The warden of a small, rundown, minimum-security prison plots revenge against the prison's dishonest owner by having four inmates break out and plan a department store robbery to spruce up the prison's faculties.
After the death of his older brother, Giuseppe "The Guppy" Calzone (Kevin McDonald) becomes head of the Calzone Mob Family. His aging father (Dom DeLuise) knows his son is not cut out for ... See full summary »
Monte Peterson, a rich real-estate developer, is going through his third divorce. His friend Ray has found a good site for a ski resort in Utah, and Monte comes to bid on the land, ... See full summary »
Sidney J. Furie
Andrew Dice Clay,
An Angel Level 1 named George Burns wants to be reunited with his long lost love, Gracie Allen, who resides at Level 6. In order to do so he is sent on a mission by God to save a big time ... See full summary »
Scott Edmund Lane
Scott Edmund Lane
Davie (Adam Wylie), a cabin boy who was betrayed and marooned by Captain Lucky (Leslie Nielsen) on Pirate Island, sets up booby traps with the help of a monkey named Chester to catch Lucky ... See full summary »
Eternal bachelor Lupo plays the comical presenter to the musical acts in his own Italian restaurant 'Serenade Café' in New York, but operatic singer Gina is not amused, she throws him out of her dressing room- the more she insults him, the crazier the old fool gets about her. To keep him off she insists her husband must be an opera singer, so he is easily duped by Ierra, who hits on with Gina himself and ships Lupo off to his Italian cahoot, musical teacher Marcello, for lessons- actually he is so bad that even the dog runs off, and after they bribe the local opera to give him a tiny part, the sound-tortured audience chases him for his life. He passes out but is found and taken in by a winegrowers family, which gives him confidence and a killer voice... Written by
The opera song the mediocre female singer sings who ends up dating "Lupo" (Dangerfield) to further her career (since he owns a famous restaurant), is the same tune written for Citizen Kane (1941) in which the main character, buys his "trophy" girl an opera house. See more »
When the bartender is talking to the server about how much Rodney is in love, his white shirt collar tucks itself under his black vest between shots. See more »
Don't shoot! Don't shoot! I won't sing anymore, I promise!
See more »
A comedy like this won't hold up to today's standards. It doesn't have the acidic bite, the sarcasm or the snappy gags that make modern comedies so successful, despite the fact that it was written by & stars Rodney Dangerfield who basically invented acidic bite, sarcasm & snappy gags.
Instead, in this story--the last one Rodney would write for the big screen--he takes us on a trip back to the smooth, human vibe we used to get from the classic comedies with Jimmy Stewart, Tony Curtis, etc. He doesn't play the part of the wisecracking, quick-witted hero you might expect from "Back to School" but instead he plays sort of a schlep, an emotionally downtrodden loser (despite his material success) who evokes our sympathies like a lost puppy dog.
Having read some of the other reviews, I think this takes people by surprise, particularly his fans, who deem his performance sluggish & lackluster. However, if you drop all preconceived notions of what a Rodney film 'should be' and instead approach this as a human story where the wisecracks are merely incidental, you'll really enjoy it. This is Rodney, the real man, not the performer. And I consider it a real treat to catch a glimpse of his human side.
Some of the gags are predictable or outright silly, but then again, can't we say the same thing about a classic Jimmy Stewart comedy? I can't stress enough how much this film reminds me of those bygone movies, right down to the dreamy cinematography (lots of crane shots) and manufactured studio sets (like in the opening scene of a city block on a rainy night: pure nostalgia). I think a lot of care went into establishing this old-timey vibe. It's quite the opposite of the slick & hip "Back to School" (which I loved, by the way). "The 4th Tenor" is more like an 80s Hugh Grant romantic comedy but instead of the face of prettyboy Hugh & his classic British accent, we get the mug of Rodney Dangerfield & his Brooklyn twang. If that image doesn't scare you off, then I think you'll really enjoy the flick.
2 of 2 people found this review helpful.
Was this review helpful to you?