| Photos (See all 34 | slideshow) |
| Steve Coogan | ... | Tony Wilson | |
| John Thomson | ... | Charles | |
| Nigel Pivaro | ... | Actor at Granada | |
| Paul Popplewell | ... | Paul Ryder | |
| Lennie James | ... | Alan Erasmus | |
| Shirley Henderson | ... | Lindsay | |
| Mark Windows | ... | Johnny Rotten | |
| Paddy Considine | ... | Rob Gretton | |
| Raymond Waring | ... | Vini | |
| Ron Cook | ... | Derek Ryder | |
| John Simm | ... | Bernard Sumner | |
| Danny Cunningham | ... | Shaun Ryder | |
| Dave Gorman | ... | John the Postman | |
| Ralf Little | ... | Hooky (Peter Hook) | |
| Andy Serkis | ... | Martin Hannett | |
| Martin Hancock | ... | Howard Devoto | |
| Peter Kay | ... | Don Tonay | |
| Mark E. Smith | ... | Punter | |
| Naomi Radcliffe | ... | Twitchy Girl | |
| Sean Harris | ... | Ian Curtis | |
| Tim Horrocks | ... | Steve | |
| Rob Brydon | ... | Ryan Letts | |
| Howard Devoto | ... | Cleaner | |
| Collette Cooper | ... | Sadie | |
| Tracy Cunliffe | ... | Other Girl in Nosh Van | |
| Enzo Cilenti | ... | Peter Saville | |
| Duncan Whitworth | ... | Jez | |
| Michael Mitchell Jr. | ... | Simon (as Michael Mitchell Jnr.) | |
| Claire Lever | ... | Assistant | |
| Neil Bell | ... | Aspiring Singer | |
| Aidan Cross | ... | Goth | |
| Simon Pegg | ... | Journalist | |
| Elizabeth Kelly | ... | Ian's Gran | |
| Darren Tighe | ... | Mike Pickering | |
| Chris Coghill | ... | Bez | |
| Anna Tyborczyk | ... | Gillian | |
| Peter Gunn | ... | Farmer | |
| Dan Hope | ... | Mark | |
| Nick Clarke | ... | Gaz | |
| Margi Clarke | ... | Actor in Corridor | |
| Mani | ... | Sound Engineer | |
| Smug Roberts | ... | Railway Guard | |
| Clint Boon | ... | 2nd Railway Guard | |
| Toby Salaman | ... | Sir Keith Joseph | |
| Conrad Murray | ... | Bailey Brother | |
| Martin Coogan | ... | Chris Nagle | |
| Rowetta Satchell | ... | Herself (as Rowetta) | |
| Kieran O'Brien | ... | Nathan (as Keiran O'Brien) | |
| Kate Magowan | ... | Yvette | |
| Paul Ryder | ... | Pel | |
| Roger Kennedy | ... | Doorman Sam | |
| Sean Cernow | ... | Little Pel | |
| Fiona Allen | ... | Cloakroom Girl | |
| Helen Schlesinger | ... | Hilary | |
| Joshua McNicholas | ... | Oliver | |
| Tony Wilson | ... | Studio Director (as Anthony H. Wilson) | |
| Keith Allen | ... | Roger Ames | |
| Dino | ... | Wise Guy | |
| A. Bowser | ... | Wise Guy (as Mr. A. Bowser) | |
| Gary Roberts | ... | Wise Guy | |
| rest of cast listed alphabetically: | |||
| Kenny Baker | ... | Zookeeper (uncredited) | |
| Michael Biggam | ... | Sex Pistols Fan (uncredited) | |
| Jean-Jacques Burnel | ... | Himself - The Stranglers (archive footage) (uncredited) | |
| Martin Nigel Davey | ... | Partygoer (uncredited) | |
| John Lydon | ... | Himself (archive footage) (uncredited) | |
| Sean McKenzie | ... | Man at Sex Pistols Gig (uncredited) | |
| Steve McTigue | ... | Hacienda Doorman (uncredited) | |
| Iggy Pop | ... | Himself (archive footage) (uncredited) | |
| Siouxsie Sioux | ... | Herself (archive footage) (uncredited) | |
| Paul Weller | ... | Himself - The Jam (archive footage) (uncredited) | |
Directed by | |||
| Michael Winterbottom | |||
Writing credits(in alphabetical order) | ||
| Frank Cottrell Boyce | screenplay | |
Produced by | |||
| Gina Carter | .... | co-producer | |
| Andrew Eaton | .... | producer | |
| Robert How | .... | line producer | |
| Fiona Neilson | .... | assistant producer | |
| Henry Normal | .... | executive producer | |
Cinematography by | |||
| Robby Müller | (director of photography) (as Robby Muller) | ||
Film Editing by | |||
| Trevor Waite | |||
| Michael Winterbottom | (uncredited) | ||
Casting by | |||
| Wendy Brazington | |||
Production Design by | |||
| Mark Tildesley | |||
Art Direction by | |||
| Paul Cripps | (supervising art director) | ||
Set Decoration by | |||
| Lucy Howe | |||
Costume Design by | |||
| Stephen Noble | |||
| Steven Noble | |||
| Natalie Ward | |||
Makeup Department | |||
| Janita Doyle | .... | makeup designer | |
| Neill Gorton | .... | prosthetic makeup designer (as Neil Gorton) | |
| Jane Oakley | .... | assistant makeup artist | |
| Jill Sweeney | .... | makeup designer | |
Production Management | |||
| Cendrine Gady | .... | assistant production manager | |
| Neil Grimshaw | .... | post-production supervisor | |
| Jethro Harris | .... | post-production manager | |
| Sally Maynard | .... | unit manager | |
| Jackie Vance | .... | post-production supervisor | |
| Tommaso Vergallo | .... | production manager (as Tommaso Vergello) | |
Second Unit Director or Assistant Director | |||
| Tom Bruggen | .... | second unit director | |
| Michael Elliott | .... | first assistant director (as Mike Elliott) | |
| Richard Harris | .... | crowd co-ordinator | |
| Jonathan Leather | .... | crowd co-ordinator | |
| Nic Shearer | .... | second assistant director | |
| Anthony Wilcox | .... | third assistant director | |
Art Department | |||
| Steve Branch | .... | construction manager | |
| John Bridge | .... | carpenter | |
| Damien Cleare | .... | art department assistant | |
| Michelle Day | .... | prop hand | |
| Mark Digby | .... | stand-by art director | |
| John Elsworth | .... | painter | |
| Steve Elsworth | .... | painter | |
| Rod Gorwood | .... | draftsman | |
| Paula Hickman | .... | assistant stand-by props | |
| Stuart Hudson | .... | dressing props | |
| C.A. Jackson | .... | carpenter | |
| Sami Kahn | .... | trainee: FT2 | |
| Cat MacMillan | .... | property master | |
| Paul Mitchell | .... | dressing props | |
| Tony O'Hara | .... | carpenter | |
| John Price | .... | laborer | |
| John Roberts | .... | carpenter | |
| Mark Skitt | .... | carpenter | |
| Mike Syson | .... | dressing props | |
| Colin Worrall | .... | painter | |
| Paul Yarwood | .... | carpenter | |
| Philip Diggle | .... | painter: paintings in Haçienda (uncredited) | |
Sound Department | |||
| Orin Beaton | .... | sound maintenance engineer | |
| Peter Burgess | .... | foley artist | |
| Peter Burgis | .... | foley artist | |
| Andie Derrick | .... | foley artist (as Andy Derrick) | |
| John Falcini | .... | sound re-recording mixer | |
| Robert Farr | .... | foley mixer | |
| Anthony Faust | .... | foley editor | |
| Zane Hayward | .... | supervising sound editor | |
| Mitch Low | .... | sound assistant | |
| Tom Piper | .... | sound: Hacienda | |
| James Seddon | .... | stereo sound consultant: Dolby | |
| Joakim Sundström | .... | dialogue editor | |
| John Warhurst | .... | foley editor | |
| Stuart Wilson | .... | sound recordist | |
| Aad Wirtz | .... | sound re-recording mixer | |
| Orin Beaton | .... | boom operator (uncredited) | |
Special Effects by | |||
| David Bryan | .... | special effects director | |
| Steve Tomkow | .... | armourer: Firepower | |
| Steve Scotton | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Peter Bach | .... | digital effects consultant | |
| Alice Coren | .... | 2D design | |
| Simon Fallon | .... | digital effects executive producer | |
| Steve Garrad | .... | digital effects producer | |
| Rip Hampton O'Neil | .... | technical manager | |
| Tom Harding | .... | Inferno operator | |
| John Harvey | .... | 3D pigeon animation | |
| Simon Hutala | .... | digital effects supervisor (as Simon Huhtala) | |
| Abdel Ali Kassou | .... | imaging technician | |
| Jim Parsons | .... | Inferno operator | |
| Adrian Russell | .... | 3D UFO animation | |
| Matt Johnson | .... | on-set visual effects supervisor (uncredited) | |
| Courtney Vanderslice | .... | head of production: Cinesite (uncredited) | |
Stunts | |||
| Nick Hobbs | .... | stunt coordinator | |
| Gareth Milne | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Phil Brookes | .... | rigging gaffer | |
| John Colley | .... | gaffer | |
| Dave Fowler | .... | best boy (as David Fowler) | |
| Philip George | .... | camera operator: hovercam | |
| Chris Greenwood | .... | assistant camera | |
| Chris Greenwood | .... | clapper loader | |
| Chris Greenwood | .... | second focus puller | |
| Steve Griffiths | .... | electrician (as Stevie Griffiths) | |
| Gifford Hooper | .... | aerial camera operator | |
| Chris Hughes | .... | electrician | |
| Jane Rousseau | .... | camera operator | |
| Jon Shard | .... | unit photographer | |
| Amelia Troubridge | .... | stills: The Film Consortium | |
| Marcel Zyskind | .... | camera operator | |
| Marcel Zyskind | .... | focus puller | |
Casting Department | |||
| Sophie Gabszewicz | .... | casting assistant | |
| Robert Woodshaw | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Hilary S. MacDonald | .... | costume assistant (as Hilary MacDonald) | |
| Hilary S. MacDonald | .... | wardrobe assistant | |
| Uta Thompson | .... | costume assistant | |
| Kate Towns | .... | costume assistant | |
| Esme Young | .... | costume maker | |
Editorial Department | |||
| Chris Beeton | .... | telecine colorist | |
| Fizz Chaudhry | .... | editor trainee: FT2 | |
| Martin Corbett | .... | first assistant editor | |
| Simon Giblin | .... | digital on-line editor | |
| Steve Harrow | .... | post-production consultant | |
| Scott Hinchcliffe | .... | on-line editor | |
| Steve Lee | .... | on-line editor | |
| Michael Nollet | .... | editor trainee: FT2 | |
| Shane Warden | .... | on-line editor | |
| Llyr Wynn-Jones | .... | second assistant editor (as Llyr Wynn Jones) | |
| Cas Casey | .... | on-line editor (uncredited) | |
| Sam Mangan | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Liz Gallacher | .... | music supervisor | |
| Martin Moscrop | .... | music coordinator | |
| Joakim Sundström | .... | music editor | |
| Pete Tong | .... | music supervisor | |
Transportation Department | |||
| Jeff Hewitt | .... | driver | |
| Christine Mavron | .... | driver: rushes | |
| Paul Sargeant | .... | driver: rushes | |
| Pat Ward | .... | driver: second unit | |
Other crew | |||
| Catherine Brice | .... | researcher | |
| Ian Buchan | .... | web site designer | |
| Caroline Chapman | .... | floor runner | |
| Floriane Charles | .... | runner | |
| John Eccleston | .... | production accountant | |
| Candice Fonseca | .... | production coordinator | |
| Alex Fuller | .... | web site designer | |
| Tarn Harper | .... | post-production accountant | |
| Lindsay Hughes | .... | assistant: Steve Coogan (as Lindsey Hughes) | |
| Alex Knight | .... | second unit assistant | |
| Kate Lee | .... | publicist | |
| Matthew Long | .... | production runner | |
| Rachel McClelland | .... | assistant: Michael Winterbottom | |
| Sarada McDermott | .... | production secretary | |
| Dan McTiernan | .... | runner | |
| Paul Monaghan | .... | runner | |
| Julia Phillips | .... | location scout | |
| Barney Pilling | .... | location scout | |
| Anna Raynsford | .... | publicist | |
| Emma Smith | .... | production runner | |
| Sam Taylor | .... | location manager | |
| Jane Trower | .... | assistant accountant | |
| Tony Wilson | .... | special consultant | |
| Pauline Burt | .... | risk manager (uncredited) | |
| Wayne Docksey | .... | animal master (uncredited) | |
| Heather Mansfield | .... | risk manager (uncredited) | |
| Rachel McClelland | .... | researcher (uncredited) | |
| Roger Phillips | .... | end titles (uncredited) | |
Thanks | |||
| Chris Auty | .... | special thanks | |
| Luke Bainbridge | .... | special thanks | |
| Julie Baines | .... | special thanks | |
| Roy Barraclough | .... | special thanks | |
| Mark 'Bez' Berry | .... | special thanks (as Bez) | |
| Clint Boon | .... | special thanks | |
| Stuart Boreman | .... | special thanks | |
| Rebecca Boulton | .... | special thanks | |
| James Cartwright | .... | special thanks | |
| Debbie Curtis | .... | special thanks | |
| Natalie Curtis | .... | special thanks | |
| Dino | .... | special thanks | |
| Christopher Eccleston | .... | special thanks | |
| Alan Erasmus | .... | special thanks | |
| Paul Fallon | .... | special thanks | |
| Fine Time Fontayne | .... | special thanks | |
| Gillian Gilbert | .... | special thanks | |
| Lesley Gilbert | .... | special thanks | |
| Dave Haslam | .... | special thanks | |
| Shan Hira | .... | special thanks | |
| Peter Hook | .... | special thanks | |
| Mark Jackson | .... | special thanks | |
| Trevor Johnson | .... | special thanks | |
| Ben Kelly | .... | special thanks | |
| Jez Kerr | .... | special thanks | |
| Paul Mason | .... | special thanks | |
| Graham Massey | .... | special thanks (as Graeme Massey) | |
| Nathan McGough | .... | special thanks | |
| Sean McKenzie | .... | special thanks | |
| Bruce Mitchell | .... | special thanks | |
| Stephen Morris | .... | special thanks (as Steven Morris) | |
| Martin Moscrop | .... | special thanks | |
| Graeme Park | .... | special thanks | |
| Mike Pickering | .... | special thanks | |
| Lindsey Reade | .... | special thanks | |
| Vini Reilly | .... | special thanks | |
| Derek Ryder | .... | special thanks | |
| Paul Ryder | .... | special thanks | |
| Shaun Ryder | .... | special thanks | |
| Rowetta Satchell | .... | special thanks (as Rowetta) | |
| Peter Saville | .... | special thanks | |
| Phil Saxe | .... | special thanks | |
| James Sherlock | .... | special thanks | |
| Bernard Sumner | .... | special thanks | |
| Johnny Vegas | .... | special thanks | |
| Tony Wilson | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
24 Hour Party People is the story of Factory Records, a defiantly eccentric independent record label based in Manchester, England, which discovered acts as influential and diverse as Joy Division and the Happy Mondays.
The film is shot in mock-documentary style and narrated by Tony Wilson (Steve Coogan), the founder of Factory. Coogan portrays Wilson's double life as music svengali and cheesy local TV reporter to brilliant comic effect. Although Brits will draw the inevitable parallels between Coogan's Wilson and his ultra-naff TV persona, Alan Partridge, Coogan actually has Wilson off to a tee. Arrogant and pompous, Cambridge-educated Wilson is master of the pseudish sound bite (when he realises they have no tickets for a concert in his nightclub, he retorts `Did they have tickets for the Sermon on the Mount? Of course they didn't, people just turned up because they knew it would be a great gig'). But he also has a perceptive eye for the zeitgeist and his vision to create the Hacienda club transformed Manchester into Madchester, for a brief time the music capital of the world.
The story really starts with an early Sex Pistols gig in Manchester, attended by only 42 people, most of whom went on to have an influence on the Manchester music scene of the next 10 years. Wilson was in the audience, together with members of the band who went on to form the brilliant post-punk pioneers Joy Division. The first part of the film is really focussed on them and their manager, the aggressive and cantankerous Rob Gretton ( played by Paddy Considine), and their producer, the irascible acid-casualty Martin Hannett (another superb cameo by Andy Serkis) - both of whom are no longer alive. Joy Division's lead singer, Ian Curtis, is portrayed so accurately by Sean Harris that it's positively eerie, and the scenes of the band playing in rundown venues seem remarkably true to life and capture effectively the rawness and intensity of their live performances. The film also deals, rather insensitively, with the death of Curtis, who's feet we see swinging after he has strung himself up on a rope in his house. This segues uncomfortably into a town crier announcing his death to the world, and ends with scenes showing Curtis's body in a coffin at the crematorium.
From then on, the story continues with Joy Division's reincarnation as New Order and the building of the Hacienda nightclub, and the sometimes disastrous business decisions made by Wilson and Factory. When New Order released Blue Monday, the record sleeve was so expensive to produce they lost money on every copy sold. The single went on to become the biggest-selling 12' of all time, paradoxically crippling Factory in the process. The first nights at the Hacienda were also calamitous, with bands playing in front of single-figure audiences. Eventually however, the druggy indie dance kings Happy Mondays arrived on the scene, and acid house was born. Suddenly the Hacienda was the place to be and the Madchester rave scene became famous all over the world. The scenes of drugs-and-sex-excess on the Monday's tour bus and the re-creation of the Hacienda club nights are superbly portrayed.
The final part of the film tells how gang violence led to the closure of the club and the drug-riddled misadventures of the Mondays, especially their singer Shaun Ryder, led to their downfall and had severe financial implications for Factory Records (Wilson had inexplicably sent them to Barbados to record their last Factory album). Eventually, Factory was sold, lock, stock and barrel, to another label (who were perturbed to find Wilson had not signed any contracts with any of the Factory bands, effectively giving the artists total creative freedom).
24 Hour Party People is a real rollercoaster ride. There are some brilliant acting performances, punctuated by cameos from real members of the Manchester music scene (such as Howard Devoto and Mark E. Smith). The merging of legend and reality may make it difficult for people unfamiliar with events to work out what actually happened. But this is no accurate, austere documentary, but a touching, sometimes surreal, and often very, very funny, anarchic portrayal of a time and a place and it's music. Oh, and of course, the soundtrack is fantastic.