Own the rights?
Perhaps it was because I had missed two other movies because the Sundance volunteers couldn't give directions to save their lives (only partially kidding, I know there were some people there who were doing great work), but when I finally got to actually see a movie at this year's Festival I was excited to begin with. But being the cynical b***ard that I am that excitement would have worn off if the movie I was watching would have sucked. Luckily, it didn't.Expecting a semi-documentary on grainy film focusing in on igloos, I was surprised to see a surly Bob Hoskins fill the screen. In your typical An-American-passport-will-get-you-through-almost-anything sort of way this movie progressed rather nicely. (What's with movies where the local "police" feel free to take passports? e.g. The Mexican and this movie) What are they going to do with them anyway?)It tells a story that is not so heartwarming when you find out certain things about Hoskins character but he does a nice 180. How he finds the little fella he is escorting across the border after they separate is a slight suspension of disbelief but was done in a charming enough way that I was willing to do so.A little harder to believe was the pride of the little boy in some scenes. When give the ability to get out of his war-torn country he definitely displays some spunk that I don't know would still be present in a small child in the middle of the war. But children and movies surprise us all the time.Check this out when you get a chance.
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