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Welcome to Death Row (2001)

Video  -  Documentary | Music  -  25 September 2001 (USA)
7.3
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Ratings: 7.3/10 from 458 users  
Reviews: 5 user | 1 critic

The true story of the rise and fall of Death Row Records.

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Cast

Credited cast:
Frank Alexander ...
Himself - Tupac Shakur's Bodyguard
Sam Gideon Anson ...
Himself - Investigative Reporter: L.A. Weekly
William J. Bennett ...
Himself (archive footage)
Lamont Blumfield ...
Himself - Artist Manager: Kurupt
John 'B.J.' Bryant ...
Himself - Former Security Officer: Death Row Records (as BJ)
Hank Caldwell ...
Himself - Former President: Death Row Records
Jonathan Clark ...
Himself - Former Executive: Motown Records
...
Himself - CEO: Bad Boy Records (archive footage) (as Sean 'P. Diddy' Combs)
The D.O.C. ...
Himself - The D.O.C.
Ton Def ...
Himself - Rap Artist
...
Himself - Rap Artist
...
Himself - Rap Artist
...
Himself - U.S. Senator (archive footage)
...
Himself - Rap Artist / Producer
Eazy-E ...
Himself - Member of NWA (archive footage) (as Eazy E)
Edit

Storyline

The true story of the rise and fall of Death Row Records.

Add Full Plot | Add Synopsis

Plot Keywords:

music industry

Taglines:

It Started in Compton. It Ended in Infamy.

Genres:

Documentary | Music

Certificate:

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Details

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Language:

Release Date:

25 September 2001 (USA)  »

Company Credits

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Did You Know?

Connections

References The Godfather (1972) See more »

Soundtracks

187 UM
Written by Andre Young, Colin Wolfe, Snoop Dogg (as Calvin Broadus)
Performed by Snoop Dogg for Solar Records
Sony / ATV Tunes LLC (ASCAP)
See more »

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User Reviews

 
They don't mince words or hide the truth in this one
26 January 2005 | by (United States) – See all my reviews

This is a true documentary (no frills, no filler) depicting the reasons behind the rise and fall of one of the most influential record labels in music history. Death Row Records started out as the brainchild of a few players in the local LA Rap Scene, and at its peak, it was a legitimate force in business, politics, media and entertainment on a national scale. The documentary is captivating because it only focuses on the footage, accounts, memories and thoughts of those who were central figures in the company and industry at the time. In the early and mid-90's, gangsta rap, east coast/west coast feuds, Biggie and 2Pac, drugs, rap music videos, and multi-platinum hip-hop records became extremely profitable and recognizable byproducts of pop culture -- and Death Row Records was at the center of it all. Kudos to the director and producers for never getting sidetracked as they allow those who were involved (from Dre to Snoop to 2Pac to Suge to writers to security guards) to tell it like it was.


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