In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
The year is 2071. Following a terrorist bombing, a deadly virus is released on the populace of Mars and the government has issued a 300 million woo-long reward, the largest bounty in history, for the capture of whoever is behind it. The bounty hunter crew of the spaceship Bebop; Spike, Faye, Jet and Ed, take the case with hopes of cashing in the bounty. However, the mystery surrounding the man responsible, Vincent, goes deeper than they ever imagined, and they aren't the only ones hunting him. The original creators of the virus have dispatched Electra to deal with Vincent and take out anyone who may stumble on the truth behind him. As the hunt for the man with no past and no future continues to escalate, they begin to question what about the world is reality and what is a dream as the line between sanity and insanity becomes more apparent. Written by
Much to the chagrin of fellow staff members, half way through production, the movie extended from a ninety minute film, to a two hour film. See more »
When Spike chases the Moroccan out of the shop, and is searching for him in the crowd, his jacket jumps about between shots. See more »
No one can draw a clear line between sane and insane. You move that line as you see fit for yourself. No one else can. You'll understand soon... that the one that's insane is this world. Do you want to come with me? The only ones left will be you and me.
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After the closing credits we are taken back to the Bebop living room. Spike naps on the couch. Spike: He was just all alone. He couldn't enjoy a game with anyone else. Like living in a dream... That's the kind of man he was... He spots a butterfly in the air and grabs it. He opens his hand. Nothing is there. TEXT: ARE YOU LIVING IN THE REAL WORLD? See more »
More than worthy of being associated with the series
This movie is just as good, if not better, than most of the episodes in the series. If Bebop fans learn to accept the story for what it is--an extended version of a typical(albeit superior) episode, this movie will live up to the exceptional quality of the series. And if someone with no knowledge of the series watches this movie, they will have very little to catch up on. The great thing about the film is its accessibility to all audiences with its stand alone storyline(although Bebop fans can still get new things out of it).
With the introduction of the character of Vincent Volaju, the Cowboy Bebop brain trust has provided a great nemesis for the protagonist Spike to interact with. These two characters' fight scenes are exceptional, and the bond that they share works great with the overall tone of the series. The subtle philosophical points of the film may not be mind blowing, but they are definitely above average. Great dialogue is rare in animation, let alone anime, and this is one of the strong points of both the series and the movie. It is obvious that the creators have tried to fit almost all elements of the series into this work, and they have succeeded, despite that great burden. Each of the five major characters from the series(Spike, Jet, Faye, Ed, and Ein) get the right amount of time in the spotlight, while allowing the new characters(Vincent, Electra, and Rashid) time to develop properly. Also, as any fan of the series can vouch for, the music is not only original, but almost like a character unto itself.
Ultimately, this film boils down to the centerpiece of the series, Spike Spiegel, and his final meeting with his kindred spirit, the tortured Vincent Volaju. The result of this film helps propel the series into its heart wrenching conclusion and underlying philosophical tone.
More than worthy of being associated with the Cowboy Bebop series.
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