An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
In 1951, Laura Brown, a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel 'Mrs. Dalloway'. Clarissa Vaughn, a modern woman living in present times is throwing a party for her friend Richard, a famous author dying of AIDS. These two stories are simultaneously linked to the work and life of Virginia Woolf, who's writing the novel mentioned before. Written by
Jonas Reinartz <firstname.lastname@example.org>
When Louis Waters visits Clarrisa Vaughn, she gives him water with ice and a lemon, in later shots you see neither a lemon or ice, and later you see just a lemon and no ice. See more »
Did it matter, then, she asked herself, walking toward Bond Street. Did it matter that she must inevitably cease, completely. All this must go on without her. Did she resent it? Or did it not become consoling to believe that death ended absolutely? It is possible to die. It is possible to die.
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This film begins with Virginia Woolf (Nicole Kidman) walking down to a river, filling her pockets with rocks, wading in and drowning. This will be the only lighthearted moment in the film. After that it gets really depressing. It should have been titled "Frustrated, Suicidal Lesbians" but I doubt it would attract an audience. It wallows in misery and self-pity and celebrates suicide and abandonment as legitimate solutions. It also suggests that true genius can only come from neuroses.
It is an unbelievable misuse of acting talent. "The Hours" is how much of your life you will waste watching it.
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