An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
In 1951, Laura Brown, a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel 'Mrs. Dalloway'. Clarissa Vaughn, a modern woman living in present times is throwing a party for her friend Richard, a famous author dying of AIDS. These two stories are simultaneously linked to the work and life of Virginia Woolf, who's writing the novel mentioned before. Written by
Jonas Reinartz <email@example.com>
In the Virginia Woolf segment, Leonard Woolf is shown setting type for their press, Hogarth Press. In fact, Leonard's hands shook so that he could not set type, and it was Virginia who did the typesetting. Virginia found setting type calming, and said that it shaped her feel for words on the page, influencing her approach to writing. See more »
"The Hours" was the first movie I've seen in 2003. I'm easily going to name it as the best movie of 2002 and something tells me that in 12 months time, I will be saying it's one of the best movies of 2003 as well.
Based on a Michael Cunningham novel, "The Hours" combines a real life story (Virginia Woolf), a re-written one (Laura Brown's interpretation of "Mrs. Dalloway") and an original creation as well (Clarissa Vaughn).
We get three different stories, each fascinating on its own edited together into a complex, intriguing drama that will have you in tears a couple of times before the ending credits start rolling.
What glues the stories together is "Mrs. Dalloway" - the book. Virginia Woolf, a suicidal author in England (1923) creates the character, the novel inspires a lonely housewife in Los Angeles (1951) and a 'trivial' 2001 New York City gay woman is called "Mrs. Dalloway" by her dying friend who points out the similarities between them. Later on, we find out another connection between the characters.
It's clear that the thoughts that have been put into this movie go beyond the screenplay and acting. Things like the settings & clothing for each story help compile a perfect, believable plot.
However, what really left me with awe was the PHENOMENAL acting.
Nicole Kidman (with the word "Oscar" stamped on her forehead) delivers a performance of a lifetime playing a rather difficult role while disguising everything that is usually so associated with her. With a fake nose, a cold, dark and distant attitude and above all a rough change to her voice, Kidman portrays Mrs. Woolf exactly as the writers wanted us to grasp her and manages to be the most outstanding of the three despite getting the least screen time. Absolutely amazing.
Meryl Streep (C. Vaughn, 2001) and Julianne Moore (L. Brown, 1951) give impressive lead performances themselves with memorable emotional scenes. Cameo appearances by Ed Harris, Claire Danse, John C. Riley, Alison Janney & Toni Collette all support this exquisite masterpiece.
MUST SEE. 10/10
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