Extraterrestrial beings travel the galaxy to free men "oppressed" by females to make way for an entirely-homosexual society.
It Comes at Night director Trey Edward Shults reveals the horror movies that helped inspire the look, feel, and storyline of his upcoming movie starring Joel Edgerton.
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Title: Gayniggers from Outer Space (1992)
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Photos
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Cast
| Cast overview, first billed only: | |||
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Coco C.P. Dalbert | ... | |
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Sammy Salomon | ... | |
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Gbatokai Dakinah | ... |
Sgt. Shaved Balls
(as Gbartokai Dakinah)
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Konrad Fields | ... | |
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Anne Busacker | ... |
Ukranian
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Verner Mollerup Christensen | ... |
Ukranian
(as Verner Christensen)
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Torben Zenth | ... |
Ukranian
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Tove Kristensen | ... |
Ukranian
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Heidrun von Wildenraut | ... |
German
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Heintz Heinrick von Grundstead | ... |
German
(as Heinz Heindrick von Grundsted)
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Maiksen Thorsson | ... |
Hooker
(as Maiken Thorsson)
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Nina N. Rosenmeier | ... |
Hooker
(as Nina Rosenmeier)
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Yon Hee Kim | ... |
Asian
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Ehi Yeon Kim | ... |
Asian
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Chapper | ... |
Asian
(as Chang Il Kim 'Chapper')
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Plot Summary
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Storyline
Extraterrestrial beings travel the galaxy to free men "oppressed" by females to make way for an entirely-homosexual society.
Plot Keywords:
extraterrestrial | racial slur in title | evil man | gay parent | gay father |Parents Guide:
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Details
Country:
DenmarkLanguage:
EnglishAlso Known As:
Геи-ниггеры из далекого космоса See more »Company Credits
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Technical Specs
Runtime:
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(uncredited)
Composed and Written by Paul de Senneville
Performed by Richard Clayderman
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Soundtracks
Ballade pour Adeline(uncredited)
Composed and Written by Paul de Senneville
Performed by Richard Clayderman
See more »
Perhaps least often recounted of the virtues of this superlative piece of cine-graphic mana is that of its subtle yet delicious taste. I will be the first to admit, as a well known gourmand of the silver screen era, I did not evaluate the prospect of dining on a scratched vcd labeled in felt-tipped pen of all things. Upon unwrapping the VCD, the harsh chemical smell made me yearn for the bygone days when I could sink my fork into something substantive, a big spool of celluloid dripping in silver halide, or even a crunchy treat of large-crystal cellulose acetate. Yet, as all men of character must, I ventured forth into the unknown with a tentative bite, held on the end of a trembling fork, poised to rush to the lavatory should the desire to void overtake me. Yet such precautions were unneeded! The second my tongue met the pits and grooves of the reflective foil, I was dumbfounded by a shock of flavor, comparable only to the initial note of a top-shelf Riesling. As my well-worn molars did their ancient work, the roof of my mouth was perforated with pleasantly jagged shards of plastic, adding a physical component to my enjoyment. I found myself bewildered at the thought that there were still men out there delving so fearlessly into the realm of haute cuisine, and with an empty cdr tray and full belly, I can only say to the makers of this wonderful piece of cinema: more please.