Paul Scheer sheds some light on The Room, lets us in on a secret in The Disaster Artist, and answers your questions. Plus, we explore the origins of midnight movies and take a look at IMDb's Top 10 Stars of 2017.
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
In 1951, Laura Brown, a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel 'Mrs. Dalloway'. Clarissa Vaughn, a modern woman living in present times is throwing a party for her friend Richard, a famous author dying of AIDS. These two stories are simultaneously linked to the work and life of Virginia Woolf, who's writing the novel mentioned before. Written by
Jonas Reinartz <email@example.com>
Come Oscar nomination time, the film caused problems for makers Paramount and Miramax as they weren't sure whether to put Nicole Kidman forward as Best Supporting Actress (where she would have been in direct competition with her 2 co-stars, probably canceling each other out) or as Best Actress (even though from a screen running time perspective it is a supporting role). Meryl Streep is in the film for 42 minutes, Julianne Moore for 33 minutes and Kidman for only 28 minutes. See more »
When Clarissa entered Richard's apartment she didn't lock the door after she shut it, but when she left she unlocked it. See more »
[Narrating the letter]
Dearest, I feel certain that I am going mad again. I feel I can't go through another one of these terrible times and I shant recover this time. I begin to hear voices and can't concentrate. So, I am doing what seems to be the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I know that I am spoiling your life and without me you could work and you will, I know. You see I can't even write ...
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So said the gay ex-lover of Richard (Ed Harris) - whose name I mercifully forget - about a book written by Richard - whose title I mercifully forget. But while the quote is about Richard's fictional book, the words serve also as an apt description of this movie, which goes on and on - and on and on - without anything really happening. OK. I exaggerate a wee bit. In the last twenty minutes or so some things do happen, but it sure takes a long time to get there, and the wait isn't worth the effort.
The story is supposedly about how the lives of three women all revolve around a novel by Virginia Woolf: Virginia Woolf herself (Nicole Kidman) as she struggles to write the book, Laura Brown (Julianne Moore) as she contemplates suicide, and Clarissa Vaughan (Meryl Streep) as she deals with her ex-husband Richard (who wrote the boring fictional book) who is now dying of AIDS. Frankly the story is not just dull; it's rather depressing, and I was never able to get into it from the very beginning. There was nothing here that interested me.
I do confess, though, to being mystified by the Academy of Motion Pictures Arts. This movie got eight Oscar nominations? And how in the world did Nicole Kidman win for Best Actress when - in my humble opinion - she wasn't even the lead actress in the movie? As far as I'm concerned that "honour" - dubious though it is in this project - belongs to Julianne Moore, whose character was much more central to the story and received much more screen time (and who was credited ahead of Kidman). But who can understand such things? All I know is - this was tedious viewing from start to finish.
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