The story of how the novel "Mrs. Dalloway" affects three generations of women, all of whom, in one way or another, have had to deal with suicide in their lives.
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When a man with AIDS is fired by a conservative law firm because of his condition, he hires a homophobic small time lawyer as the only willing advocate for a wrongful dismissal suit.
Director:
Jonathan Demme
Stars:
Tom Hanks,
Denzel Washington,
Roberta Maxwell
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation for his daughter's attractive friend.
Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested.
On an isolated lake, an old monk lives on a small floating temple. The wise master has also a young boy with him who learns to become a monk. And we watch as seasons and years pass by.
In 1951, Laura Brown, a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel 'Mrs. Dalloway'. Clarissa Vaughn, a modern woman living in present times is throwing a party for her friend Richard, a famous author dying of AIDS. These two stories are simultaneously linked to the work and life of Virginia Woolf, who's writing the novel mentioned before. Written by
Jonas Reinartz <jonas.reinarzt@web.de>
To achieve the effect of Laura becoming submerged in the hotel room, the set was lowered into a tank of river water. See more »
Goofs
When Louis Waters visits Clarrisa Vaughn, she gives him water with ice and a lemon, in later shots you see neither a lemon or ice, and later you see just a lemon and no ice. See more »
Quotes
Clarissa Vaughn:
That is what we do. That is what people do. They stay alive for each other.
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Nicole Kidman is writing a book, Julianne Moore is reading the book, Meryl Streep is the book. A brilliant conceit by master David Hare, astonishingly performed by Nicole Kidman, Meryl Streep, Ed Harris, Toni Collette, John C Railly, Allison Janney,Stephen Dillane, Miranda Richardson Jeff Daniels and Clare Danes, even Eileen Atkins in a tiny, but revelatory moment, as the flower shop owner, is a true standout. Nicole Kidman's Virgina Woolf is a bit of a miracle, specially now, 5 years later, when you can actually look at her without noticing her nose. What you do notice is her thinking, her beautifully torturous battle for sanity - whether conscious or unconscious - "Even crazy people want to be asked!- she blurts at her sister to admonished her for not having been invited to a party. Kidman is truly sensational as is Meryl Streep, although one has come to expect that and that's why Kidman makes the bigger splash. Julianne Moore however, as the depressed perfect mother/wife of the 1950's, took me completely out of the emotional tornado Kidman and Streep consistently nurture and provide. Her performance is a performance and I was painfully aware of the machinery working just behind her eyes. Regardless "The Hours" is a rewarding experience a totally accessible intellectual and emotional ride.
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Nicole Kidman is writing a book, Julianne Moore is reading the book, Meryl Streep is the book. A brilliant conceit by master David Hare, astonishingly performed by Nicole Kidman, Meryl Streep, Ed Harris, Toni Collette, John C Railly, Allison Janney,Stephen Dillane, Miranda Richardson Jeff Daniels and Clare Danes, even Eileen Atkins in a tiny, but revelatory moment, as the flower shop owner, is a true standout. Nicole Kidman's Virgina Woolf is a bit of a miracle, specially now, 5 years later, when you can actually look at her without noticing her nose. What you do notice is her thinking, her beautifully torturous battle for sanity - whether conscious or unconscious - "Even crazy people want to be asked!- she blurts at her sister to admonished her for not having been invited to a party. Kidman is truly sensational as is Meryl Streep, although one has come to expect that and that's why Kidman makes the bigger splash. Julianne Moore however, as the depressed perfect mother/wife of the 1950's, took me completely out of the emotional tornado Kidman and Streep consistently nurture and provide. Her performance is a performance and I was painfully aware of the machinery working just behind her eyes. Regardless "The Hours" is a rewarding experience a totally accessible intellectual and emotional ride.