »

Quotes

Ignacio: I think I've just lost my faith at this moment, so I no longer believe in God or hell. As I don't believe in hell, I'm not afraid. And without fear I'm capable of anything.
See more »

Connections

References Breakfast at Tiffany's (1961) See more »

Soundtracks

Maniquí Parisien
(Arcadio Rosés Berdiel / Manuel Aniesa (as Manuel Aniesa Pelayo))
(c) 1960 by Arcadio Roses Berdiel/Manuel Aniesa Pelayo, Madrid
Authorized by the exclusive worldwide rights holder, Ediciones Musicales Hispavox, S.A.
Performed by Sara Montiel
By the license from Dpto. de Productos Especiales de (p) EMI Odeon, S.A., Madrid, España, 2003
See more »

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User Reviews

 
Dark, twisted and fun
24 December 2004 | by (United States) – See all my reviews

La Mala Educación could easily be Almodóvar's best movie ever. Yes the movie is darker than usual, but the plot is masterfully rendered in a mind-boggling game of morbid role-reversals. The best metaphor I can find is a distorted mirror: the story is broken down in pieces, a movie into a movie, characters shifting unexpectedly in even darker areas, stealing each other's lines and turning the table over and over. Gael García Bernal is at his best, finally playing on ambiguity rather than relying on his good looks.

The soundtrack is odd, and funny, with a clever use of old songs that perfectly fit the plot ("Cuore Matto", a Spanish version of "Moon River") and an amusingly obscene version of "Torna a Sorrento", which I am afraid most will miss. Aside from the mind boggling twists of the campy "noir" plot, the real mystery is the NC-17 rating. Pretty amazing in a movie with virtually no nudity and it speaks volumes about what we are going to see-- and not see in the future.


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