In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
The year is 2071. Following a terrorist bombing, a deadly virus is released on the populace of Mars and the government has issued a 300 million woo-long reward, the largest bounty in history, for the capture of whoever is behind it. The bounty hunter crew of the spaceship Bebop; Spike, Faye, Jet and Ed, take the case with hopes of cashing in the bounty. However, the mystery surrounding the man responsible, Vincent, goes deeper than they ever imagined, and they aren't the only ones hunting him. The original creators of the virus have dispatched Electra to deal with Vincent and take out anyone who may stumble on the truth behind him. As the hunt for the man with no past and no future continues to escalate, they begin to question what about the world is reality and what is a dream as the line between sanity and insanity becomes more apparent. Written by
In the prison scene, when Spike recalls the deal he made to Electra, his dubbed voice doesn't match the amount of his "mouth flaps". In between his voice can be heard, and then nothing when his mouth is still moving. See more »
I've been one of the lucky people able to see Cowboy Bebop: Knockin' On Heaven's Door at the box office. It kicks so much ### on so many levels. Featuring just about the entire main TV series cast at one point or another(with the exception of TV villain Vicious), it is one of the best movies I've seen in 2003.
The plot is a bit haunting, especially with the bad guy being a bio-terrorist, but then again, this was made back in 2001, before any of the stuff was going to happen. I'm not going to say much, except it is a bit hard to understand if you only see it once. Also, it helps to better understand the characters if you've seen the TV series.
Yoko Kanno once again composes the music, and it's awesome. Just about every tune perfectly fits in with the scenes.
And what scenes they are. The action scenes kick dirt in the faces of most live action movies I've seen recently. The fight scenes literally make the weak action in the Matrix films look like ballet. Just see the fight at the end of the film and you'll know what I mean. It's just...... wow. I can't really describe it without spoiling anything, and I do not want to do that. Another thing good about animation... you can get away with stuff you could never do in live films, without a ton of CGI. This helps when you see some really big animation stunt. And of course, it couldn't be CB without one of those awesome chases in Spike's ship, the swordfish.
BOTTOM LINE: With the DVD out at most stores, including places like Walmart, you have no excuse to miss this thrill ride.
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