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A young man replies to an ad offering £10,000 for an unspecified request. In true 'Tales of the Unexpected' fashion, the young man meets the man from the ad, a mysterious old man, with dangerous intentions.
Club Le Monde follows an evening out at a seedy nightspot. Plot strands involve a trio of lost transvestites, two girls who never leave the toilets, a pair of innocent under-age drinkers and a guy who is determined to pierce his genitalia, but the central story follows Ali as she sets out to humilate her former lover, Mike, who slept with another woman. Written by
The large numbers of extras required were obtained by having members of production staff hand out fliers to students outside the University of London Union, promising an "exclusive live set" by the film's on-screen DJs, Mr. C, Brandon Block and Alex P. All of the extras are credited by name at the end of the film. See more »
A poster in the ticket booth has a website address clearly visible on it, even though the film is set in 1993. See more »
High-quality independent film that deserves great success
Club Le Monde is a very rare film indeed: a completely independent British film with the quality, charm and good-humour to deserve massive commercial success. Whether it achieves this remains to be seen, but it certainly should.
Set in a seedy nightclub in 1993, the film follows a large ensemble cast as they spend the night drinking, dancing, trying to have sex, taking drugs and piercing parts of their bodies. What could have been a confusing melee of characters - some of whom appear and disappear within a few minutes - is, in fact, an easy-to-follow and downright hilarious story of a bunch of strangers simply having a good time.
Such is the quality of the script that the whole experience of watching Club Le Monde feels much like a night out in a club in its own right. Things start slowly; people come and go; things start to heat up; you start to recognise some of the people around the place; and by the end, the audience is left feeling exhausted, that they've had an exciting, if relatively harmless and meaningless, time.
Simon Rumley has enjoyed enormous critical, if not commercial, success in his films to date. This one leaves his previous work far behind, inasmuch as it is a fully-rounded masterwork from someone who truly seems to understand his peers and the English language.
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