When six teenage boys came together as a skateboarding team in the 1980s, they reinvented not only their chosen sport but themselves too - as they evolved from insecure outsiders to the most influential athletes in the field.
The rise, fall, and rebirth of Christian Hosoi, the young man who helped skateboarding re-emerge as a major cultural influence in the 1980s. The inventive skater and businessman was ... See full summary »
D.O.P.E. takes a long look at legendary skateboarders as they achieve world wide fame by winning world championships and then descent into the world of drug addiction and crime. This ... See full summary »
Sub-titled "The Birth of Extreme", this documetary takes a look at the transformation of skateboarding from its former image as a land-bound pastime for surfers to its status today as an extreme and acrobatic sport in its own right. Starting from the California surf community of Dogtown, the film follows the evolution of modern skateboarding through it's 70's heyday, its decline during the 80's, and its eventual (and highly lucrative) return in the 90's. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
I usually have a hard time with documentaries. Film for me is a matter of conversations between different parts of myself and various personalities (and virtual personalities as elements) within the project. This requires a certain synthesis of the reality in and of the film. Most documentaries, the journalistic ones, cannot acknowledge the synthetic nature of what they show.
No so here. The topic is one that interests: kids making up something that has no purpose other than being a vehicle for style - and it carrying that meme of style to millions, perhaps hundreds of millions, of kids. A question of expression completely in line with what happened to our music and dress for a long while before the counterforces of hiphop and country developed.
Cool. And as with so many such successful, youth-driven revolutions, this one was invented by savvy journalism. These same journalists now do a metajob on reporting both the phenomenon and how they created it. Along the way, they have copious interviews with the players.
The same style is used in the film as in the skating, which is a practiced but of course not entirely committed ragginess. There is no mention of the sex and little note of drugs except that the star skater (perhaps the only one that was truly committed) is now incarcerated. He is a completely dulled individual now, the walking dead.
So we have double folding: journalism about journalism about self-journalism. The style of style.
Ted's Evaluation -- 3 of 3: Worth watching.
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