After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Max Baron (James Spader) is a 27-year-old high-flying advertising executive still recovering from the death of his wife. One night he is in a bar when he meets Nora Baker (Susan Sarandon), ... See full summary »
An emotionally fragile woman recently released from a mental hospital for self mutilation goes to school to gain secretarial skills to gain employment. She has an alcoholic father and a co-dependent mother who are clueless as to who she really is which a tormented soul who really wants to find something with which she can find success. She is a great secretary and finds a job with a unique, old fashioned, but off center in charge boss with a somewhat sociopathic sexual proclivity. She grows and evolves and so does he. Written by
Erin Cressida Wilson: In Mr. Grey's waiting room, where there are three people waiting to see him, one of them is played by the film's screenwriter. See more »
In the first scene, Lee takes an assumedly freshly-typed letter directly from the typewriter with her mouth. But as she's walking down the hall toward E. Edward Grey's office, a circled error can be seen on the letter. See more »
I got out of the institution on the day of my sister's wedding. I had started to get used to the place. Breakfast at 8:00, classes at 2:00. Therapy at 4:00, and asleep by 10:00.
[Lee's doctor says goodbye]
You can call me any time, Lee. I will always try to be of help to you.
Inside, life was simple.
[Lee hugs her doctor]
Thank you, Dr. Twardon.
For that reason, I was reluctant to go.
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Maggie Gyllenhaal deserves an Oscar nomination for her brilliant portrayal of borderline psychotic, self-mutilating Lee Holloway, a former mental institution patient seeking to sustain herself - vocationally and emotionally - in a challenging world where she has few safe harbors. She comes from a messy family background although that alone can't explain her illness.
Learning typing, she gets a secretary's job with lawyer E. Edward Grey (James Spader, who also turns in a first-rate, nuanced performance). Grey refuses to have any computers in his very smart, expensive law office. Like many lawyers he's a perfectionist who abhors typographical errors but his obsession with perfection reflects more than an anal personality hitched to a law degree. His solo practice seems to thrive better than his self-control of a suppressed sexuality, awakened by Maggie at first unknowingly.
This is a film about what many consider to be deviant behavior (sado-masochism and bondage-discipline, not your usual Hollywood romantic fun and games) that most will concur is uncommon in the workplace. Director Steven Shainberg and his cast - and Gyllenhaal and Spader carry the film, forget the supporting actors - show Lee and Grey's rocky and developing relationship with candor, without condemnation and without exploitation. The lawyer and his secretary are sexualized in a way few have experienced and those who have don't talk to folks outside their circle.
This is a black comedy/a black drama. It either grabs or repels the viewer: there's no in-between. The resolution? Is it realistic or a cop-out? I'd love to hear from those able to comment from experience on IMDb's discussion board. But I have a feeling few will post reactions.
A very different film that I rate 8/10 on a personal scale where I value the deep and tortured acting projecting the absorbing conflict of this sexualized working (initially) relationship.
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