A lesbian, an aspiring actor, an aspiring singer, a low-class marriage, a neighborhood community and 2 renowned directors have memorable less-than-24-hour-long experiences while living in/visiting the capital of Cuba.
About a Palestinian girl of 17 who wants to get married to the man of her own choosing. Rana wakes up one morning to an ultimatum delivered by her father: she must either choose a husband ... See full summary »
This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films ... See full summary »
Father Louis Page, a catholic priest, has lost his mother. Facing doubts in his faith, he decided to make a pilgrimage to Compostelle. On his way he's involved in many stories, trying to help people and to lighten his own burden.
Frédéric van den Driessche,
Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, Ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't. Written by
The music used in the opening credit sequence is from an Arabic song by Mohammed Abdulwahab from the 1950s called "Me, suffering, and your love" which are what the majority of the film is about. See more »
At the border, when several cars are told to turn around, the camera is reflected in the side of the cars for several seconds. See more »
The only way to treat this subject is laughing at it!!
The problem in the Middle East is very complex and not black & white. To make a film about the ongoing war between two tribes who have the same forefathers and have to share a piece of land is not easy!! The only way, in my opinion, to make a film about it, is to make it light and transparent. And that is exactly what Elia Suleiman does. Absurd scenes (the Palestinian beauty who turns into a Ninja and destroy the acrobatic Israeli marksmen), but also very subtil stories about Palestinians who make life miserable for each other in the Occupied terretories. He uses several biblical symbols (eating eggs, killing a snake) and uses repetition to show how life gets by when you're living like subhumans. My cup of tea!!
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