The clock is ticking towards The Last Minute, but no one knows it. No one except Billy Byrne - young, cool and talented, he's the Next Big Thing. At least that's what the London glitterazzi...
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Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
The clock is ticking towards The Last Minute, but no one knows it. No one except Billy Byrne - young, cool and talented, he's the Next Big Thing. At least that's what the London glitterazzi are saying, on the streets, in the clubs, in the Business. But the glitterazzi turn out to be wrong and Billy Byrne is all over in a split second. His world detonates. His self-esteem splinters. Suddenly he's on a rollercoaster ride into the London underworld - a dangerous land of murderers, thieves and talent agents. Written by
Near the end of the credits there is a message from the director which mirrors Billy Byrne's obsession with time: "The original director's cut of this motion picture is exactly 163989 frames, 6832.875 seconds, 113.88125 minutes, 1.8980208 hours in duration (sans logos.) If this version is a different length, or if this message is missing, you may not have viewed the original director's cut. For further information, contact: www.stephennorrington.com See more »
Billy Byrne (Max Beesley, who bears a passing resemblance to Mark Wahlberg) is the proverbial new kid on the block. Thanks to the game of hype he's IT for the top being. However when his first work bombs horridly both critically as well as commercially, he has to figure a way to get back on top even as he sinks lower and lower into the metaphysical goo. Stephen directed 2 movies before this one and wrote one of those. A bit early for a semi (very) self-autobiographical introspective work one would think.It strikes me that perhaps he thought of him brilliant when he was writing this. A bit over inflated ego perhaps. He seeks to shock the audience by subjecting us to a barrage of images and keeping the film moving at a lightning quick pace (aside from a few slow spots) It might have been enough to get by 20 years ago, but to today's much more jaded viewers it doesn't resonate nearly as much. Not to say the film is a total loss as Beesley provides a pretty good, if not especially engaging, performance and I was rarely bored with it. It's just not that memorable. For a film that argues you shouldn't waste even a second of life, why would one choose to kiss 120 minutes away on this?
My Grade: C-
DVD Extras: Director's commentary; Max Beesley commentary; Producing of TLM, Style of TLM, Character Tree video; Cast and Crew Bios; Crafting Prosthesis; SN Connection; What Billy does; 3 music videos that did nothing for me; 4 faux TV show snippets; Production Notes; a game to determine how many weeks you have left until your 90th birthday and you get short clips of interviews or behind the scene footage (I had to F'n clue how to work this); Theatrical Trailer; Trailers for "Sex and Lucia", "The Believer", and "Scratch" (Honestly there may be a bit more but the extras menu is akin to the one found on the bonus disc of the "Nightmare on Elm Street" collection in as far as how you have to navigate through it)
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