The 4th Tenor (2002)A restaurant owner falls in love with an opera singer and, desperate to impress her, travels to Italy to learn how to sing. Director:Harry Basil |
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The 4th Tenor (2002)A restaurant owner falls in love with an opera singer and, desperate to impress her, travels to Italy to learn how to sing. Director:Harry Basil |
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| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Rodney Dangerfield | ... |
Lupo
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Anita De Simone | ... |
Rosa
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| Annabelle Gurwitch | ... |
Gina
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| Charles Fleischer | ... |
Alphonse
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| Robert Davi | ... |
Ierra
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Hamilton Camp | ... |
Papa
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Elsa Raven | ... |
Mama
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Jacob Urrutia | ... |
Mario
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| Richard Libertini | ... |
Vincenzo
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| Dom Irrera | ... |
Petey
(as Dominick Irrera)
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| Patrick Cupo | ... |
Nunzio
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Anney Giobbe | ... |
Francesca
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| Vincent Schiavelli | ... |
Marcello
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Pierrino Mascarino | ... |
Roberto
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| Marty Belafsky | ... |
Johnny
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Eternal bachelor Lupo plays the comical presenter to the musical acts in his own Italian restaurant 'Serenade Café' in New York, but operatic singer Gina is not amused, she throws him out of her dressing room- the more she insults him, the crazier the old fool gets about her. To keep him off she insists her husband must be an opera singer, so he is easily duped by Ierra, who hits on with Gina himself and ships Lupo off to his Italian cahoot, musical teacher Marcello, for lessons- actually he is so bad that even the dog runs off, and after they bribe the local opera to give him a tiny part, the sound-tortured audience chases him for his life. He passes out but is found and taken in by a winegrowers family, which gives him confidence and a killer voice... Written by KGF Vissers
This is a very predictable romantic comedy. Although he is the main character, we see very little of the Rodney we have come to know and love. We see so little of Vincent Schiavelli, its hard to tell its him. The operatic ingenue-diva, early on, is certainly fetchingly sensual, but her portrayal of a devious wench is unconvincing by any measure. Generally, the acting by all parties is tepid.
There are a few beautiful landscapes of Italy in the movie; watch for them. Sadly, most of the action is shot on a soundstage.
The operatic elements are wonderful, but all too short. The fans of opera will play this soundtrack over and over, and use the DVD as a coaster for their iced latte.
Lose the DVD, save the Soundtrack.