| Eddie Murphy | ... | Himself / Various Characters (archive footage) | |
| rest of cast listed alphabetically: | |||
| Sheree Ali | ... | Gumby's Wife (archive footage) (uncredited) | |
| Billy Crystal | ... | Lew Goldman (archive footage) (uncredited) | |
| James Downey | ... | Newspaper Vendor (archive footage) (uncredited) | |
| Robin Duke | ... | Herself / Various Characters (archive footage) (uncredited) | |
| Mary Gross | ... | Herself / Various Characters (archive footage) (uncredited) | |
| Christopher Guest | ... | Mort Schmegman (archive footage) (uncredited) | |
| Rich Hall | ... | Waiter (archive footage) (uncredited) | |
| Tim Kazurinsky | ... | Himself / Various Characters (archive footage) (uncredited) | |
| Charles Q. Murphy | ... | Friend (uncredited) (archive footage) | |
| Joe Piscopo | ... | Himself / Various Characters (archive footage) (uncredited) | |
| Tony Rosato | ... | Secretary (archive footage) (uncredited) | |
| Lisa Ruffin | ... | Various (archive footage) (uncredited) | |
| Martin Short | ... | Irving Cohen (archive footage) (uncredited) | |
| Clint Smith | ... | Himself (archive footage) (uncredited) | |
| Stevie Wonder | ... | Stevie Wonder Impersonator (archive footage) (uncredited) | |
Directed by | |||
| Andy Breckman | (segment "White Like Me") | ||
| Dave Wilson | (archive footage) | ||
| Claude Kerven | (segment "Buckwheat assasination") (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Eddie Murphy | uncredited | |
| Michael O'Donoghue | uncredited | |
Produced by | |||
| Ken Aymong | .... | supervising producer | |
| Dick Ebersol | .... | executive producer | |
| Stacey Foster | .... | coordinating producer | |
| Michael Shoemaker | .... | co-producer | |
Original Music by | |||
| David Allen Jones | |||
Film Editing by | |||
| Ed Hinch | (video tape) | ||
Production Management | |||
| Gary Considine | .... | executive in charge of production | |
Sound Department | |||
| Chris Seeger | .... | post-production audio | |
| Jay Vicari | .... | post-production audio | |
Editorial Department | |||
| Nicholas S. Mallardi | .... | editor: avid | |
Other crew | |||
| Laurie Berdan | .... | research coordinator | |
| Robert Caminiti | .... | associate director (as Bob Caminiti) | |
| Sharon Haskell | .... | title sequence | |
| Tom Mezzio | .... | research coordinator | |
| Lyle Schweitzer | .... | research coordinator | |
| Scott Weinstein | .... | research coordinator | |
| Recent Posts (updated daily) | User |
|---|---|
| Songs from skit | mwillerby |
| this is a great showcase of his humor | angelalyn14612 |
| CILL MY LANDLORD | michael_benedikter |
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| The Best of Eddie Murphy: Saturday Night Live | Saturday Night Live: The Best of Tracy Morgan | Saturday Night Live: The Best of Chris Rock | The Best of Dan Aykroyd | Saturday Night Live: The Best of Adam Sandler |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Now this is the real Saturday Night Live: funny, biting, mean, and hilarious. The show from a quarter century ago had a diamond in the rough and an equally funny companion, Eddie Murphy and Joe Piscopo. These two single-handedly revived the franchise after the original cast left, and far outshone the originals in terms of raw talent. Eddie was a phenomenon of the comedy world that the now-pathetic SNL may never see again. He was only 19 when he joined, but he was highly versatile in his ability to do impressions, which was his best talent. Eddie knew how to work the audience, and gave the people precisely what they wanted. He was enthusiastic and energetic, and could do anything from James Brown to a curmudgeonly old Jewish man. He created a menagerie of very funny and highly memorable characters. His fast-talking Brooklyn stand-up style was a welcome change to the by-the-numbers comedy school comedians who made up the rest of the SNL cast in the early Eighties. Eddie was fresh and exciting, and far from pedestrian. No comedian on SNL, even among those of the so-called "great" originals, such as John Belushi or Bill Murray, rose from nothing to international fame and fortune as fast, or at such a young age, as Eddie Murphy. He was like a bright comet in the comedy heavens that is really an anomaly.
I highly doubt SNL can ever hope to hedge their bets on another boy wonder like Eddie. A talent like his is hard to find. Jean Douminian and Ebersole's decision to cast Eddie was pure good luck, and I doubt Lorne Michaels will ever come across such a serendipitous find for the rest of his career.