An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Sophie is the survivor of Nazi concentration camps, who has found a reason to live in Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the ... See full summary »
In 1951, Laura Brown, a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel 'Mrs. Dalloway'. Clarissa Vaughn, a modern woman living in present times is throwing a party for her friend Richard, a famous author dying of AIDS. These two stories are simultaneously linked to the work and life of Virginia Woolf, who's writing the novel mentioned before. Written by
Jonas Reinartz <email@example.com>
At the Academy Awards ceremony on 23 March 2003, Denzel Washington said as he announced the nominees and winner for Best Actress in a Leading Role, "...and the winner, by a nose, is Nicole Kidman," in reference to Kidman having worn a prosthetic nose for her performance in the movie. See more »
Richard yells by the window, "Don't come near me!!" and, holding the handle, points his cane at Clarissa. In the very next shot, he's holding the other end of the cane with the handle is being pointed at Clarissa. See more »
I'm dying in this town.
If you were thinking clearly, Virginia, you would recall it was London that brought you low.
If I were thinking clearly? If I were thinking clearly?
We brought you to Richmond to give you peace.
If I were thinking clearly, Leonard, I would tell you that I wrestle alone in the dark, in the deep dark, and that only I can know. Only I can understand my condition. You live with the threat, you tell me you live with the threat of my extinction. Leonard, I live with it too.
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"The Hours" is an extremely intelligent movie. It's deep and sensitive and the script is something different for a change. The acting couldn't get any better. EVERY role was casted perfectly. I never really liked Nicole Kidman but she is a fantastic actress and at the moment she just chooses the right roles. She definitely deserved the Oscar. Juliane Moore is amazing, too. I wonder if there is any genre she can't do. And then, there's Meryl Streep. Will this woman ever stop being great? I mean after all the great movies she's been in in the 80's, she's still making exceptional films such as "Adaptation" and "The Hours", whereas other actors who were great 10 years ago pretty much lost it today *cough*Pacino*cough*DeNiro*cough, cough*. The director did a wonderful job and the score is another big plus of this movie. The haunting music underlines the depressing all around atmosphere and lets one feel how miserable these main characters are all the time. At times I felt like these women's sadness was explained too little, though. Maybe that's manly ignorance but I couldn't totally figure out why Juliane Moore's character was so depressed all the time. It was a little annoying that she never stopped crying and you couldn't tell why. I paid attention and I did try reading between the lines but that was a mystery to me. Probably just a personal problem. All in all I think this is the 2nd best movie of 2003's Oscar movies (1st being "The Pianist", 3rd "About Schmidt").
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